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Dancing Dead and Alive: Embodying Ic...

Winberg, Richard.

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Dancing Dead and Alive: Embodying Icons in Contemporary Dance.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Dancing Dead and Alive: Embodying Icons in Contemporary Dance./
Author:	Winberg, Richard.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	271 p.
Notes:	Source: Dissertations Abstracts International, Volume: 81-03, Section: A.
Contained By:	Dissertations Abstracts International81-03A.
Subject:	Performing arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10978655
ISBN:	9781085670760

Dancing Dead and Alive: Embodying Icons in Contemporary Dance.
Winberg, Richard.

Dancing Dead and Alive: Embodying Icons in Contemporary Dance. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 271 p.

Source: Dissertations Abstracts International, Volume: 81-03, Section: A.

Thesis (Ph.D.)--New York University, 2019.

This item must not be sold to any third party vendors.

Dancing Dead and Alive: Embodying Icons in Contemporary Dance investigates five contemporary artists whose multisensorial interactions with forms of archival media become embodied and generate new works of dance performance and dance as visual art. The artists are Fabian Barba, Christian Comte, Molissa Fenley, Richard Move, and Carolee Schneemann. The dissertation proposes and seeks to establish that the corporealization of mediated objects from the archives of these artists' iconic muses-whether a sonic recording, textual document, photograph, or film-transforms these objects, and the artists themselves, into new and original choreographic works. Thus, the dissertation links these artists' shared practice of bringing archival media to new life as the generative source for the creation of their work and is, as the dissertation proposes, poiesis itself. The project offers a detailed analysis of the mechanisms and processual steps of this specific choreographic practice by situating this method within the disciplines of materialist theory, sound studies, affect theory, theories of spectatorship, cinema studies, queer theory, and scholarship in animism.

ISBN: 9781085670760Subjects--Topical Terms:

523119
Performing arts.

Dancing Dead and Alive: Embodying Icons in Contemporary Dance.
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245 1 0 $a Dancing Dead and Alive: Embodying Icons in Contemporary Dance.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2019
300 $a 271 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-03, Section: A.
500 $a Advisor: Lepecki, Andre.
502 $a Thesis (Ph.D.)--New York University, 2019.
506 $a This item must not be sold to any third party vendors.
520 $a Dancing Dead and Alive: Embodying Icons in Contemporary Dance investigates five contemporary artists whose multisensorial interactions with forms of archival media become embodied and generate new works of dance performance and dance as visual art. The artists are Fabian Barba, Christian Comte, Molissa Fenley, Richard Move, and Carolee Schneemann. The dissertation proposes and seeks to establish that the corporealization of mediated objects from the archives of these artists' iconic muses-whether a sonic recording, textual document, photograph, or film-transforms these objects, and the artists themselves, into new and original choreographic works. Thus, the dissertation links these artists' shared practice of bringing archival media to new life as the generative source for the creation of their work and is, as the dissertation proposes, poiesis itself. The project offers a detailed analysis of the mechanisms and processual steps of this specific choreographic practice by situating this method within the disciplines of materialist theory, sound studies, affect theory, theories of spectatorship, cinema studies, queer theory, and scholarship in animism.
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650 4 $a Performing arts. $3 523119
650 4 $a Dance. $3 610547
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773 0 $t Dissertations Abstracts International $g 81-03A.
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10978655