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Work-in-Process: Choreographing the ...
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Kaniuka, Emily Irene.
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Work-in-Process: Choreographing the Feminist Archive, 1993-Present.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Work-in-Process: Choreographing the Feminist Archive, 1993-Present./
Author:
Kaniuka, Emily Irene.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:
102 p.
Notes:
Source: Masters Abstracts International, Volume: 80-03.
Contained By:
Masters Abstracts International80-03.
Subject:
Dance. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10788451
ISBN:
9780438307537
Work-in-Process: Choreographing the Feminist Archive, 1993-Present.
Kaniuka, Emily Irene.
Work-in-Process: Choreographing the Feminist Archive, 1993-Present.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 102 p.
Source: Masters Abstracts International, Volume: 80-03.
Thesis (M.A.)--The Florida State University, 2018.
This item must not be sold to any third party vendors.
This Masters in American Dance Studies thesis engages with the notion of bodily memory as the feminist archive. Using historical, theoretical, and embodied research methods, I define the feminist archive as it relates to the field of Dance Studies at large, and in doing so investigate the liberatory power of movement. Specifically, I examine the ways in which the feminist archive subverts the Western edifices of capitalism, linear time, and heteronormativity. In doing so, I rely on Diana Taylor's repertoire and Rebecca Schneider's feminist archive as critical theories in asking of bodily memory's potential to empower dance as a subversive practice.
ISBN: 9780438307537Subjects--Topical Terms:
610547
Dance.
Work-in-Process: Choreographing the Feminist Archive, 1993-Present.
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This Masters in American Dance Studies thesis engages with the notion of bodily memory as the feminist archive. Using historical, theoretical, and embodied research methods, I define the feminist archive as it relates to the field of Dance Studies at large, and in doing so investigate the liberatory power of movement. Specifically, I examine the ways in which the feminist archive subverts the Western edifices of capitalism, linear time, and heteronormativity. In doing so, I rely on Diana Taylor's repertoire and Rebecca Schneider's feminist archive as critical theories in asking of bodily memory's potential to empower dance as a subversive practice.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10788451
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