東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Searching for Songs of the People: T...

Chaplin-Kyzer, Abigail.

FindBook

Google Book

Amazon

博客來

Searching for Songs of the People: The Ideology of the Composers' Collective and its Musical Implications.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Searching for Songs of the People: The Ideology of the Composers' Collective and its Musical Implications./
作者:	Chaplin-Kyzer, Abigail.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:	140 p.
附註:	Source: Masters Abstracts International, Volume: 58-02.
Contained By:	Masters Abstracts International58-02(E).
標題:	Music. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=11004007
ISBN:	9780438577244

Searching for Songs of the People: The Ideology of the Composers' Collective and its Musical Implications.
Chaplin-Kyzer, Abigail.

Searching for Songs of the People: The Ideology of the Composers' Collective and its Musical Implications. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 140 p.

Source: Masters Abstracts International, Volume: 58-02.

Thesis (M.A.)--University of North Texas, 2018.

The Composers' Collective, founded by leftist composers in 1932 New York City, sought to create proletarian music that avoided the "bourgeois" traditions of the past and functioned as a vehicle to engage Americans in political dialogue. The Collective aimed to understand how the modern composer became isolated from his public, and discussions on the relationship between music and society pervade the radical writings of Marc Blitzstein, Charles Seeger, and Elie Siegmeister, three of the organization's most vocal members. This new proletarian music juxtaposed revolutionary text with avant-garde musical idioms that were incorporated in increasingly greater quantities; thus, composers progressively acclimated the listener to the dissonance of modern music, a distinctive sound that the Collective hoped would become associated with revolutionary ideals. The mass songs of the two Workers' Song Books published by the Collective, illustrate the transitional phase of the musical implementation of their ideology. In contrast, a case study of the song "Chinaman! Laundryman!" by Ruth Crawford Seeger, a fringe member of the Collective, suggests that this song belongs within the final stage of proletarian music, where the text and highly modernist music seamlessly interact to create what Charles Seeger called an "art-product of the highest type".

ISBN: 9780438577244Subjects--Topical Terms:

516178
Music.

Searching for Songs of the People: The Ideology of the Composers' Collective and its Musical Implications.
LDR:02317nmm a2200301 4500 001 2202934
005 20190520081354.5
008 201008s2018 ||||||||||||||||| ||eng d
020 $a 9780438577244
035 $a (MiAaPQ)AAI11004007
035 $a (MiAaPQ)0158vireo:996Chaplin-Kyzer
035 $a AAI11004007
040 $a MiAaPQ $c MiAaPQ
100 1 $a Chaplin-Kyzer, Abigail. $3 3429711
245 1 0 $a Searching for Songs of the People: The Ideology of the Composers' Collective and its Musical Implications.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2018
300 $a 140 p.
500 $a Source: Masters Abstracts International, Volume: 58-02.
500 $a Adviser: Mark McKnight.
502 $a Thesis (M.A.)--University of North Texas, 2018.
520 $a The Composers' Collective, founded by leftist composers in 1932 New York City, sought to create proletarian music that avoided the "bourgeois" traditions of the past and functioned as a vehicle to engage Americans in political dialogue. The Collective aimed to understand how the modern composer became isolated from his public, and discussions on the relationship between music and society pervade the radical writings of Marc Blitzstein, Charles Seeger, and Elie Siegmeister, three of the organization's most vocal members. This new proletarian music juxtaposed revolutionary text with avant-garde musical idioms that were incorporated in increasingly greater quantities; thus, composers progressively acclimated the listener to the dissonance of modern music, a distinctive sound that the Collective hoped would become associated with revolutionary ideals. The mass songs of the two Workers' Song Books published by the Collective, illustrate the transitional phase of the musical implementation of their ideology. In contrast, a case study of the song "Chinaman! Laundryman!" by Ruth Crawford Seeger, a fringe member of the Collective, suggests that this song belongs within the final stage of proletarian music, where the text and highly modernist music seamlessly interact to create what Charles Seeger called an "art-product of the highest type".
590 $a School code: 0158.
650 4 $a Music. $3 516178
650 4 $a American history. $3 2122692
690 $a 0413
690 $a 0337
710 2 $a University of North Texas. $b Music History, Theory, and Ethnomusicology. $3 3187031
773 0 $t Masters Abstracts International $g 58-02(E).
790 $a 0158
791 $a M.A.
792 $a 2018
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=11004007