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The Long 1960s and the Religious Dim...

Carrasco, Octavio Pascal.

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The Long 1960s and the Religious Dimensions of Popular Music.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Long 1960s and the Religious Dimensions of Popular Music./
Author:	Carrasco, Octavio Pascal.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	289 p.
Notes:	Source: Dissertations Abstracts International, Volume: 80-05, Section: A.
Contained By:	Dissertations Abstracts International80-05A.
Subject:	Religion. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10973202
ISBN:	9780438647114

The Long 1960s and the Religious Dimensions of Popular Music.
Carrasco, Octavio Pascal.

The Long 1960s and the Religious Dimensions of Popular Music. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 289 p.

Source: Dissertations Abstracts International, Volume: 80-05, Section: A.

Thesis (Ph.D.)--Union Theological Seminary, 2019.

This item must not be sold to any third party vendors.

Considering the historic significance of Awakenings in U.S. religious history, what does the turmoil of the 1960s reveal about U.S. religion and culture? This dissertation explores the patterns of social change and the process of Awakening through the music of the era. This is done using a "Long Sixties" framework, which recognizes that movements do not neatly begin and end at the boundaries of decades. Furthermore, the relationship between ritual action, social and political change and emerging religious perspectives ground this project in the perspective of history as a dynamic process with many moving parts. Popular music represents a primary historical document of stability and change in society that is still to be deciphered. Music builds on the styles, sounds, and rhythms that have gone before, but also reflect the technological advances of its time and place. Music often speaks to or directly represents the efforts of people to orient themselves in a religious way. Underlying this project is Charles Long's argument that religion means "orientation-orientation in the ultimate sense, that is, how one comes to terms with the ultimate significance of one's place in the world" (Long, "Significations" 7). Moments of revival, reform, and conflict are not set apart from the steady states of society, but rather function as points of negotiation around how society will orient itself, and popular music plays an instrumental role in that process. This project engages with the songs of the Civil Rights Movement as a vehicle and a manifestation of a "Black Awakening." It also deals with the counterculture and its relationship to rock'n'roll, and explores how the Awakening was not in fact "killed" at the Altamont Free Festival of 1969, but was only beginning to bear fruit. In a historic sense, the Sixties reflected earlier patterns of awakening, and the results of that process are still very much at the center of our social and political conflict.

ISBN: 9780438647114Subjects--Topical Terms:

516493
Religion.

The Long 1960s and the Religious Dimensions of Popular Music.
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