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The Postmodern Indian: Representatio...

McCrink-Burcham, Tara P.

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The Postmodern Indian: Representation and the Films of Sherman Alexie.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Postmodern Indian: Representation and the Films of Sherman Alexie./
Author:	McCrink-Burcham, Tara P.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	170 p.
Notes:	Source: Dissertations Abstracts International, Volume: 79-11, Section: A.
Contained By:	Dissertations Abstracts International79-11A.
Subject:	Mass communications. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10788613
ISBN:	9780355890891

The Postmodern Indian: Representation and the Films of Sherman Alexie.
McCrink-Burcham, Tara P.

The Postmodern Indian: Representation and the Films of Sherman Alexie. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 170 p.

Source: Dissertations Abstracts International, Volume: 79-11, Section: A.

Thesis (Ph.D.)--The University of Southern Mississippi, 2018.

This item must not be added to any third party search indexes.

For hundreds of years, Native Americans have been characters in American media. For most of those years, whites determined the way in which Native Americans were represented. First in print, radio, silent movies and later talkies and television, representations of Native Americans have included being uneducated sidekicks, savages, noble savages seeking to steal white women, drunken idiots, or hilarious jesters all for the entertainment of viewers. This troublesome history of negative depictions of Native Americans is the reason this research is directed at the films by Native American writer and filmmaker Sherman Alexie. This research is a qualitative analysis of two of Alexie's films striving to analyze his work as a Native American filmmaker in relation to themes and representations found in films made by non-Natives depicting Native American characters and culture.

ISBN: 9780355890891Subjects--Topical Terms:

3422380
Mass communications.

The Postmodern Indian: Representation and the Films of Sherman Alexie.
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500 $a Source: Dissertations Abstracts International, Volume: 79-11, Section: A.
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500 $a Campbell, Christopher.
502 $a Thesis (Ph.D.)--The University of Southern Mississippi, 2018.
506 $a This item must not be added to any third party search indexes.
506 $a This item must not be sold to any third party vendors.
520 $a For hundreds of years, Native Americans have been characters in American media. For most of those years, whites determined the way in which Native Americans were represented. First in print, radio, silent movies and later talkies and television, representations of Native Americans have included being uneducated sidekicks, savages, noble savages seeking to steal white women, drunken idiots, or hilarious jesters all for the entertainment of viewers. This troublesome history of negative depictions of Native Americans is the reason this research is directed at the films by Native American writer and filmmaker Sherman Alexie. This research is a qualitative analysis of two of Alexie's films striving to analyze his work as a Native American filmmaker in relation to themes and representations found in films made by non-Natives depicting Native American characters and culture.
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650 4 $a Film studies. $3 2122736
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