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Ethnicity and Identity in the Art of...

Aierken, Yipaer.

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Ethnicity and Identity in the Art of Giuseppe Castiglione.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Ethnicity and Identity in the Art of Giuseppe Castiglione./
作者:	Aierken, Yipaer.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
面頁冊數:	112 p.
附註:	Source: Masters Abstracts International, Volume: 80-11.
Contained By:	Masters Abstracts International80-11.
標題:	Fine arts. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13860708
ISBN:	9781392137086

Ethnicity and Identity in the Art of Giuseppe Castiglione.
Aierken, Yipaer.

Ethnicity and Identity in the Art of Giuseppe Castiglione. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 112 p.

Source: Masters Abstracts International, Volume: 80-11.

Thesis (M.A.)--Arizona State University, 2019.

This item must not be added to any third party search indexes.

My thesis argues that an unrecognized genre existed in classical Chinese painting, one which I call "ethnic" or "minority painting." The genre of ethnic painting consistently displays certain styles and cultural values and is meant to represent unique ethnic identities. These ideas have not been substantially covered by previous research on Qing dynasty painting. My research raises three main questions: was there a distinct genre in traditional Chinese painting that could be called "ethnic art" (or "minority art")? How did ethnic art distinguish itself within Chinese painting? What were the ethnic identities presented by minority artists from ethnic groups within and outside of China? The materials used for this research include a close visual study of six paintings by Lang Shining (Giuseppe Castiglione) from the Cleveland Museum of Art, the Munich Residenz in Germany and the Musee Guimet in France.

ISBN: 9781392137086Subjects--Topical Terms:

2122690
Fine arts.

Ethnicity and Identity in the Art of Giuseppe Castiglione.
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500 $a Publisher info.: Dissertation/Thesis.
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520 $a My thesis argues that an unrecognized genre existed in classical Chinese painting, one which I call "ethnic" or "minority painting." The genre of ethnic painting consistently displays certain styles and cultural values and is meant to represent unique ethnic identities. These ideas have not been substantially covered by previous research on Qing dynasty painting. My research raises three main questions: was there a distinct genre in traditional Chinese painting that could be called "ethnic art" (or "minority art")? How did ethnic art distinguish itself within Chinese painting? What were the ethnic identities presented by minority artists from ethnic groups within and outside of China? The materials used for this research include a close visual study of six paintings by Lang Shining (Giuseppe Castiglione) from the Cleveland Museum of Art, the Munich Residenz in Germany and the Musee Guimet in France.
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