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Calligraphy Inspires Furniture.
~
Li, Chen.
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Calligraphy Inspires Furniture.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Calligraphy Inspires Furniture./
作者:
Li, Chen.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2013,
面頁冊數:
29 p.
附註:
Source: Masters Abstracts International, Volume: 75-04.
Contained By:
Masters Abstracts International75-04.
標題:
Fine arts. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1545207
ISBN:
9781303388798
Calligraphy Inspires Furniture.
Li, Chen.
Calligraphy Inspires Furniture.
- Ann Arbor : ProQuest Dissertations & Theses, 2013 - 29 p.
Source: Masters Abstracts International, Volume: 75-04.
Thesis (M.F.A.)--Rochester Institute of Technology, 2013.
This item must not be sold to any third party vendors.
The seal script, a form of Chinese calligraphy used mostly on seals, inspires my thesis work. In both East and West, the seal is a personal signature for letter correspondence as a communication. Written communication is an excellent process in which there is an exchange and progression of thoughts and feelings towards a mutually accepted goal or direction. Through this source of inspiration, I will attempt to create a dialogue about cultural differences between my Chinese heritage and the new experiences in America. Sometimes, this relationship is easy and straightforward, but sometimes it creates conflicts. For my Thesis body of work, I began with two subjects that intrigued me and were representative of the cultural challenges I have experienced. The first was the dynamic relationship between individuals and family. The second was different interpretations of the cross-cultural traditional saying: "rules are rules". With these two subjects as a starting point, I created a number of furniture objects that were inspired from my source-the seal script. The seal script characters have been created as dynamic forms, full of curves and intriguing structures. In the body of work, I wanted to maintain a prevailing simple beauty and graceful quality. Characters were first broken down into parts, as I studied lines, profiles and forms that could be rearranged to translate two-dimensional graphics into three-dimensional forms. The resulting furniture needed to support human rituals and activities, and simultaneously develop a narrative that would address Eastern and Western cultural similarities and differences. My design research and the furniture making process became the embedded procedure for my dialogue. The outcome would result in a body of work that could interact and engage with my audience, both physically and intellectually.
ISBN: 9781303388798Subjects--Topical Terms:
2122690
Fine arts.
Calligraphy Inspires Furniture.
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The seal script, a form of Chinese calligraphy used mostly on seals, inspires my thesis work. In both East and West, the seal is a personal signature for letter correspondence as a communication. Written communication is an excellent process in which there is an exchange and progression of thoughts and feelings towards a mutually accepted goal or direction. Through this source of inspiration, I will attempt to create a dialogue about cultural differences between my Chinese heritage and the new experiences in America. Sometimes, this relationship is easy and straightforward, but sometimes it creates conflicts. For my Thesis body of work, I began with two subjects that intrigued me and were representative of the cultural challenges I have experienced. The first was the dynamic relationship between individuals and family. The second was different interpretations of the cross-cultural traditional saying: "rules are rules". With these two subjects as a starting point, I created a number of furniture objects that were inspired from my source-the seal script. The seal script characters have been created as dynamic forms, full of curves and intriguing structures. In the body of work, I wanted to maintain a prevailing simple beauty and graceful quality. Characters were first broken down into parts, as I studied lines, profiles and forms that could be rearranged to translate two-dimensional graphics into three-dimensional forms. The resulting furniture needed to support human rituals and activities, and simultaneously develop a narrative that would address Eastern and Western cultural similarities and differences. My design research and the furniture making process became the embedded procedure for my dialogue. The outcome would result in a body of work that could interact and engage with my audience, both physically and intellectually.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1545207
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