東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Chinese and Japanese Porcelain in Du...

Burns, Margaret McCunn.

FindBook

Google Book

Amazon

博客來

Chinese and Japanese Porcelain in Dutch and Flemish Still Life Paintings 1600-1720.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Chinese and Japanese Porcelain in Dutch and Flemish Still Life Paintings 1600-1720./
作者:	Burns, Margaret McCunn.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2004,
面頁冊數:	209 p.
附註:	Source: Dissertations Abstracts International, Volume: 80-12, Section: C.
Contained By:	Dissertations Abstracts International80-12C.
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10394438
ISBN:	9781369594126

Chinese and Japanese Porcelain in Dutch and Flemish Still Life Paintings 1600-1720.
Burns, Margaret McCunn.

Chinese and Japanese Porcelain in Dutch and Flemish Still Life Paintings 1600-1720. - Ann Arbor : ProQuest Dissertations & Theses, 2004 - 209 p.

Source: Dissertations Abstracts International, Volume: 80-12, Section: C.

Thesis (M.Phil.)--University of Glasgow (United Kingdom), 2004.

In 1602 various Dutch trading companies united to form a single organisation, the Vereenigde Oostindische Compagnie [V.O.C.]. The principal reason was the prospect of great profits to be made in Europe on Chinese products and to supplant the Portuguese who dominated trade in the Far East and the distribution of imported spices, silks and other rare and costly products. Porcelain which formed part of the cargoes of two captured Portuguese ships was auctioned by the Dutch in 1602 and 1604. This was the start of porcelain imports which formed part of the cargoes on V.O.C. return fleets. At this time a new style of still life paintings was emerging and subsequently Chinese porcelain was portrayed in these paintings. The purpose of this thesis has been to research Dutch and Flemish still life paintings from 1600 to 1720 which portray porcelain with the intention of defining the various categories from the artists' depiction of them. Before 1650 the porcelains are mainly Chinese blue and white export wares. After this date Japanese ceramics and some Delftware also feature in a few still life paintings. Part one contains information regarding the V.O.C. and its trade with China and Japan and the different categories of still life paintings which include porcelain. A list of 250 such paintings has been compiled to form an appendix naming artists and other relevant data. Part two contains a selection of paintings from those listed in the Appendix.

ISBN: 9781369594126Subjects--Topical Terms:

2122701
Art history.

Chinese and Japanese Porcelain in Dutch and Flemish Still Life Paintings 1600-1720.
LDR:02499nmm a2200313 4500 001 2209929
005 20191112103743.5
008 201008s2004 ||||||||||||||||| ||eng d
020 $a 9781369594126
035 $a (MiAaPQ)AAI10394438
035 $a (MiAaPQ)RLUKUniversityofGlasgowG0565
035 $a AAI10394438
040 $a MiAaPQ $c MiAaPQ
100 1 $a Burns, Margaret McCunn. $3 3437045
245 1 0 $a Chinese and Japanese Porcelain in Dutch and Flemish Still Life Paintings 1600-1720.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2004
300 $a 209 p.
500 $a Source: Dissertations Abstracts International, Volume: 80-12, Section: C.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Pearce, Nick.
502 $a Thesis (M.Phil.)--University of Glasgow (United Kingdom), 2004.
520 $a In 1602 various Dutch trading companies united to form a single organisation, the Vereenigde Oostindische Compagnie [V.O.C.]. The principal reason was the prospect of great profits to be made in Europe on Chinese products and to supplant the Portuguese who dominated trade in the Far East and the distribution of imported spices, silks and other rare and costly products. Porcelain which formed part of the cargoes of two captured Portuguese ships was auctioned by the Dutch in 1602 and 1604. This was the start of porcelain imports which formed part of the cargoes on V.O.C. return fleets. At this time a new style of still life paintings was emerging and subsequently Chinese porcelain was portrayed in these paintings. The purpose of this thesis has been to research Dutch and Flemish still life paintings from 1600 to 1720 which portray porcelain with the intention of defining the various categories from the artists' depiction of them. Before 1650 the porcelains are mainly Chinese blue and white export wares. After this date Japanese ceramics and some Delftware also feature in a few still life paintings. Part one contains information regarding the V.O.C. and its trade with China and Japan and the different categories of still life paintings which include porcelain. A list of 250 such paintings has been compiled to form an appendix naming artists and other relevant data. Part two contains a selection of paintings from those listed in the Appendix.
590 $a School code: 0547.
650 4 $a Art history. $3 2122701
650 4 $a European history. $2 bicssc $3 1972904
690 $a 0377
690 $a 0335
710 2 $a University of Glasgow (United Kingdom). $b Department of History of Art. $3 3437046
773 0 $t Dissertations Abstracts International $g 80-12C.
790 $a 0547
791 $a M.Phil.
792 $a 2004
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10394438