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Toward the Origins of Peyote Beadwork.
~
Hubbell, Gerald R.
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Toward the Origins of Peyote Beadwork.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Toward the Origins of Peyote Beadwork./
Author:
Hubbell, Gerald R.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:
104 p.
Notes:
Source: Masters Abstracts International, Volume: 57-05.
Contained By:
Masters Abstracts International57-05(E).
Subject:
Native American studies. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10816114
ISBN:
9780355958157
Toward the Origins of Peyote Beadwork.
Hubbell, Gerald R.
Toward the Origins of Peyote Beadwork.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 104 p.
Source: Masters Abstracts International, Volume: 57-05.
Thesis (A.M.)--University of Missouri - Kansas City, 2018.
Peyote beadwork is a nuanced and elegant art form. Hundreds of thousands of people today use peyote beadwork, including the Native American Church, powwow people, gourd dancers and Native Americans wanting a marker of Native Identity. Mainstream society has relegated this art form to the status of craft. It is virtually unstudied in the academic world. This paper accepts that objects so decorated are art, that is, expressions that are a means of communication among humans, and both a sacred art as well as a means of establishing cultural identity. The lack of academic study has led to hypotheses about its origin that obscure rather than reveal how it began. This paper aims to describe when and by whom the beadwork began, as well as how it was first disseminated.
ISBN: 9780355958157Subjects--Topical Terms:
2122730
Native American studies.
Toward the Origins of Peyote Beadwork.
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Peyote beadwork is a nuanced and elegant art form. Hundreds of thousands of people today use peyote beadwork, including the Native American Church, powwow people, gourd dancers and Native Americans wanting a marker of Native Identity. Mainstream society has relegated this art form to the status of craft. It is virtually unstudied in the academic world. This paper accepts that objects so decorated are art, that is, expressions that are a means of communication among humans, and both a sacred art as well as a means of establishing cultural identity. The lack of academic study has led to hypotheses about its origin that obscure rather than reveal how it began. This paper aims to describe when and by whom the beadwork began, as well as how it was first disseminated.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10816114
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