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Mass Participation in Art: Patterns ...

Ferreira, Luis Sarmento.

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Mass Participation in Art: Patterns and Unpredictability.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Mass Participation in Art: Patterns and Unpredictability./
作者:	Ferreira, Luis Sarmento.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	207 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-02, Section: C.
Contained By:	Dissertations Abstracts International80-02C.
標題:	Arts Management. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10835785
ISBN:	9781083484024

Mass Participation in Art: Patterns and Unpredictability.
Ferreira, Luis Sarmento.

Mass Participation in Art: Patterns and Unpredictability. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 207 p.

Source: Dissertations Abstracts International, Volume: 80-02, Section: C.

Thesis (Ph.D.)--Universidade Catolica Portugesa (Portugal), 2017.

This item must not be sold to any third party vendors.

A work of art's openness to participation is traditionally a focus for thought and debate on the artists' role and on the way the participants relate to the artistic process. A recent artistic development in participation art - a formal definition of a work that involves a massive number of participants - calls for a reassessment of participation strategies and the study of the effects of this change on practices where the involvement of the other is simultaneously a method of art making and a field of poetic potential. In this thesis, current theoretical work on the broader context of participation has been critical to define mass participation within that field. However, a shift from views centred on the new status of the participant public and its impact on the social and political context of the artwork towards a view centred on the artists' options is needed to assess the particularities of this practice. This shift reflects our research position that mass participation follows a process of artists' gradual ceding of authorial control to external elements. This process, that we will argue to have its roots in ancient art, is further explored by the vanguards of the early twentieth century, and is part of current art practice and discourse. Such timeline has already been clearly described elsewhere. However, the distinctive trait of mass participation, in what relates to that agency transfer is a set of form making strategies which have lately come together even if they have been individually sought throughout modern and contemporary artistic endeavour. As such, the work here documented, involves the systematization of such strategies resorting to two main approaches: on one hand, through practice, dealing with the formal and poetical potential of working with the mass. The main conceptual and implementation themes of four projects, that are accounted for in the second half of this document, establishes the seeds for the proposition of a mass participation strategy; on the other hand, a theoretical generalization effort, that makes for the first half of this document, creates the abstract framework of such proposition. Along with its general technological, cultural and artistic context, mass participation is posited within a critical review of the notions of agency, participation, the mass, and complexity.

ISBN: 9781083484024Subjects--Topical Terms:

3423886
Arts Management.

Mass Participation in Art: Patterns and Unpredictability.
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520 $a A work of art's openness to participation is traditionally a focus for thought and debate on the artists' role and on the way the participants relate to the artistic process. A recent artistic development in participation art - a formal definition of a work that involves a massive number of participants - calls for a reassessment of participation strategies and the study of the effects of this change on practices where the involvement of the other is simultaneously a method of art making and a field of poetic potential. In this thesis, current theoretical work on the broader context of participation has been critical to define mass participation within that field. However, a shift from views centred on the new status of the participant public and its impact on the social and political context of the artwork towards a view centred on the artists' options is needed to assess the particularities of this practice. This shift reflects our research position that mass participation follows a process of artists' gradual ceding of authorial control to external elements. This process, that we will argue to have its roots in ancient art, is further explored by the vanguards of the early twentieth century, and is part of current art practice and discourse. Such timeline has already been clearly described elsewhere. However, the distinctive trait of mass participation, in what relates to that agency transfer is a set of form making strategies which have lately come together even if they have been individually sought throughout modern and contemporary artistic endeavour. As such, the work here documented, involves the systematization of such strategies resorting to two main approaches: on one hand, through practice, dealing with the formal and poetical potential of working with the mass. The main conceptual and implementation themes of four projects, that are accounted for in the second half of this document, establishes the seeds for the proposition of a mass participation strategy; on the other hand, a theoretical generalization effort, that makes for the first half of this document, creates the abstract framework of such proposition. Along with its general technological, cultural and artistic context, mass participation is posited within a critical review of the notions of agency, participation, the mass, and complexity.
520 $a A abertura de uma obra de arte a participacao constitui tradicionalmente um foco de reflexao e debate sobre o papel do artista e sobre as maneiras dos participantes se relacionarem com o processo artistico. Um desenvolvimento recente na arte participativa-a definicao formal de uma obra que envolve um numero massivo de participantes-apela a uma reavaliacao das estrategias participativas e ao estudo dos efeitos desta mudanca sobre praticas em que o envolvimento d'o outro e simultaneamente um metodo para o fazer arte e o campo de um potencial poetico. Para esta tese, o trabalho teorico actual sobre o contexto alargado da participacao foi crucial para ai inscrever a definicao especifica de participacao em massa. Contudo, para avaliar as particularidades daquela pratica e necessario deslocar as perspectivas centradas no publico participante e no seu impacte na obra de arte em direccao a uma perspectiva centrada nas escolhas do artista. Esta deslocacao reflecte a posicao resultante da nossa investigacao de que a participacao de massa segue um processo de cedencia gradual pelo artista do seu controlo autoral a elementos externos. Este processo, que, segundo nos propomos arguir, tem as suas raizes na arte mais antiga, e explorado de modo mais extensivo pelas vanguardas artisticas do inicio do seculo XX e e parte do discurso e da pratica actuais. Esta evolucao temporal tem sido descrita na literatura relevante; contudo, o traco distintivo da participacao de massa enquanto tal, no que respeita a transferencia de agencia, e conjunto das suas estrategias para a producao de forma, mesmo que tenham sido procuradas individualmente ao longo das experiencias artisticas modernas e contemporaneas. Assim, o trabalho que aqui documentamos envolve a sistematizacao destas estrategias recorrendo a uma dupla abordagem. Por um lado e mobilizada uma pratica que recorre ao potencial formal e poetico do trabalho com as massas: os principais temas conceptuais e de implementacao presentes em quatro projectos, dos quais e dada conta na segunda parte deste documento, formam a raiz da proposta de uma estrategia de participacao de massas. Por outro lado, o esforco de generalizacao teorica que constitui a primeira metade deste documento cria a moldura abstracta dessa proposta. Em consonancia com o seu contexto geral no plano artistico, tecnologico e cultural, a participacao de massa e postulada no ambito de uma revisao critica das nocoes de agencia, participacao, massa e complexidade.
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