東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The Writer's Art: Tao Yuanqing and t...

Ren, Wei.

FindBook

Google Book

Amazon

博客來

The Writer's Art: Tao Yuanqing and the Formation of Modern Chinese Design (1900-1930).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Writer's Art: Tao Yuanqing and the Formation of Modern Chinese Design (1900-1930)./
作者:	Ren, Wei.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2015,
面頁冊數:	312 p.
附註:	Source: Dissertation Abstracts International, Volume: 77-04(E), Section: A.
Contained By:	Dissertation Abstracts International77-04A(E).
標題:	Art history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3739046
ISBN:	9781339295831

The Writer's Art: Tao Yuanqing and the Formation of Modern Chinese Design (1900-1930).
Ren, Wei.

The Writer's Art: Tao Yuanqing and the Formation of Modern Chinese Design (1900-1930). - Ann Arbor : ProQuest Dissertations & Theses, 2015 - 312 p.

Source: Dissertation Abstracts International, Volume: 77-04(E), Section: A.

Thesis (Ph.D.)--Harvard University, 2015.

The dissertation examines the history of modern design in early 20th-century China. The emergent field of design looked to replace the specific cultural and historical references of visual art with an international language of geometry and abstraction. However, design practices also, encouraged extracting culturally unique visual forms by looking inward at a nation's constructed past. The challenge of uniting these dual, and seemingly contradictory, goals was met in a collaborative book cover design project between Lu Xun (1881-1936), China's most influential modern writer, and Tao Yuanqing (1893-1929), a painter who transformed ancient motifs into a transnational vocabulary of modern design.

ISBN: 9781339295831Subjects--Topical Terms:

2122701
Art history.

The Writer's Art: Tao Yuanqing and the Formation of Modern Chinese Design (1900-1930).
LDR:02825nmm a2200325 4500 001 2160028
005 20180712070707.5
008 190424s2015 ||||||||||||||||| ||eng d
020 $a 9781339295831
035 $a (MiAaPQ)AAI3739046
035 $a (MiAaPQ)vireo:harvard406Ren
035 $a AAI3739046
040 $a MiAaPQ $c MiAaPQ
100 1 $a Ren, Wei. $3 898964
245 1 4 $a The Writer's Art: Tao Yuanqing and the Formation of Modern Chinese Design (1900-1930).
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2015
300 $a 312 p.
500 $a Source: Dissertation Abstracts International, Volume: 77-04(E), Section: A.
500 $a Adviser: Eugene Y. Wang.
502 $a Thesis (Ph.D.)--Harvard University, 2015.
520 $a The dissertation examines the history of modern design in early 20th-century China. The emergent field of design looked to replace the specific cultural and historical references of visual art with an international language of geometry and abstraction. However, design practices also, encouraged extracting culturally unique visual forms by looking inward at a nation's constructed past. The challenge of uniting these dual, and seemingly contradictory, goals was met in a collaborative book cover design project between Lu Xun (1881-1936), China's most influential modern writer, and Tao Yuanqing (1893-1929), a painter who transformed ancient motifs into a transnational vocabulary of modern design.
520 $a As the title suggests, the dissertation provides a history of modern Chinese design in four chapters, with the Lu Xun-Tao Yuanqing collaboration at its core. The investigation begins with the moment of culmination, wherein Lu Xun and Tao Yuanqing's intersubjective dynamic allowed for evocative yet inscrutable book cover designs to be created. In the new medium of design, the writer's anxiety regarding the inadequacy of language converged with the artist's desire for ambiguity in art. The critical analysis then moves back to earlier instances of design and examines how the history of design in China was inflected by the World Exposition, Japan, art education, and commercial art. The inquiry finally moves forward to the discussion of Tao Yuanqing's art and design's relationship with a range of discursive fields in aesthetics and literary criticism, including modern notions of beauty, childlikeness, empathy, the native soil movement, cosmopolitanism, symbolism, and ambiguity in art. This part reveals how Tao Yuanqing's innovations ironically endorsed while simultaneously subverting contemporary interpretive efforts.
590 $a School code: 0084.
650 4 $a Art history. $3 2122701
650 4 $a Design. $3 518875
650 4 $a Asian history. $2 bicssc $3 1099323
690 $a 0377
690 $a 0389
690 $a 0332
710 2 $a Harvard University. $b History of Art and Architecture. $3 2099714
773 0 $t Dissertation Abstracts International $g 77-04A(E).
790 $a 0084
791 $a Ph.D.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3739046