東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Reconceptualizing the Work of a Cont...

Cooke, Diane.

FindBook

Google Book

Amazon

博客來

Reconceptualizing the Work of a Content Provider for an Online Audience: A Case Study For How Pedagogical Strategies Can Provide Models of Engagement for Producers of Entertainment.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Reconceptualizing the Work of a Content Provider for an Online Audience: A Case Study For How Pedagogical Strategies Can Provide Models of Engagement for Producers of Entertainment./
作者:	Cooke, Diane.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	326 p.
附註:	Source: Dissertation Abstracts International, Volume: 79-02(E), Section: A.
Contained By:	Dissertation Abstracts International79-02A(E).
標題:	Web studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10621568
ISBN:	9780355407891

Reconceptualizing the Work of a Content Provider for an Online Audience: A Case Study For How Pedagogical Strategies Can Provide Models of Engagement for Producers of Entertainment.
Cooke, Diane.

Reconceptualizing the Work of a Content Provider for an Online Audience: A Case Study For How Pedagogical Strategies Can Provide Models of Engagement for Producers of Entertainment. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 326 p.

Source: Dissertation Abstracts International, Volume: 79-02(E), Section: A.

Thesis (Ph.D.)--Old Dominion University, 2017.

With the interconnectivity of the Internet, and the availability of affordable media compositional tools, the proliferation of online media continues to grow exponentially. However, each day is still comprised of a fixed 24 hours, with far fewer hours spent in active media consumption. Considering the global potential for content to be found (Moreville), discovered (Cormier) or spread (Jenkins), content providers are looking for ways to attract, cultivate and hopefully expand their audiences amid all this digital clutter. In the field of entertainment, this challenge is complicated when small content providers are not aligned with an online, curated network such as Netflix or Hulu. Online education has developed practices designed to communicate expectations/objectives and increase engagement. Although the outcomes/objectives between the entertainment industry and those of online education are quite different, it is possible that both industries could find commonality and share mutually beneficial approaches. Conceptualizing the audience as students might offer content providers a quicker path to assessing what their "work" is online and following a cyclical process of evaluation, as in education, offers a logical and almost narrative approach to data collection and assessment.

ISBN: 9780355407891Subjects--Topical Terms:

2122754
Web studies.

Reconceptualizing the Work of a Content Provider for an Online Audience: A Case Study For How Pedagogical Strategies Can Provide Models of Engagement for Producers of Entertainment.
LDR:03529nmm a2200325 4500 001 2160664
005 20180727091511.5
008 190424s2017 ||||||||||||||||| ||eng d
020 $a 9780355407891
035 $a (MiAaPQ)AAI10621568
035 $a (MiAaPQ)odu:10514
035 $a AAI10621568
040 $a MiAaPQ $c MiAaPQ
100 1 $a Cooke, Diane. $3 3348593
245 1 0 $a Reconceptualizing the Work of a Content Provider for an Online Audience: A Case Study For How Pedagogical Strategies Can Provide Models of Engagement for Producers of Entertainment.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 326 p.
500 $a Source: Dissertation Abstracts International, Volume: 79-02(E), Section: A.
500 $a Advisers: David Metzger; Rochelle Rodrigo.
502 $a Thesis (Ph.D.)--Old Dominion University, 2017.
520 $a With the interconnectivity of the Internet, and the availability of affordable media compositional tools, the proliferation of online media continues to grow exponentially. However, each day is still comprised of a fixed 24 hours, with far fewer hours spent in active media consumption. Considering the global potential for content to be found (Moreville), discovered (Cormier) or spread (Jenkins), content providers are looking for ways to attract, cultivate and hopefully expand their audiences amid all this digital clutter. In the field of entertainment, this challenge is complicated when small content providers are not aligned with an online, curated network such as Netflix or Hulu. Online education has developed practices designed to communicate expectations/objectives and increase engagement. Although the outcomes/objectives between the entertainment industry and those of online education are quite different, it is possible that both industries could find commonality and share mutually beneficial approaches. Conceptualizing the audience as students might offer content providers a quicker path to assessing what their "work" is online and following a cyclical process of evaluation, as in education, offers a logical and almost narrative approach to data collection and assessment.
520 $a Using both qualitative and quantitative methods, this project examines several phases of audience activities surrounding three versions of an online animated comedy series on YouTube and a related official web page: (a) the original version created before an eLearning framework was employed; (b) a second version six months later, where some practices were implemented; and (c) a third version six months after the second phase, which employed more changes. Examination phases before and after the series had ended provide additional opportunities for study. The data suggest that modifying entertainment content with an educational framework helped increase audience engagement in that more viewers consumed content and participated in related creative acts. Viewership jumped after the original episode formats and webpage had been modified. However, after the main phases ended, other Internet activities also impacted viewership. This cyclical, educational framework could be useful to other small entertainment providers who struggle with social media and seek to enhance audience engagement in a cluttered social space.
590 $a School code: 0418.
650 4 $a Web studies. $3 2122754
650 4 $a Multimedia communications. $3 590562
650 4 $a Instructional design. $3 3172279
690 $a 0646
690 $a 0558
690 $a 0447
710 2 $a Old Dominion University. $b English. $3 3186949
773 0 $t Dissertation Abstracts International $g 79-02A(E).
790 $a 0418
791 $a Ph.D.
792 $a 2017
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10621568