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Empathy in contemporary poetry after...
~
Veprinska, Anna.
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Empathy in contemporary poetry after crisis
Record Type:
Electronic resources : Monograph/item
Title/Author:
Empathy in contemporary poetry after crisis/ by Anna Veprinska.
Author:
Veprinska, Anna.
Published:
Cham :Springer International Publishing : : 2020.,
Description:
x, 203 p. :ill., digital ;24 cm.
[NT 15003449]:
Chapter 1: Introduction -- Chapter 2: The Unsaid -- Chapter 3: The Unhere -- Chapter 4: The Ungod -- Chapter 5: Conclusion.
Contained By:
Springer eBooks
Subject:
Poetry - History and criticism. -
Online resource:
https://doi.org/10.1007/978-3-030-34320-0
ISBN:
9783030343200
Empathy in contemporary poetry after crisis
Veprinska, Anna.
Empathy in contemporary poetry after crisis
[electronic resource] /by Anna Veprinska. - Cham :Springer International Publishing :2020. - x, 203 p. :ill., digital ;24 cm. - Palgrave studies in affect theory and literary criticism. - Palgrave studies in affect theory and literary criticism..
Chapter 1: Introduction -- Chapter 2: The Unsaid -- Chapter 3: The Unhere -- Chapter 4: The Ungod -- Chapter 5: Conclusion.
This book examines the representation of empathy in contemporary poetry after crisis, specifically poetry after the Holocaust, the September 11, 2001 terrorist attacks, and Hurricane Katrina. The text argues that, recognizing both the possibilities and dangers of empathy, the poems under consideration variously invite and refuse empathy, thus displaying what Anna Veprinska terms empathetic dissonance. Veprinska proposes that empathetic dissonance reflects the texts' struggle with the question of the value and possibility of empathy in the face of the crises to which these texts respond. Examining poems from Charlotte Delbo, Dionne Brand, Niyi Osundare, Charles Reznikoff, Robert Fitterman, Wisława Szymborska, Cynthia Hogue, Claudia Rankine, Paul Celan, Dan Pagis, Lucille Clifton, and Katie Ford, among others, Veprinska considers empathetic dissonance through language, witnessing, and theology. Merging comparative close readings with interdisciplinary theory from philosophy, psychology, cultural theory, history and literary theory, and trauma studies, this book juxtaposes a genocide, a terrorist act, and a natural disaster amplified by racial politics and human disregard in order to consider what happens to empathy in poetry after events at the limits of empathy.
ISBN: 9783030343200
Standard No.: 10.1007/978-3-030-34320-0doiSubjects--Topical Terms:
551499
Poetry
--History and criticism.
LC Class. No.: PN1111
Dewey Class. No.: 809.1
Empathy in contemporary poetry after crisis
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Chapter 1: Introduction -- Chapter 2: The Unsaid -- Chapter 3: The Unhere -- Chapter 4: The Ungod -- Chapter 5: Conclusion.
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This book examines the representation of empathy in contemporary poetry after crisis, specifically poetry after the Holocaust, the September 11, 2001 terrorist attacks, and Hurricane Katrina. The text argues that, recognizing both the possibilities and dangers of empathy, the poems under consideration variously invite and refuse empathy, thus displaying what Anna Veprinska terms empathetic dissonance. Veprinska proposes that empathetic dissonance reflects the texts' struggle with the question of the value and possibility of empathy in the face of the crises to which these texts respond. Examining poems from Charlotte Delbo, Dionne Brand, Niyi Osundare, Charles Reznikoff, Robert Fitterman, Wisława Szymborska, Cynthia Hogue, Claudia Rankine, Paul Celan, Dan Pagis, Lucille Clifton, and Katie Ford, among others, Veprinska considers empathetic dissonance through language, witnessing, and theology. Merging comparative close readings with interdisciplinary theory from philosophy, psychology, cultural theory, history and literary theory, and trauma studies, this book juxtaposes a genocide, a terrorist act, and a natural disaster amplified by racial politics and human disregard in order to consider what happens to empathy in poetry after events at the limits of empathy.
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Literature, Cultural and Media Studies (Springer-41173)
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