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The creative and technical differenc...

Ellis, Paul.

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The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The creative and technical differences in composing an electric guitar concerto and classical guitar concerto./
Author:	Ellis, Paul.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2010,
Description:	93 p.
Notes:	Source: Masters Abstracts International, Volume: 49-04, page: 2112.
Contained By:	Masters Abstracts International49-04.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1490376
ISBN:	9781124548463

The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
Ellis, Paul.

The creative and technical differences in composing an electric guitar concerto and classical guitar concerto. - Ann Arbor : ProQuest Dissertations & Theses, 2010 - 93 p.

Source: Masters Abstracts International, Volume: 49-04, page: 2112.

Thesis (M.M.)--California State University, Long Beach, 2010.

The author explores the relationship between the guitar and orchestra. Two modern guitar concerti: To the Edge of Dream, by Toru Takemitsu---for classical guitar, and Tuck and Roll, by Steven Mackey---for electric guitar, are analyzed. The author compares how the guitar is used within an orchestral context in his original concerto Vs., with the Takemitsu and Mackey concerti. Vs. is unique in that it requires the use of a classical, electric hollow-body and electric solid-body guitar. Also included is a harmonic, form, and rhythmic analysis of Vs..

ISBN: 9781124548463Subjects--Topical Terms:

516178
Music.

The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
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245 1 4 $a The creative and technical differences in composing an electric guitar concerto and classical guitar concerto.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2010
300 $a 93 p.
500 $a Source: Masters Abstracts International, Volume: 49-04, page: 2112.
500 $a Adviser: Martin Herman.
502 $a Thesis (M.M.)--California State University, Long Beach, 2010.
520 $a The author explores the relationship between the guitar and orchestra. Two modern guitar concerti: To the Edge of Dream, by Toru Takemitsu---for classical guitar, and Tuck and Roll, by Steven Mackey---for electric guitar, are analyzed. The author compares how the guitar is used within an orchestral context in his original concerto Vs., with the Takemitsu and Mackey concerti. Vs. is unique in that it requires the use of a classical, electric hollow-body and electric solid-body guitar. Also included is a harmonic, form, and rhythmic analysis of Vs..
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