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The Grotesque in Tatyana Tolstaya's ...
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Pak, Yekaterina.
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The Grotesque in Tatyana Tolstaya's The Slynx.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Grotesque in Tatyana Tolstaya's The Slynx./
作者:
Pak, Yekaterina.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:
41 p.
附註:
Source: Masters Abstracts International, Volume: 80-04.
Contained By:
Masters Abstracts International80-04.
標題:
Slavic literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10930317
ISBN:
9780438443860
The Grotesque in Tatyana Tolstaya's The Slynx.
Pak, Yekaterina.
The Grotesque in Tatyana Tolstaya's The Slynx.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 41 p.
Source: Masters Abstracts International, Volume: 80-04.
Thesis (M.A.)--University of Colorado at Boulder, 2018.
This item must not be sold to any third party vendors.
The following paper examines several different manifestations of the grotesque in Tatyana Tolstaya's novel The Slynx. Tolstaya experiments with the grotesque in several realms, by setting the town Fyodor Kuzmichsk with mutated people, creating for them a peculiar language and wrapping the whole story into an original style of narration which embodies divergent discourses. The grotesque can be flexibly defined and applied to a variety of aspects of a literary text. The thesis discusses the most traditional one, related to distortions of the human body, but also explores how the grotesque manifests itself through postmodern language and narration. In particular, since the narration is dominated by postmodern language and a polyphony of discourses, The Slynx signifies a break with the previous forms of the grotesque. In comparison with Romantic and Realist grotesques, a contrast with the norm no longer defines the grotesque; instead, unbound to the past, the postmodern grotesque exists within the absence of any norm.
ISBN: 9780438443860Subjects--Topical Terms:
2144740
Slavic literature.
The Grotesque in Tatyana Tolstaya's The Slynx.
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The following paper examines several different manifestations of the grotesque in Tatyana Tolstaya's novel The Slynx. Tolstaya experiments with the grotesque in several realms, by setting the town Fyodor Kuzmichsk with mutated people, creating for them a peculiar language and wrapping the whole story into an original style of narration which embodies divergent discourses. The grotesque can be flexibly defined and applied to a variety of aspects of a literary text. The thesis discusses the most traditional one, related to distortions of the human body, but also explores how the grotesque manifests itself through postmodern language and narration. In particular, since the narration is dominated by postmodern language and a polyphony of discourses, The Slynx signifies a break with the previous forms of the grotesque. In comparison with Romantic and Realist grotesques, a contrast with the norm no longer defines the grotesque; instead, unbound to the past, the postmodern grotesque exists within the absence of any norm.
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