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THE REPRESENTATION OF TEMPORALITY IN...

SU, LILY I-WEN.

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THE REPRESENTATION OF TEMPORALITY IN EXTENDED TEXT: A STUDY OF "PRIDE AND PREJUDICE".

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	THE REPRESENTATION OF TEMPORALITY IN EXTENDED TEXT: A STUDY OF "PRIDE AND PREJUDICE"./
作者:	SU, LILY I-WEN.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1984,
面頁冊數:	206 p.
附註:	Source: Dissertations Abstracts International, Volume: 45-07, Section: A.
Contained By:	Dissertations Abstracts International45-07A.
標題:	Linguistics. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8508796

THE REPRESENTATION OF TEMPORALITY IN EXTENDED TEXT: A STUDY OF "PRIDE AND PREJUDICE".
SU, LILY I-WEN.

THE REPRESENTATION OF TEMPORALITY IN EXTENDED TEXT: A STUDY OF "PRIDE AND PREJUDICE". - Ann Arbor : ProQuest Dissertations & Theses, 1984 - 206 p.

Source: Dissertations Abstracts International, Volume: 45-07, Section: A.

Thesis (Ph.D.)--University of Hawai'i at Manoa, 1984.

This item must not be added to any third party search indexes.

The primary goal of this study is to investigate the structural representation of temporality in Pride and Prejudice. We posit a complex of hierarchical structures which interact with non-temporal units to create for readers the feeling of living through a special kind of experience, one created through the artistic use of language. Chapter One of the present work, which describes the general framework and some crucial notions related to the study, includes a survey of works relevant to the study of temporality. In Chapter Two, we posit five types of temporal units, identifying them by means of their linguistic features. These different types of units differ not only in form, but also in their temporal marking functions. In Chapter Three we argue that these temporal units not only have distinctive internal features but also form larger temporal units which we refer to as temporal episodes. Temporal episodes are, we conclude, the highest hierarchically organized units representing temporality. Much of the analysis centers on the arrangement of temporal episodes. In Chapter Four, we consider another principle of temporal ordering, i.e., that of the order of consciousness. Following Dry's 1975 claim that the identification of the fictional consciousness, i.e., the attribution of point of view, can be studied by means of its syntactic reflexes, we commit ourselves in this chapter to the discussion of point of view, hoping to answer questions concerning specific utterances in the mimetic text--questions such as whose words, whose thoughts, and whose perception. We show that the representation of point of view for narrative, except for psychological time units, can be expressed in terms of the temporal units posited in Chapter Two. In Chapter Five, we discuss, along with a brief summary of our findings of the study presented here, the different emphases and their related functions in the first half and the second half of the novel. Whereas the first half of the novel mainly makes use of the dramatic method of dialogue, the second half concentrates more on the internalized conflict. The different methods adopted thus affect the organizational and distributional patterns of their temporal episodes.Subjects--Topical Terms:

524476
Linguistics.

THE REPRESENTATION OF TEMPORALITY IN EXTENDED TEXT: A STUDY OF "PRIDE AND PREJUDICE".
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500 $a Source: Dissertations Abstracts International, Volume: 45-07, Section: A.
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502 $a Thesis (Ph.D.)--University of Hawai'i at Manoa, 1984.
506 $a This item must not be added to any third party search indexes.
506 $a This item must not be sold to any third party vendors.
520 $a The primary goal of this study is to investigate the structural representation of temporality in Pride and Prejudice. We posit a complex of hierarchical structures which interact with non-temporal units to create for readers the feeling of living through a special kind of experience, one created through the artistic use of language. Chapter One of the present work, which describes the general framework and some crucial notions related to the study, includes a survey of works relevant to the study of temporality. In Chapter Two, we posit five types of temporal units, identifying them by means of their linguistic features. These different types of units differ not only in form, but also in their temporal marking functions. In Chapter Three we argue that these temporal units not only have distinctive internal features but also form larger temporal units which we refer to as temporal episodes. Temporal episodes are, we conclude, the highest hierarchically organized units representing temporality. Much of the analysis centers on the arrangement of temporal episodes. In Chapter Four, we consider another principle of temporal ordering, i.e., that of the order of consciousness. Following Dry's 1975 claim that the identification of the fictional consciousness, i.e., the attribution of point of view, can be studied by means of its syntactic reflexes, we commit ourselves in this chapter to the discussion of point of view, hoping to answer questions concerning specific utterances in the mimetic text--questions such as whose words, whose thoughts, and whose perception. We show that the representation of point of view for narrative, except for psychological time units, can be expressed in terms of the temporal units posited in Chapter Two. In Chapter Five, we discuss, along with a brief summary of our findings of the study presented here, the different emphases and their related functions in the first half and the second half of the novel. Whereas the first half of the novel mainly makes use of the dramatic method of dialogue, the second half concentrates more on the internalized conflict. The different methods adopted thus affect the organizational and distributional patterns of their temporal episodes.
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