東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Performance phenomenology = to the t...

Grant, Stuart.

Linked to FindBook

Google Book

Amazon

博客來

Performance phenomenology = to the thing itself /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Performance phenomenology/ edited by Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner.
Reminder of title:	to the thing itself /
other author:	Grant, Stuart.
Published:	Cham :Springer International Publishing : : 2019.,
Description:	xx, 337 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction; Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner -- 2. The Essential Question: So what's phenomenological about Performance Phenomenology?; Stuart Grant -- 3. Phenomenological Methodology and Aesthetic Experience: Essential Clarifications and Their Implications; Maxine Sheets-Johnstone -- 4. The unnamed origin of the performative in Heidegger's interpretation of Aristotelian Phronēsis; Stuart Grant -- 5. A Phenomenology of Being Seen; Sondra Fraleigh -- 6. 'A unique way of being': The place of music in Merleau-Ponty's Phenomenology of Perception; Marc Duby -- 7. Foregrounding the imagination: re-reflecting on dancers' engagement with video self-recordings; Shantel Ehrenberg -- 8. Sensing Film Performance; Sean Redmond -- 9. Phenomenologically absurd, absurdly phenomenological; Jodie McNeilly-Renaudie and Pierre-Jean Renaudie -- 10. On Not Being Able to Dance: The Interring; Robert P. Crease -- 11. Performance Criticism: Live writing as phenomenological poiēsis; Diana Damian Martin -- 12. The Erotic Reduction: Crossed flesh in Lea Anderson's The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele; Nigel Stewart -- 13. Sound Design: A Phenomenology; Christopher Wenn -- 14. Acting without 'meaning' or 'motivation': A first-person account of acting in the pre-articulate world of immediate lived/living experience; Phillip B. Zarrilli -- 15. Thinking with Performance; Ian Maxwell.
Contained By:	Springer eBooks
Subject:	Phenomenology. -
Online resource:	https://doi.org/10.1007/978-3-319-98059-1
ISBN:	9783319980591

Performance phenomenology = to the thing itself /
Performance phenomenologyto the thing itself /[electronic resource] :edited by Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner. - Cham :Springer International Publishing :2019. - xx, 337 p. :ill., digital ;24 cm. - Performance philosophy. - Performance philosophy..

1. Introduction; Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner -- 2. The Essential Question: So what's phenomenological about Performance Phenomenology?; Stuart Grant -- 3. Phenomenological Methodology and Aesthetic Experience: Essential Clarifications and Their Implications; Maxine Sheets-Johnstone -- 4. The unnamed origin of the performative in Heidegger's interpretation of Aristotelian Phronēsis; Stuart Grant -- 5. A Phenomenology of Being Seen; Sondra Fraleigh -- 6. 'A unique way of being': The place of music in Merleau-Ponty's Phenomenology of Perception; Marc Duby -- 7. Foregrounding the imagination: re-reflecting on dancers' engagement with video self-recordings; Shantel Ehrenberg -- 8. Sensing Film Performance; Sean Redmond -- 9. Phenomenologically absurd, absurdly phenomenological; Jodie McNeilly-Renaudie and Pierre-Jean Renaudie -- 10. On Not Being Able to Dance: The Interring; Robert P. Crease -- 11. Performance Criticism: Live writing as phenomenological poiēsis; Diana Damian Martin -- 12. The Erotic Reduction: Crossed flesh in Lea Anderson's The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele; Nigel Stewart -- 13. Sound Design: A Phenomenology; Christopher Wenn -- 14. Acting without 'meaning' or 'motivation': A first-person account of acting in the pre-articulate world of immediate lived/living experience; Phillip B. Zarrilli -- 15. Thinking with Performance; Ian Maxwell.

This collection of essays addresses emergent trends in the meeting of the disciplines of phenomenology and performance. It brings together major scholars in the field, dealing with phenomenological approaches to dance, theatre, performance, embodiment, audience, and everyday performance of self. It argues that despite the wide variety of philosophical, ontological, epistemological, historical and methodological differences across the field of phenomenology, certain tendencies and impulses are required for an investigation to stand as truly phenomenological. These include: description of experience; a move towards fundamental conditions or underlying essences; and an examination of taken-for-granted presuppositions. The book is aimed at scholars and practitioners of performance looking to deepen their understanding of phenomenological concepts and methods, and philosophers concerned with issues of embodiment, performativity and enaction.

