語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Singing is a Drag: Gender, Voice, an...
~
MacIntyre, Alec.
FindBook
Google Book
Amazon
博客來
Singing is a Drag: Gender, Voice, and Body in Drag Performance.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Singing is a Drag: Gender, Voice, and Body in Drag Performance./
作者:
MacIntyre, Alec.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:
204 p.
附註:
Source: Dissertation Abstracts International, Volume: 79-04(E), Section: A.
Contained By:
Dissertation Abstracts International79-04A(E).
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10692560
ISBN:
9780355410334
Singing is a Drag: Gender, Voice, and Body in Drag Performance.
MacIntyre, Alec.
Singing is a Drag: Gender, Voice, and Body in Drag Performance.
- Ann Arbor : ProQuest Dissertations & Theses, 2017 - 204 p.
Source: Dissertation Abstracts International, Volume: 79-04(E), Section: A.
Thesis (Ph.D.)--University of Pittsburgh, 2017.
This dissertation brings together voice and gender theories to describe voice/gender/body relationships among drag performers in the U.S. as a means to address gaps in both areas of scholarship. Contemporary gender theory often cites Judith Butler's concept of gender performativity, which is based on analysis of speech-acts without acknowledging the sounding voice. Conversely, recent work in sound studies and philosophy by Douglas Kahn, Mladen Dolar, Bernard Stiegler, and Jonathan Sterne explicitly deals with the sounding voice and the body while ignoring gender. Both these gaps are significant areas for new scholarship because genders are sounded, heard, and policed through the voice.
ISBN: 9780355410334Subjects--Topical Terms:
516178
Music.
Singing is a Drag: Gender, Voice, and Body in Drag Performance.
LDR
:03154nmm a2200325 4500
001
2158625
005
20180614071649.5
008
190424s2017 ||||||||||||||||| ||eng d
020
$a
9780355410334
035
$a
(MiAaPQ)AAI10692560
035
$a
AAI10692560
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
MacIntyre, Alec.
$3
3346452
245
1 0
$a
Singing is a Drag: Gender, Voice, and Body in Drag Performance.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2017
300
$a
204 p.
500
$a
Source: Dissertation Abstracts International, Volume: 79-04(E), Section: A.
500
$a
Adviser: Adriana Helbig.
502
$a
Thesis (Ph.D.)--University of Pittsburgh, 2017.
520
$a
This dissertation brings together voice and gender theories to describe voice/gender/body relationships among drag performers in the U.S. as a means to address gaps in both areas of scholarship. Contemporary gender theory often cites Judith Butler's concept of gender performativity, which is based on analysis of speech-acts without acknowledging the sounding voice. Conversely, recent work in sound studies and philosophy by Douglas Kahn, Mladen Dolar, Bernard Stiegler, and Jonathan Sterne explicitly deals with the sounding voice and the body while ignoring gender. Both these gaps are significant areas for new scholarship because genders are sounded, heard, and policed through the voice.
520
$a
Using evidence gathered from multi-site ethnographic research with drag performers, as well as virtual ethnography and media studies, I link queer and feminist iterations of performativity theory with voice and sound studies to theorize how body and gender are sounded and heard through the voice. I have chosen to examine voice/body/gender relationships in queer communities because the atypical configurations of anatomy, gender identity, and gender expressions in queer spaces highlight naturalized codes for expressing and reading gender on and through the body, including assumptions about the location and embodiment of voice. Looking at cases that break with social codes for embodying and vocalizing gender makes the codes themselves visible: failure and/or refusal to obey naturalized rules draws attention to the artificiality of the rule system as a whole and exposes the gendered body and voice as social constructions.
520
$a
My work builds on existing studies of gender performance and performativity, drawing from feminist scholarship, queer theory, and their applications in music studies. I also engage work on mind/body ontology and the location of voice, including ontological critiques of some feminist theories of embodiment and more speculative theories locating voice outside the body and subjectivity. I use these theoretical tools with my ethnographic work to argue that voices perform identity in relation to naturalized rules specific to locations, times, and cultural/subcultural groups.
590
$a
School code: 0178.
650
4
$a
Music.
$3
516178
650
4
$a
LGBTQ studies.
$3
2122706
650
4
$a
Gender studies.
$3
2122708
690
$a
0413
690
$a
0492
690
$a
0733
710
2
$a
University of Pittsburgh.
$b
Music.
$3
3280123
773
0
$t
Dissertation Abstracts International
$g
79-04A(E).
790
$a
0178
791
$a
Ph.D.
792
$a
2017
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10692560
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9358172
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入