語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Every child a composer = music educa...
~
Bannan, Nicholas.
FindBook
Google Book
Amazon
博客來
Every child a composer = music education in an evolutionary perspective /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Every child a composer/ Nicholas Bannan.
其他題名:
music education in an evolutionary perspective /
作者:
Bannan, Nicholas.
出版者:
Oxford :Peter Lang Ltd, International Academic Publishers, : 2019,
面頁冊數:
xliii, 636 p. :ill., digital ;24 cm.
內容註:
Part I. Evolutionary musicology and music education. Music, evolution and self-expression ; The vocal basis of human musicality as an evolved phenomenon ; Music education and creativity -- Part II. Musical learning through collective creativity. Pedagogy for collective creativity: Introducing Harmony Signing ; Harmony Signing: Commencing with monophonic work ; The evolution of polyphony ; The basis of Harmony Signing: Three-part voice-leading ; Expanding the harmonic world: Journeys beyond the tonic horizon ; A notation system for sketching Harmony Signing operations ; Composing with the Primary Triads ; Introducing inversions ; Further exercises to develop security of location ; Expanding the universe via modulation: Excursions to replacement keys ; New chords within the Tonic: The Secondary Triads of the major scale ; Free(r) composition: Moving beyond homophony ; New short-cuts to modulation, and new destinations ; The Pandora's box of chromaticism: The diminished triads and other 'portkeys'; modal variants and 12-note music ; More on 7ths and their implications, 9th chords, and enharmonic relationships ; Harmony Signing in four (or more) parts ; Creative Harmony Signing in group composition and improvisation ; The limits of Harmony Signing: What students suggest, and some further directions to explore -- Part III. Teaching Composition at Secondary School. Creative pedagogy in practice ; Developing compositional strategies ; 'What if?' analysis: Creative engagement with existing music ; Developing an integrated music curriculum that fully embraces creativity.
標題:
Music - Instruction and study. -
電子資源:
https://www.peterlang.com/view/product/79860?format=EPDF
ISBN:
9781788740845
Every child a composer = music education in an evolutionary perspective /
Bannan, Nicholas.
Every child a composer
music education in an evolutionary perspective /[electronic resource] :Nicholas Bannan. - Oxford :Peter Lang Ltd, International Academic Publishers,2019 - xliii, 636 p. :ill., digital ;24 cm.
Includes bibliographical references (pages 579-598) and index.
Part I. Evolutionary musicology and music education. Music, evolution and self-expression ; The vocal basis of human musicality as an evolved phenomenon ; Music education and creativity -- Part II. Musical learning through collective creativity. Pedagogy for collective creativity: Introducing Harmony Signing ; Harmony Signing: Commencing with monophonic work ; The evolution of polyphony ; The basis of Harmony Signing: Three-part voice-leading ; Expanding the harmonic world: Journeys beyond the tonic horizon ; A notation system for sketching Harmony Signing operations ; Composing with the Primary Triads ; Introducing inversions ; Further exercises to develop security of location ; Expanding the universe via modulation: Excursions to replacement keys ; New chords within the Tonic: The Secondary Triads of the major scale ; Free(r) composition: Moving beyond homophony ; New short-cuts to modulation, and new destinations ; The Pandora's box of chromaticism: The diminished triads and other 'portkeys'; modal variants and 12-note music ; More on 7ths and their implications, 9th chords, and enharmonic relationships ; Harmony Signing in four (or more) parts ; Creative Harmony Signing in group composition and improvisation ; The limits of Harmony Signing: What students suggest, and some further directions to explore -- Part III. Teaching Composition at Secondary School. Creative pedagogy in practice ; Developing compositional strategies ; 'What if?' analysis: Creative engagement with existing music ; Developing an integrated music curriculum that fully embraces creativity.
