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Dialogue writing for dubbing = an in...

Spiteri Miggiani, Giselle.

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Dialogue writing for dubbing = an insider's perspective /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Dialogue writing for dubbing/ by Giselle Spiteri Miggiani.
其他題名:	an insider's perspective /
作者:	Spiteri Miggiani, Giselle.
出版者:	Cham :Springer International Publishing : : 2019.,
面頁冊數:	xxii, 271 p. :ill. (some col.), digital ;23 cm.
內容註:	Part I: The Dialogue Writing Practice: A descriptive approach -- Chapter 1: Dialogue writing set in context -- Chapter 2: Bridging disciplines: analogies and applicable devices -- Part II: Strategies and Know-how: A practical approach -- Chapter 3: Dialogue Writing Itinerary -- Chapter 4: Dubbing Deliverables -- Chapter 5: Script components -- Chapter 6: Standards and practices -- Part III: Black Box Revealed: An analytical approach -- Chapter 7: Applied strategies.
Contained By:	Springer eBooks
標題:	Dubbing of motion pictures. -
電子資源:	https://doi.org/10.1007/978-3-030-04966-9
ISBN:	9783030049669

Dialogue writing for dubbing = an insider's perspective /
Spiteri Miggiani, Giselle.

Dialogue writing for dubbingan insider's perspective /[electronic resource] :by Giselle Spiteri Miggiani. - Cham :Springer International Publishing :2019. - xxii, 271 p. :ill. (some col.), digital ;23 cm.

Part I: The Dialogue Writing Practice: A descriptive approach -- Chapter 1: Dialogue writing set in context -- Chapter 2: Bridging disciplines: analogies and applicable devices -- Part II: Strategies and Know-how: A practical approach -- Chapter 3: Dialogue Writing Itinerary -- Chapter 4: Dubbing Deliverables -- Chapter 5: Script components -- Chapter 6: Standards and practices -- Part III: Black Box Revealed: An analytical approach -- Chapter 7: Applied strategies.

This book analyses an important phase in the interlingual dubbing process of audiovisual productions: the elaboration of target language scripts for the recording studios. Written by a practitioner in the industry who is also an academic and trainer, it provides practical know-how and guidelines while adopting a scholarly, structural and methodical approach. Supported by an exemplified, analytical and theoretical framework, it is non-language specific and discusses strategies and tricks of the trade. Divided into three parts, the book provides a descriptive, practical and analytical approach to dubbing and dialogue writing. The author analyses scripts drawn from her own professional practice, including initial drafts that illustrate the various transformations of a text throughout the rewriting process. She also provides a 'backstage' perspective, from first-hand experience in recording sessions that provided first-hand knowledge of text manipulation, studio jargon, and the dubbing post production process. This publication will provide a valuable resource for novice dubbing translators and dialogue writers, while offering practitioner insights to scholars and researchers in the field of Audiovisual Translation, Film and Media Studies.

ISBN: 9783030049669

Standard No.: 10.1007/978-3-030-04966-9doiSubjects--Topical Terms:

1098776
Dubbing of motion pictures.

LC Class. No.: P306 / .S66 2019

Dewey Class. No.: 418.02

Dialogue writing for dubbing = an insider's perspective /
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520 $a This book analyses an important phase in the interlingual dubbing process of audiovisual productions: the elaboration of target language scripts for the recording studios. Written by a practitioner in the industry who is also an academic and trainer, it provides practical know-how and guidelines while adopting a scholarly, structural and methodical approach. Supported by an exemplified, analytical and theoretical framework, it is non-language specific and discusses strategies and tricks of the trade. Divided into three parts, the book provides a descriptive, practical and analytical approach to dubbing and dialogue writing. The author analyses scripts drawn from her own professional practice, including initial drafts that illustrate the various transformations of a text throughout the rewriting process. She also provides a 'backstage' perspective, from first-hand experience in recording sessions that provided first-hand knowledge of text manipulation, studio jargon, and the dubbing post production process. This publication will provide a valuable resource for novice dubbing translators and dialogue writers, while offering practitioner insights to scholars and researchers in the field of Audiovisual Translation, Film and Media Studies.
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