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Blasphemy and politics in romantic l...

Whickman, Paul.

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Blasphemy and politics in romantic literature = creativity in the writing of Percy Bysshe Shelley /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Blasphemy and politics in romantic literature/ by Paul Whickman.
Reminder of title:	creativity in the writing of Percy Bysshe Shelley /
Author:	Whickman, Paul.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	x, 212 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Chapter 2: Blasphemy and Copyright in the Long Eighteenth Century, 1695-1823 -- 3. Chapter 3: Blasphemy and the Shelley Canon: Queen Mab and Laon and Cythna -- 4. Chapter 4: Vulgar Anthropomorphisms: Blasphemy, Power and the Philosophy of Language -- 5. Chapter 5: The Promethean Conqueror, the Galilean Serpent and the Jacobin Jesus: Shelley's Interpretation(s) of Jesus Christ -- 6. Conclusion.
Contained By:	Springer eBooks
Subject:	Blasphemy in literature. -
Online resource:	https://doi.org/10.1007/978-3-030-46570-4
ISBN:	9783030465704

Blasphemy and politics in romantic literature = creativity in the writing of Percy Bysshe Shelley /
Whickman, Paul.

Blasphemy and politics in romantic literaturecreativity in the writing of Percy Bysshe Shelley /[electronic resource] :by Paul Whickman. - Cham :Springer International Publishing :2020. - x, 212 p. :ill., digital ;24 cm.

1. Introduction -- 2. Chapter 2: Blasphemy and Copyright in the Long Eighteenth Century, 1695-1823 -- 3. Chapter 3: Blasphemy and the Shelley Canon: Queen Mab and Laon and Cythna -- 4. Chapter 4: Vulgar Anthropomorphisms: Blasphemy, Power and the Philosophy of Language -- 5. Chapter 5: The Promethean Conqueror, the Galilean Serpent and the Jacobin Jesus: Shelley's Interpretation(s) of Jesus Christ -- 6. Conclusion.

This book argues for the importance of blasphemy in shaping the literature and readership of Percy Bysshe Shelley and of the Romantic period more broadly. Not only are perceptions of blasphemy taken to be inextricable from politics, this book also argues for blasphemous 'irreverence' as both inspiring and necessitating new poetic creativity. The book reveals the intersection of blasphemy, censorship and literary property throughout the 'Long Eighteenth Century', attesting to the effect of this connection on Shelley's poetry more specifically. Paul Whickman notes how Shelley's perceived blasphemy determined the nature and readership of his published works through censorship and literary piracy. Simultaneously, Whickman crucially shows that aesthetics, content and the printed form of the physical text are interconnected and that Shelley's political and philosophical views manifest themselves in his writing both formally and thematically.

ISBN: 9783030465704

Standard No.: 10.1007/978-3-030-46570-4doiSubjects--Personal Names:

592775
Shelley, Percy Bysshe,
1792-1822.Subjects--Topical Terms:

3459322
Blasphemy in literature.

LC Class. No.: PR5443 / .W453 2020

Dewey Class. No.: 821.709

Blasphemy and politics in romantic literature = creativity in the writing of Percy Bysshe Shelley /
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245 1 0 $a Blasphemy and politics in romantic literature $h [electronic resource] : $b creativity in the writing of Percy Bysshe Shelley / $c by Paul Whickman.
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505 0 $a 1. Introduction -- 2. Chapter 2: Blasphemy and Copyright in the Long Eighteenth Century, 1695-1823 -- 3. Chapter 3: Blasphemy and the Shelley Canon: Queen Mab and Laon and Cythna -- 4. Chapter 4: Vulgar Anthropomorphisms: Blasphemy, Power and the Philosophy of Language -- 5. Chapter 5: The Promethean Conqueror, the Galilean Serpent and the Jacobin Jesus: Shelley's Interpretation(s) of Jesus Christ -- 6. Conclusion.
520 $a This book argues for the importance of blasphemy in shaping the literature and readership of Percy Bysshe Shelley and of the Romantic period more broadly. Not only are perceptions of blasphemy taken to be inextricable from politics, this book also argues for blasphemous 'irreverence' as both inspiring and necessitating new poetic creativity. The book reveals the intersection of blasphemy, censorship and literary property throughout the 'Long Eighteenth Century', attesting to the effect of this connection on Shelley's poetry more specifically. Paul Whickman notes how Shelley's perceived blasphemy determined the nature and readership of his published works through censorship and literary piracy. Simultaneously, Whickman crucially shows that aesthetics, content and the printed form of the physical text are interconnected and that Shelley's political and philosophical views manifest themselves in his writing both formally and thematically.
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650 2 4 $a Poetry and Poetics. $3 2181924
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