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Listening through Popular Music.
~
Tignor, Christopher.
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Listening through Popular Music.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Listening through Popular Music./
Author:
Tignor, Christopher.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:
183 p.
Notes:
Source: Dissertations Abstracts International, Volume: 79-09, Section: A.
Contained By:
Dissertations Abstracts International79-09A.
Subject:
Music theory. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10681709
ISBN:
9780355626483
Listening through Popular Music.
Tignor, Christopher.
Listening through Popular Music.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 183 p.
Source: Dissertations Abstracts International, Volume: 79-09, Section: A.
Thesis (Ph.D.)--Princeton University, 2018.
This item must not be sold to any third party vendors.
What are those listening expectations associated with the popular music that surrounds us, and how do we use them to make sense of this music? The sphere of contemporary Western popular music (roughly post-1955) embodies a rich, ever-evolving syntactic and semantic language. I present a new high-level model for this music's textural design and apply it to numerous examples from today's diverse stylistic spectrum. I further discuss this music's formal language and investigate how these structural principles facilitate appreciation within this "listener-oriented" music. I demonstrate these textural and formal principles across subgenres, examining how this design facilitates specific perceptual inroads audiences might use to connect to this music. I subsequently repurpose V. Kofi Agawu's application of Topic Theory toward contemporary Western popular music, revealing how this music constructs rich semantic networks which help explain "how the work means".
ISBN: 9780355626483Subjects--Topical Terms:
547155
Music theory.
Listening through Popular Music.
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What are those listening expectations associated with the popular music that surrounds us, and how do we use them to make sense of this music? The sphere of contemporary Western popular music (roughly post-1955) embodies a rich, ever-evolving syntactic and semantic language. I present a new high-level model for this music's textural design and apply it to numerous examples from today's diverse stylistic spectrum. I further discuss this music's formal language and investigate how these structural principles facilitate appreciation within this "listener-oriented" music. I demonstrate these textural and formal principles across subgenres, examining how this design facilitates specific perceptual inroads audiences might use to connect to this music. I subsequently repurpose V. Kofi Agawu's application of Topic Theory toward contemporary Western popular music, revealing how this music constructs rich semantic networks which help explain "how the work means".
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10681709
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