ISBN: 9783319980591

Standard No.: 10.1007/978-3-319-98059-1doiSubjects--Topical Terms:

533816
Phenomenology.

LC Class. No.: B829.5 / .P474 2019

Dewey Class. No.: 142.7

Performance phenomenology = to the thing itself /
LDR:03436nmm a2200337 a 4500 001 2178888
003 DE-He213
005 20190708172401.0
006 m d
007 cr nn 008maaau
008 191122s2019 gw s 0 eng d
020 $a 9783319980591 $q (electronic bk.)
020 $a 9783319980584 $q (paper)
024 7 $a 10.1007/978-3-319-98059-1 $2 doi
035 $a 978-3-319-98059-1
040 $a GP $c GP
041 0 $a eng
050 4 $a B829.5 $b .P474 2019
072 7 $a AN $2 bicssc
072 7 $a PER011000 $2 bisacsh
072 7 $a ATD $2 thema
082 0 4 $a 142.7 $2 23
090 $a B829.5 $b .P438 2019
245 0 0 $a Performance phenomenology $h [electronic resource] : $b to the thing itself / $c edited by Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a xx, 337 p. : $b ill., digital ; $c 24 cm.
490 1 $a Performance philosophy
505 0 $a 1. Introduction; Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner -- 2. The Essential Question: So what's phenomenological about Performance Phenomenology?; Stuart Grant -- 3. Phenomenological Methodology and Aesthetic Experience: Essential Clarifications and Their Implications; Maxine Sheets-Johnstone -- 4. The unnamed origin of the performative in Heidegger's interpretation of Aristotelian Phronēsis; Stuart Grant -- 5. A Phenomenology of Being Seen; Sondra Fraleigh -- 6. 'A unique way of being': The place of music in Merleau-Ponty's Phenomenology of Perception; Marc Duby -- 7. Foregrounding the imagination: re-reflecting on dancers' engagement with video self-recordings; Shantel Ehrenberg -- 8. Sensing Film Performance; Sean Redmond -- 9. Phenomenologically absurd, absurdly phenomenological; Jodie McNeilly-Renaudie and Pierre-Jean Renaudie -- 10. On Not Being Able to Dance: The Interring; Robert P. Crease -- 11. Performance Criticism: Live writing as phenomenological poiēsis; Diana Damian Martin -- 12. The Erotic Reduction: Crossed flesh in Lea Anderson's The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele; Nigel Stewart -- 13. Sound Design: A Phenomenology; Christopher Wenn -- 14. Acting without 'meaning' or 'motivation': A first-person account of acting in the pre-articulate world of immediate lived/living experience; Phillip B. Zarrilli -- 15. Thinking with Performance; Ian Maxwell.
520 $a This collection of essays addresses emergent trends in the meeting of the disciplines of phenomenology and performance. It brings together major scholars in the field, dealing with phenomenological approaches to dance, theatre, performance, embodiment, audience, and everyday performance of self. It argues that despite the wide variety of philosophical, ontological, epistemological, historical and methodological differences across the field of phenomenology, certain tendencies and impulses are required for an investigation to stand as truly phenomenological. These include: description of experience; a move towards fundamental conditions or underlying essences; and an examination of taken-for-granted presuppositions. The book is aimed at scholars and practitioners of performance looking to deepen their understanding of phenomenological concepts and methods, and philosophers concerned with issues of embodiment, performativity and enaction.
650 0 $a Phenomenology. $3 533816
650 0 $a Performance $x Philosophy. $3 2080788
650 1 4 $a Theatre and Performance Studies. $3 2181959
700 1 $a Grant, Stuart. $3 3383504
700 1 $a McNeilly-Renaudie, Jodie. $3 3383505
700 1 $a Wagner, Matthew. $3 3383506
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
830 0 $a Performance philosophy. $3 3135312
856 4 0 $u https://doi.org/10.1007/978-3-319-98059-1
950 $a Literature, Cultural and Media Studies (Springer-41173)