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The Self and the Other in Trauma Nar...

Forzley, Sarah.

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The Self and the Other in Trauma Narratives by Assia Djebar, Malika Mokeddem, and Yolande Mukagasana.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Self and the Other in Trauma Narratives by Assia Djebar, Malika Mokeddem, and Yolande Mukagasana./
Author:	Forzley, Sarah.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	240 p.
Notes:	Source: Dissertations Abstracts International, Volume: 80-04, Section: A.
Contained By:	Dissertations Abstracts International80-04A.
Subject:	French literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10935678
ISBN:	9780438395909

The Self and the Other in Trauma Narratives by Assia Djebar, Malika Mokeddem, and Yolande Mukagasana.
Forzley, Sarah.

The Self and the Other in Trauma Narratives by Assia Djebar, Malika Mokeddem, and Yolande Mukagasana. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 240 p.

Source: Dissertations Abstracts International, Volume: 80-04, Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2018.

This item must not be sold to any third party vendors.

This dissertation explores different genres of writing by women who lived through either the Algerian civil war or the Rwandan genocide and who address these traumatic conflicts in their work. Scholars of French Studies tend to approach such trauma narratives using models of pain and healing developed from Holocaust Studies despite the cultural, historical, and linguistic differences between the Holocaust and these postcolonial African conflicts. Though some scholars have begun to pursue a postcolonial trauma theory that takes into account a wider range of experiences, most scholars of French & Francophone literature have not yet extended their analysis to consider these perspectives. Thus, recent Francophone trauma narratives by women who have emigrated from Africa have not been thoroughly considered for their potential to contribute different conceptions of trauma related to cultural, linguistic, and geographic displacement, which would prepare us to comprehend and respond effectively to a wider range of expressions of trauma. Engaging with scholars such as Achille Mbembe, Franz Fanon, and Gayatri Spivak, among others who address trauma and migration in non-European contexts, I uncover the variety of ways in which women narrate transnational identity and postcolonial trauma, navigate the publishing process, and represent themselves as sexual and political subjects. Using Malika Mokeddem's L'Interdite , Assia Djebar's Le blanc de l'Algerie , and Yolande Mukagasana's collaborations with Patrick May, La mort ne veut pas de moi and N'aie pas peur de savoir , as case studies across genres and conflicts in the 1990's, I reveal how these authors reimagine the relationship between the self and the other and I provide suggestions to move us toward a more robust postcolonial trauma theory.

ISBN: 9780438395909Subjects--Topical Terms:

644020
French literature.

The Self and the Other in Trauma Narratives by Assia Djebar, Malika Mokeddem, and Yolande Mukagasana.
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500 $a Publisher info.: Dissertation/Thesis.
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520 $a This dissertation explores different genres of writing by women who lived through either the Algerian civil war or the Rwandan genocide and who address these traumatic conflicts in their work. Scholars of French Studies tend to approach such trauma narratives using models of pain and healing developed from Holocaust Studies despite the cultural, historical, and linguistic differences between the Holocaust and these postcolonial African conflicts. Though some scholars have begun to pursue a postcolonial trauma theory that takes into account a wider range of experiences, most scholars of French & Francophone literature have not yet extended their analysis to consider these perspectives. Thus, recent Francophone trauma narratives by women who have emigrated from Africa have not been thoroughly considered for their potential to contribute different conceptions of trauma related to cultural, linguistic, and geographic displacement, which would prepare us to comprehend and respond effectively to a wider range of expressions of trauma. Engaging with scholars such as Achille Mbembe, Franz Fanon, and Gayatri Spivak, among others who address trauma and migration in non-European contexts, I uncover the variety of ways in which women narrate transnational identity and postcolonial trauma, navigate the publishing process, and represent themselves as sexual and political subjects. Using Malika Mokeddem's L'Interdite , Assia Djebar's Le blanc de l'Algerie , and Yolande Mukagasana's collaborations with Patrick May, La mort ne veut pas de moi and N'aie pas peur de savoir , as case studies across genres and conflicts in the 1990's, I reveal how these authors reimagine the relationship between the self and the other and I provide suggestions to move us toward a more robust postcolonial trauma theory.
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