語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Panorama, power, and history: Vasari...
~
Gregg, Ryan E.
FindBook
Google Book
Amazon
博客來
Panorama, power, and history: Vasari and Stradano's city views in the Palazzo Vecchio.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Panorama, power, and history: Vasari and Stradano's city views in the Palazzo Vecchio./
作者:
Gregg, Ryan E.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2009,
面頁冊數:
675 p.
附註:
Source: Dissertation Abstracts International, Volume: 69-12, Section: A, page: 4545.
Contained By:
Dissertation Abstracts International69-12A.
標題:
Art history. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3339721
ISBN:
9780549937371
Panorama, power, and history: Vasari and Stradano's city views in the Palazzo Vecchio.
Gregg, Ryan E.
Panorama, power, and history: Vasari and Stradano's city views in the Palazzo Vecchio.
- Ann Arbor : ProQuest Dissertations & Theses, 2009 - 675 p.
Source: Dissertation Abstracts International, Volume: 69-12, Section: A, page: 4545.
Thesis (Ph.D.)--The Johns Hopkins University, 2009.
Painted topographical views of cities and their environs appear throughout the mid-sixteenth-century fresco decorations of the Palazzo Vecchio. This project focuses primarily on the most extensive series, those in the Quartiere di Leone X. Giorgio Vasari and his assistant Giovanni Stradano painted the five rooms of this apartment between 1556 and 1561. The city views take one of three forms in each painting: as a setting for a historical scene, as the background of an allegory, or as the subject of the view itself. The Quartiere paintings present a history of the Medici and their rule of Florence as a legitimization of the new ducal rule under Cosimo I. The topographical portraits promote this historical argument in two interdependent ways: they present its geographic extent and they promote its cogency.
ISBN: 9780549937371Subjects--Topical Terms:
2122701
Art history.
Panorama, power, and history: Vasari and Stradano's city views in the Palazzo Vecchio.
LDR
:03133nmm a2200313 4500
001
2161467
005
20180907134545.5
008
190424s2009 ||||||||||||||||| ||eng d
020
$a
9780549937371
035
$a
(MiAaPQ)AAI3339721
035
$a
AAI3339721
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Gregg, Ryan E.
$3
3349426
245
1 0
$a
Panorama, power, and history: Vasari and Stradano's city views in the Palazzo Vecchio.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2009
300
$a
675 p.
500
$a
Source: Dissertation Abstracts International, Volume: 69-12, Section: A, page: 4545.
500
$a
Adviser: Stephen J. Campbell.
502
$a
Thesis (Ph.D.)--The Johns Hopkins University, 2009.
520
$a
Painted topographical views of cities and their environs appear throughout the mid-sixteenth-century fresco decorations of the Palazzo Vecchio. This project focuses primarily on the most extensive series, those in the Quartiere di Leone X. Giorgio Vasari and his assistant Giovanni Stradano painted the five rooms of this apartment between 1556 and 1561. The city views take one of three forms in each painting: as a setting for a historical scene, as the background of an allegory, or as the subject of the view itself. The Quartiere paintings present a history of the Medici and their rule of Florence as a legitimization of the new ducal rule under Cosimo I. The topographical portraits promote this historical argument in two interdependent ways: they present its geographic extent and they promote its cogency.
520
$a
To argue this thesis, the dissertation examines the position of the city views in relation to contemporary historiographic and cartographic practices. It begins by placing the Palazzo Vecchio city portraits within a new school of topographical views deriving from Antwerp, explaining how this type differs in their on-site sketching methods from other survey-dependant types. Vasari used that difference to help build enargeia for the history he presents in the decorations. The sketching proffered a more verisimilar information that lacked the specifics of measurement while capturing the character of the topography. That character permitted greater engagement through memory, thereby heightening the visualization required by historiography. Following three chapters that ground that argument, two sustained studies explain how the city views specific to a single room work in conjunction with the overall decoration. In the Sala di Clemente VII, the views act as settings that subtly manipulate the viewer's judgment of the presented history to present the Medici rule of Florence as just. In the Sala di Cosimo I, the city portraits celebrate the duke's fortification program to protect and make cohesive the Tuscan state. In both, and throughout the decorative program, the city paintings work to enhance belief in the dominion of the duke.
590
$a
School code: 0098.
650
4
$a
Art history.
$3
2122701
650
4
$a
Architecture.
$3
523581
650
4
$a
Science history.
$3
2144850
690
$a
0377
690
$a
0729
690
$a
0585
710
2
$a
The Johns Hopkins University.
$3
1017431
773
0
$t
Dissertation Abstracts International
$g
69-12A.
790
$a
0098
791
$a
Ph.D.
792
$a
2009
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3339721
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9361014
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入