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Screen media for Arab and European c...

Sakr, Naomi.

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Screen media for Arab and European children = policy and production encounters in the multiplatform era /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Screen media for Arab and European children/ by Naomi Sakr, Jeanette Steemers.
其他題名:	policy and production encounters in the multiplatform era /
作者:	Sakr, Naomi.
其他作者:	Steemers, Jeanette.
出版者:	Cham :Springer International Publishing : : 2019.,
面頁冊數:	ix, 142 p. :ill., digital ;24 cm.
內容註:	1. Local, Regional and Global Media at a Time of Forced Migration: Evolving Geometries of Power -- 2. Joining the Dots: How Arab and European Children are Connected by Screen Media -- 3. Towards Well-Being? Stimuli for Shared Practice on Policy and Regulation -- 4. Face-to-Face: Cross-Cultural Collaboration in Provision and Delivery -- 5. Arab Children in Europe: Managing Diversity on Children's Television -- 6. Children's Visibility as Stakeholders: From Provision to Participation.
Contained By:	Springer eBooks
標題:	Mass media and children - Arab countries. -
電子資源:	https://doi.org/10.1007/978-3-030-25658-6
ISBN:	9783030256586

Screen media for Arab and European children = policy and production encounters in the multiplatform era /
Sakr, Naomi.

Screen media for Arab and European childrenpolicy and production encounters in the multiplatform era /[electronic resource] :by Naomi Sakr, Jeanette Steemers. - Cham :Springer International Publishing :2019. - ix, 142 p. :ill., digital ;24 cm.

1. Local, Regional and Global Media at a Time of Forced Migration: Evolving Geometries of Power -- 2. Joining the Dots: How Arab and European Children are Connected by Screen Media -- 3. Towards Well-Being? Stimuli for Shared Practice on Policy and Regulation -- 4. Face-to-Face: Cross-Cultural Collaboration in Provision and Delivery -- 5. Arab Children in Europe: Managing Diversity on Children's Television -- 6. Children's Visibility as Stakeholders: From Provision to Participation.

This book addresses gaps in our understanding of processes that underpin the making and circulation of children's screen contents across the Arab region and Europe. Taking account of recent disruptive shifts in geopolitics that call for new thinking about how children's media policy and production should proceed after large-scale forced migration in both regions, the book asks to what extent children in Europe and the Arab World are engaging with the same content. Who is funding new content and who is making it, according to whose criteria? Whose voices are loudest when it comes to pressures for regulation of children's screen content, and what exactly do they want? The answers to these questions matter for anyone seeking insights into diverse cross-cultural collaborations and content innovations that are shaping new investment and production relationships.

ISBN: 9783030256586

Standard No.: 10.1007/978-3-030-25658-6doiSubjects--Topical Terms:

3386887
Mass media and children
--Arab countries.

LC Class. No.: HQ784.M32 / S257 2019

Dewey Class. No.: 302.231083

Screen media for Arab and European children = policy and production encounters in the multiplatform era /
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505 0 $a 1. Local, Regional and Global Media at a Time of Forced Migration: Evolving Geometries of Power -- 2. Joining the Dots: How Arab and European Children are Connected by Screen Media -- 3. Towards Well-Being? Stimuli for Shared Practice on Policy and Regulation -- 4. Face-to-Face: Cross-Cultural Collaboration in Provision and Delivery -- 5. Arab Children in Europe: Managing Diversity on Children's Television -- 6. Children's Visibility as Stakeholders: From Provision to Participation.
520 $a This book addresses gaps in our understanding of processes that underpin the making and circulation of children's screen contents across the Arab region and Europe. Taking account of recent disruptive shifts in geopolitics that call for new thinking about how children's media policy and production should proceed after large-scale forced migration in both regions, the book asks to what extent children in Europe and the Arab World are engaging with the same content. Who is funding new content and who is making it, according to whose criteria? Whose voices are loudest when it comes to pressures for regulation of children's screen content, and what exactly do they want? The answers to these questions matter for anyone seeking insights into diverse cross-cultural collaborations and content innovations that are shaping new investment and production relationships.
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