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Filmmaking as research = screening m...

Charleson, Diane.

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Filmmaking as research = screening memories /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Filmmaking as research/ by Diane Charleson.
Reminder of title:	screening memories /
Author:	Charleson, Diane.
Published:	Cham :Springer International Publishing : : 2019.,
Description:	xiii, 147 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Beginnings -- 2. My research journey -- 3. Thematic concentrations : my research world -- 4. Rose's stories -- 5. Video installation and the agency of the viewer -- 6. Creating the still frame -- 7. Remixed memories -- 8. Endings and futures.
Contained By:	Springer eBooks
Subject:	Motion pictures - Production and direction. -
Online resource:	https://doi.org/10.1007/978-3-030-24635-8
ISBN:	9783030246358

Filmmaking as research = screening memories /
Charleson, Diane.

Filmmaking as researchscreening memories /[electronic resource] :by Diane Charleson. - Cham :Springer International Publishing :2019. - xiii, 147 p. :ill., digital ;24 cm.

1. Beginnings -- 2. My research journey -- 3. Thematic concentrations : my research world -- 4. Rose's stories -- 5. Video installation and the agency of the viewer -- 6. Creating the still frame -- 7. Remixed memories -- 8. Endings and futures.

This book examines the challenges often experienced by film practitioners who find themselves researching within the academy, either as students or academics. In light of this the author presents her own journey from practitioner to researcher as a lens. Her practice- based research has been a quest to "revision" memories, by creating filmic images that elicit memory and remembering. In so doing she has used a range of platforms: multi- screen video installation, still- framing the moving image and remixing found footage. Central to this research has been the importance of family storytelling and sharing, the relationship of the visual and memory, the agency of nostalgia and the role of aura, particularly evident in the re-appropriating of super 8 home movies into a variety of forms. Important to this is has been the relationship of the viewer and the viewed in particular the role of an immersive environment of viewing. Diane Charleson is a Senior lecturer in Media at Australian Catholic University Melbourne, Australia, and previously at RMIT University. She is a filmmaking researcher who began her career as a documentary maker. Her research explores a variety of visual methods to revision memories that elicit memory recall and personal storytelling.

ISBN: 9783030246358

Standard No.: 10.1007/978-3-030-24635-8doiSubjects--Topical Terms:

546521
Motion pictures
--Production and direction.

LC Class. No.: PN1995.9.P7 / C437 2019

Dewey Class. No.: 791

Filmmaking as research = screening memories /
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100 1 $a Charleson, Diane. $3 3453949
245 1 0 $a Filmmaking as research $h [electronic resource] : $b screening memories / $c by Diane Charleson.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a xiii, 147 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Beginnings -- 2. My research journey -- 3. Thematic concentrations : my research world -- 4. Rose's stories -- 5. Video installation and the agency of the viewer -- 6. Creating the still frame -- 7. Remixed memories -- 8. Endings and futures.
520 $a This book examines the challenges often experienced by film practitioners who find themselves researching within the academy, either as students or academics. In light of this the author presents her own journey from practitioner to researcher as a lens. Her practice- based research has been a quest to "revision" memories, by creating filmic images that elicit memory and remembering. In so doing she has used a range of platforms: multi- screen video installation, still- framing the moving image and remixing found footage. Central to this research has been the importance of family storytelling and sharing, the relationship of the visual and memory, the agency of nostalgia and the role of aura, particularly evident in the re-appropriating of super 8 home movies into a variety of forms. Important to this is has been the relationship of the viewer and the viewed in particular the role of an immersive environment of viewing. Diane Charleson is a Senior lecturer in Media at Australian Catholic University Melbourne, Australia, and previously at RMIT University. She is a filmmaking researcher who began her career as a documentary maker. Her research explores a variety of visual methods to revision memories that elicit memory recall and personal storytelling.
650 0 $a Motion pictures $x Production and direction. $3 546521
650 1 4 $a Culture and Technology. $3 3206145
650 2 4 $a Film and TV Production. $3 3383540
650 2 4 $a Media and Communication. $3 2187136
650 2 4 $a Research Methodology. $3 519201
650 2 4 $a Ethnography. $3 705632
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
856 4 0 $u https://doi.org/10.1007/978-3-030-24635-8
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