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Cultural convergence = the Dublin Ga...

Dublin Gate Theatre

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Cultural convergence = the Dublin Gate Theatre, 1928-1960 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Cultural convergence/ edited by Ondrej Pilny, Ruud van den Beuken, Ian R. Walsh.
Reminder of title:	the Dublin Gate Theatre, 1928-1960 /
other author:	Pilny, Ondrej.
Published:	Cham :Springer International Publishing : : 2021.,
Description:	xviii, 244 p. :ill., digital ;24 cm.
Contained By:	Springer Nature eBook
Subject:	Theater and society - History - 20th century. - Ireland -
Online resource:	https://doi.org/10.1007/978-3-030-57562-5
ISBN:	9783030575625

Cultural convergence = the Dublin Gate Theatre, 1928-1960 /
Cultural convergencethe Dublin Gate Theatre, 1928-1960 /[electronic resource] :edited by Ondrej Pilny, Ruud van den Beuken, Ian R. Walsh. - Cham :Springer International Publishing :2021. - xviii, 244 p. :ill., digital ;24 cm.

Open access.

Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence - the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.

ISBN: 9783030575625

Standard No.: 10.1007/978-3-030-57562-5doiSubjects--Corporate Names:

3487967
Dublin Gate Theatre
--History.Subjects--Topical Terms:

3487969
Theater and society
--History--Ireland--20th century.

LC Class. No.: PN2602.D82 / C85 2021

Dewey Class. No.: 792.0941835

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520 $a Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence - the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
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