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The Disneyfication of animals

Stanton, Rebecca Rose.

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The Disneyfication of animals

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Disneyfication of animals/ by Rebecca Rose Stanton.
Author:	Stanton, Rebecca Rose.
Published:	Cham :Springer International Publishing : : 2021.,
Description:	xxii, 225 p. :ill., digital ;24 cm.
[NT 15003449]:	1. WDAS' Portrayal of Food Farming- 2. Hunting and Fishing in WDAS films -- 3. Clothing and Other Objects Made from Animals -- 4. Pets and Working Animals in WDAS Films -- 5. Animal "Entertainers" in WDAS Films.
Contained By:	Springer Nature eBook
Subject:	Animals in motion pictures. -
Online resource:	https://doi.org/10.1007/978-3-030-49316-5
ISBN:	9783030493165

The Disneyfication of animals
Stanton, Rebecca Rose.

The Disneyfication of animals[electronic resource] /by Rebecca Rose Stanton. - Cham :Springer International Publishing :2021. - xxii, 225 p. :ill., digital ;24 cm. - The Palgrave Macmillan animal ethics series,2634-6672. - Palgrave Macmillan animal ethics series..

1. WDAS' Portrayal of Food Farming- 2. Hunting and Fishing in WDAS films -- 3. Clothing and Other Objects Made from Animals -- 4. Pets and Working Animals in WDAS Films -- 5. Animal "Entertainers" in WDAS Films.

This book critically examines how Walt Disney Animation Studios has depicted - and sometimes failed to depict - different forms of harming and objectifying non-human animals in their films. Each chapter addresses a different form of animal harm and objectification through the theories of speciesism, romanticism, and the 'collapse of compassion' effect, from farming, hunting and fishing, to clothing, work, and entertainment. Stanton lucidly presents the dichotomy between depictions of higher order, anthropomorphised and neotonised animal characters and that of lower-order species, showing furthermore how these depictions are closely linked to changing social attitudes about acceptable forms of animal harm. An engaging and novel contribution to the field of Critical Animal Studies, this book explores the use of animals not only in Disney's best known animated films such as 101 Dalmatians, but also lesser known features including Home on the Range and Fun and Fancy Free. A quantitative appendix supplying data on how often each animal species appears and the amount of times animal harm or objectification is depicted in over fifty films provides an invaluable resource and addition to scholars working in both Disney and animal studies.

ISBN: 9783030493165

Standard No.: 10.1007/978-3-030-49316-5doiSubjects--Corporate Names:

3486758
Walt Disney Animation Studios.
Subjects--Topical Terms:

873914
Animals in motion pictures.

LC Class. No.: PN1995.9.A5 / S73 2021

Dewey Class. No.: 791.43662

The Disneyfication of animals
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245 1 4 $a The Disneyfication of animals $h [electronic resource] / $c by Rebecca Rose Stanton.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2021.
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490 1 $a The Palgrave Macmillan animal ethics series, $x 2634-6672
505 0 $a 1. WDAS' Portrayal of Food Farming- 2. Hunting and Fishing in WDAS films -- 3. Clothing and Other Objects Made from Animals -- 4. Pets and Working Animals in WDAS Films -- 5. Animal "Entertainers" in WDAS Films.
520 $a This book critically examines how Walt Disney Animation Studios has depicted - and sometimes failed to depict - different forms of harming and objectifying non-human animals in their films. Each chapter addresses a different form of animal harm and objectification through the theories of speciesism, romanticism, and the 'collapse of compassion' effect, from farming, hunting and fishing, to clothing, work, and entertainment. Stanton lucidly presents the dichotomy between depictions of higher order, anthropomorphised and neotonised animal characters and that of lower-order species, showing furthermore how these depictions are closely linked to changing social attitudes about acceptable forms of animal harm. An engaging and novel contribution to the field of Critical Animal Studies, this book explores the use of animals not only in Disney's best known animated films such as 101 Dalmatians, but also lesser known features including Home on the Range and Fun and Fancy Free. A quantitative appendix supplying data on how often each animal species appears and the amount of times animal harm or objectification is depicted in over fifty films provides an invaluable resource and addition to scholars working in both Disney and animal studies.
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650 0 $a Animated films $z United States $x History and criticism. $3 538026
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