Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Speaking of Magic: Enchantment and D...
~
Loeffler, Zachary John.
Linked to FindBook
Google Book
Amazon
博客來
Speaking of Magic: Enchantment and Disenchantment in Music's Modernist Ordinary.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Speaking of Magic: Enchantment and Disenchantment in Music's Modernist Ordinary./
Author:
Loeffler, Zachary John.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:
228 p.
Notes:
Source: Dissertations Abstracts International, Volume: 80-03, Section: A.
Contained By:
Dissertations Abstracts International80-03A.
Subject:
Music history. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10840763
ISBN:
9780438370869
Speaking of Magic: Enchantment and Disenchantment in Music's Modernist Ordinary.
Loeffler, Zachary John.
Speaking of Magic: Enchantment and Disenchantment in Music's Modernist Ordinary.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 228 p.
Source: Dissertations Abstracts International, Volume: 80-03, Section: A.
Thesis (Ph.D.)--The University of Chicago, 2018.
This item is not available from ProQuest Dissertations & Theses.
"Speaking of Magic: Enchantment and Disenchantment in Music's Modernist Ordinary" tracks a predominant fantasy of music in global liberal-capitalist culture: music as "the only real magic." Although discussion of music's "magic" has been characterized as a vestige of Romanticism, I argue that it became a cornerstone of ordinary or everyday music discourse at the turn of the twentieth century, around the time that sociologists defined "modernity" as mostly bereft of magic and configured the aesthetic, and especially music, as its remaining stronghold. Juxtaposing claims of magic in ordinary music discourse with a coeval archive of these "disenchantment" narratives, I trace music's institutionalization as a rare magic in the long historical moment from around 1900 to the present. This history reveals that music remains commonly experienced as "the only real magic" to the extent that it offers not only enjoyable but deeply ameliorative forms of affective connection felt to be scarce in other domains of life. As such, it points to the immense healing power that music has accrued over the last century while also adumbrating the conditions of scarcity from which this potency has emerged. Chapter 1 puts a set of "disenchantment" narratives penned by sociologist Max Weber and his long line of heirs into conversation with a contemporaneous archive of ordinary/everyday music discourse, from newspaper reviews and liner notes to Instagram posts and tweets. Although magic is traditionally aligned with the extraordinary and the exceptional, this chapter shows it to be foundational to music's modernist ordinary, arguing that since the first decades of the twentieth century "the only real magic" has come to be one of music's normative forms in "modern" cultures. The subsequent chapters elaborate this preliminary account of magic in two specific musical contexts while also elaborating these musical contexts through magic. Chapter 2 tells the untold story of the recital encore by tracking invocations of magic in exaltations of the solo concert's encores over its printed program and provides a novel reading of Weber's theory of magic's persistence via the recital encore. Chapter 3 recounts a peculiar passion for national anthems that is rooted not in overtly political matters but rather in magic, further developing Weber's theory through the lens of massed singing. The dissertation concludes by returning to an underexplored tension in Adorno's disenchantment narrative that brings into relief the potency music has accumulated as "the only real magic" while also pointing toward its constrictions. By excavating a vast repository of unscrutinized music discourse, this dissertation shines a spotlight on what often goes without saying in musicological contexts: magic is modernity's wish for music.
ISBN: 9780438370869Subjects--Topical Terms:
3342382
Music history.
Speaking of Magic: Enchantment and Disenchantment in Music's Modernist Ordinary.
LDR
:03978nmm a2200337 4500
001
2205964
005
20190909085606.5
008
201008s2018 ||||||||||||||||| ||eng d
020
$a
9780438370869
035
$a
(MiAaPQ)AAI10840763
035
$a
(MiAaPQ)uchicago:14479
035
$a
AAI10840763
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Loeffler, Zachary John.
$3
3432850
245
1 0
$a
Speaking of Magic: Enchantment and Disenchantment in Music's Modernist Ordinary.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2018
300
$a
228 p.
500
$a
Source: Dissertations Abstracts International, Volume: 80-03, Section: A.
500
$a
Publisher info.: Dissertation/Thesis.
500
$a
Hoeckner, Berthold.
502
$a
Thesis (Ph.D.)--The University of Chicago, 2018.
506
$a
This item is not available from ProQuest Dissertations & Theses.
506
$a
This item must not be sold to any third party vendors.
520
$a
"Speaking of Magic: Enchantment and Disenchantment in Music's Modernist Ordinary" tracks a predominant fantasy of music in global liberal-capitalist culture: music as "the only real magic." Although discussion of music's "magic" has been characterized as a vestige of Romanticism, I argue that it became a cornerstone of ordinary or everyday music discourse at the turn of the twentieth century, around the time that sociologists defined "modernity" as mostly bereft of magic and configured the aesthetic, and especially music, as its remaining stronghold. Juxtaposing claims of magic in ordinary music discourse with a coeval archive of these "disenchantment" narratives, I trace music's institutionalization as a rare magic in the long historical moment from around 1900 to the present. This history reveals that music remains commonly experienced as "the only real magic" to the extent that it offers not only enjoyable but deeply ameliorative forms of affective connection felt to be scarce in other domains of life. As such, it points to the immense healing power that music has accrued over the last century while also adumbrating the conditions of scarcity from which this potency has emerged. Chapter 1 puts a set of "disenchantment" narratives penned by sociologist Max Weber and his long line of heirs into conversation with a contemporaneous archive of ordinary/everyday music discourse, from newspaper reviews and liner notes to Instagram posts and tweets. Although magic is traditionally aligned with the extraordinary and the exceptional, this chapter shows it to be foundational to music's modernist ordinary, arguing that since the first decades of the twentieth century "the only real magic" has come to be one of music's normative forms in "modern" cultures. The subsequent chapters elaborate this preliminary account of magic in two specific musical contexts while also elaborating these musical contexts through magic. Chapter 2 tells the untold story of the recital encore by tracking invocations of magic in exaltations of the solo concert's encores over its printed program and provides a novel reading of Weber's theory of magic's persistence via the recital encore. Chapter 3 recounts a peculiar passion for national anthems that is rooted not in overtly political matters but rather in magic, further developing Weber's theory through the lens of massed singing. The dissertation concludes by returning to an underexplored tension in Adorno's disenchantment narrative that brings into relief the potency music has accumulated as "the only real magic" while also pointing toward its constrictions. By excavating a vast repository of unscrutinized music discourse, this dissertation shines a spotlight on what often goes without saying in musicological contexts: magic is modernity's wish for music.
590
$a
School code: 0330.
650
4
$a
Music history.
$3
3342382
650
4
$a
Music.
$3
516178
690
$a
0208
690
$a
0413
710
2
$a
The University of Chicago.
$b
Music.
$3
1673188
773
0
$t
Dissertations Abstracts International
$g
80-03A.
790
$a
0330
791
$a
Ph.D.
792
$a
2018
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10840763
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9382513
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login