"This book breaks new ground in drawing on evolutionary psychology in support of advocacy for music education, and the presentation of innovative musical pedagogy. The book adopts the perspective that musical experience is the birthright of all human beings through the decisive role it played in the evolution of our species, the traces of which we carry in our genes. The author draws on scientific developments in acoustics, neuroscience, linguistics, archaeology and anthropology to examine theories that have emerged powerfully during the last twenty years and which argue for the significance of the practice of music as foundational to human culture. This position is examined in parallel with research into how children learn musically, and the role that creative decision making plays in this. A series of strategies is presented that explores collective creativity which draws on vocalisation, the use of gesture, and instinctive responses to harmony to develop musical imagination."--Publisher's description.
ISBN: 9781788740845Subjects--Topical Terms:
546624
Music
--Instruction and study.
LC Class. No.: MT1 / .B3137 2019
Dewey Class. No.: 780.71
Every child a composer = music education in an evolutionary perspective /
LDR
:03453nmm a2200265 a 4500
001
2223801
003
PeterLang
005
20201106105737.0
006
m d
007
cr nn 008maaau
008
210115s2019 enka b 001 0 eng d
020
$a
9781788740845
$q
(electronic bk.)
020
$a
9781788740838
$q
(paper)
035
$a
9781788740845
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
MT1
$b
.B3137 2019
082
0 4
$a
780.71
$2
23
090
$a
MT1
$b
.B219 2019
100
1
$a
Bannan, Nicholas.
$3
3463665
245
1 0
$a
Every child a composer
$h
[electronic resource] :
$b
music education in an evolutionary perspective /
$c
Nicholas Bannan.
260
$a
Oxford :
$b
Peter Lang Ltd, International Academic Publishers,
$c
2019
300
$a
xliii, 636 p. :
$b
ill., digital ;
$c
24 cm.
504
$a
Includes bibliographical references (pages 579-598) and index.
505
0
$a
Part I. Evolutionary musicology and music education. Music, evolution and self-expression ; The vocal basis of human musicality as an evolved phenomenon ; Music education and creativity -- Part II. Musical learning through collective creativity. Pedagogy for collective creativity: Introducing Harmony Signing ; Harmony Signing: Commencing with monophonic work ; The evolution of polyphony ; The basis of Harmony Signing: Three-part voice-leading ; Expanding the harmonic world: Journeys beyond the tonic horizon ; A notation system for sketching Harmony Signing operations ; Composing with the Primary Triads ; Introducing inversions ; Further exercises to develop security of location ; Expanding the universe via modulation: Excursions to replacement keys ; New chords within the Tonic: The Secondary Triads of the major scale ; Free(r) composition: Moving beyond homophony ; New short-cuts to modulation, and new destinations ; The Pandora's box of chromaticism: The diminished triads and other 'portkeys'; modal variants and 12-note music ; More on 7ths and their implications, 9th chords, and enharmonic relationships ; Harmony Signing in four (or more) parts ; Creative Harmony Signing in group composition and improvisation ; The limits of Harmony Signing: What students suggest, and some further directions to explore -- Part III. Teaching Composition at Secondary School. Creative pedagogy in practice ; Developing compositional strategies ; 'What if?' analysis: Creative engagement with existing music ; Developing an integrated music curriculum that fully embraces creativity.
520
$a
"This book breaks new ground in drawing on evolutionary psychology in support of advocacy for music education, and the presentation of innovative musical pedagogy. The book adopts the perspective that musical experience is the birthright of all human beings through the decisive role it played in the evolution of our species, the traces of which we carry in our genes. The author draws on scientific developments in acoustics, neuroscience, linguistics, archaeology and anthropology to examine theories that have emerged powerfully during the last twenty years and which argue for the significance of the practice of music as foundational to human culture. This position is examined in parallel with research into how children learn musically, and the role that creative decision making plays in this. A series of strategies is presented that explores collective creativity which draws on vocalisation, the use of gesture, and instinctive responses to harmony to develop musical imagination."--Publisher's description.
650
0
$a
Music
$x
Instruction and study.
$3
546624
650
0
$a
Evolutionary psychology.
$3
585236
856
4 0
$u
https://www.peterlang.com/view/product/79860?format=EPDF
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9396313
電子資源
11.線上閱覽_V
電子書
EB MT1 .B3137 2019
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入