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Shakespeare, objects and phenomenolo...

Sachon, Susan.

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Shakespeare, objects and phenomenology = daggers of the mind /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Shakespeare, objects and phenomenology/ by Susan Sachon.
Reminder of title:	daggers of the mind /
Author:	Sachon, Susan.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	ix, 243 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction: Shakespeare and Phenomenology -- 2. Shakespeare and Cognitive Play -- 3. Macbeth: Objects and Illusion -- 4. King Lear: Illusion and Perspective -- 5. Titus Andronicus and Henry V -- 6. Conclusion.
Contained By:	Springer eBooks
Subject:	English literature - History and criticism. - Early modern, 1500-1700 -
Online resource:	https://doi.org/10.1007/978-3-030-05207-2
ISBN:	9783030052072

Shakespeare, objects and phenomenology = daggers of the mind /
Sachon, Susan.

Shakespeare, objects and phenomenologydaggers of the mind /[electronic resource] :by Susan Sachon. - Cham :Springer International Publishing :2020. - ix, 243 p. :ill., digital ;24 cm. - Palgrave Shakespeare studies. - Palgrave Shakespeare studies..

1. Introduction: Shakespeare and Phenomenology -- 2. Shakespeare and Cognitive Play -- 3. Macbeth: Objects and Illusion -- 4. King Lear: Illusion and Perspective -- 5. Titus Andronicus and Henry V -- 6. Conclusion.

This book explores ways in which Shakespeare's writing strategies shape our embodied perception of objects - both real and imaginary - in four of his plays. Taking the reader on a series of perceptual journeys, it engages in an exciting dialogue between the disciplines of phenomenology, cognitive studies, historicist research and modern acting techniques, in order to probe our sentient and intuitive responses to Shakespeare's language. What happens when we encounter objects on page and stage; and how we can imagine that impact in performance? What influences might have shaped the language that created them; and what do they reveal about our response to what we see and hear? By placing objects under the phenomenological lens, and scrutinising them as vital conduits between lived experience and language, this book illuminates Shakespeare's writing as a rich source for investigation into the way we think, feel and communicate as embodied beings.

ISBN: 9783030052072

Standard No.: 10.1007/978-3-030-05207-2doiSubjects--Personal Names:

523005
Shakespeare, William,
1564-1616--Criticism and interpretation.Subjects--Topical Terms:

568384
English literature
--History and criticism.--Early modern, 1500-1700

LC Class. No.: PR2986 / .S234 2020

Dewey Class. No.: 822.33

Shakespeare, objects and phenomenology = daggers of the mind /
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100 1 $a Sachon, Susan. $3 3446443
245 1 0 $a Shakespeare, objects and phenomenology $h [electronic resource] : $b daggers of the mind / $c by Susan Sachon.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a ix, 243 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave Shakespeare studies
505 0 $a 1. Introduction: Shakespeare and Phenomenology -- 2. Shakespeare and Cognitive Play -- 3. Macbeth: Objects and Illusion -- 4. King Lear: Illusion and Perspective -- 5. Titus Andronicus and Henry V -- 6. Conclusion.
520 $a This book explores ways in which Shakespeare's writing strategies shape our embodied perception of objects - both real and imaginary - in four of his plays. Taking the reader on a series of perceptual journeys, it engages in an exciting dialogue between the disciplines of phenomenology, cognitive studies, historicist research and modern acting techniques, in order to probe our sentient and intuitive responses to Shakespeare's language. What happens when we encounter objects on page and stage; and how we can imagine that impact in performance? What influences might have shaped the language that created them; and what do they reveal about our response to what we see and hear? By placing objects under the phenomenological lens, and scrutinising them as vital conduits between lived experience and language, this book illuminates Shakespeare's writing as a rich source for investigation into the way we think, feel and communicate as embodied beings.
600 1 0 $a Shakespeare, William, $d 1564-1616 $x Criticism and interpretation. $3 523005
650 0 $a English literature $y Early modern, 1500-1700 $x History and criticism. $3 568384
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950 $a Literature, Cultural and Media Studies (Springer-41173)