東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Cultural identity in British musical...

Macpherson, Ben.

FindBook

Google Book

Amazon

博客來

Cultural identity in British musical theatre, 1890-1939 = knowing one's place /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Cultural identity in British musical theatre, 1890-1939/ by Ben Macpherson.
其他題名:	knowing one's place /
作者:	Macpherson, Ben.
出版者:	London :Palgrave Macmillan UK : : 2018.,
面頁冊數:	xv, 245 p. :digital ;22 cm.
內容註:	1. The British Musical in Seven Stories -- 2. Nation - Mythologies and Modernity -- 3. Femininity - Cinderella's and Caretakers -- 4. Manliness - Domesticity and Defence -- 5. Empire - Ornamentalism and Orientalism -- 6. Conflict - Continuity and Change -- 7. Peace - Nostalgia and Nationhood -- 8. The English Musical in Many Stories.
Contained By:	Springer eBooks
標題:	Group identity - Great Britain. -
電子資源:	http://dx.doi.org/10.1057/978-1-137-59807-3
ISBN:	9781137598073

Cultural identity in British musical theatre, 1890-1939 = knowing one's place /
Macpherson, Ben.

Cultural identity in British musical theatre, 1890-1939knowing one's place /[electronic resource] :by Ben Macpherson. - London :Palgrave Macmillan UK :2018. - xv, 245 p. :digital ;22 cm. - Palgrave studies in British musical theatre. - Palgrave studies in British musical theatre..

1. The British Musical in Seven Stories -- 2. Nation - Mythologies and Modernity -- 3. Femininity - Cinderella's and Caretakers -- 4. Manliness - Domesticity and Defence -- 5. Empire - Ornamentalism and Orientalism -- 6. Conflict - Continuity and Change -- 7. Peace - Nostalgia and Nationhood -- 8. The English Musical in Many Stories.

This book examines the performance of 'Britishness' on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of 'Britishness', and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of 'Britishness', reflecting the anxieties of a nation in decline.

ISBN: 9781137598073

Standard No.: 10.1057/978-1-137-59807-3doiSubjects--Topical Terms:

551491
Group identity
--Great Britain.

LC Class. No.: ML3918.M85 / M33 2018

Dewey Class. No.: 792.6094109041

Cultural identity in British musical theatre, 1890-1939 = knowing one's place /
LDR:02295nmm a2200325 a 4500 001 2146158
003 DE-He213
005 20181129135947.0
006 m d
007 cr nn 008maaau
008 190227s2018 enk s 0 eng d
020 $a 9781137598073 $q (electronic bk.)
020 $a 9781137598066 $q (paper)
024 7 $a 10.1057/978-1-137-59807-3 $2 doi
035 $a 978-1-137-59807-3
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3918.M85 $b M33 2018
072 7 $a AN $2 bicssc
072 7 $a PER011000 $2 bisacsh
082 0 4 $a 792.6094109041 $2 23
090 $a ML3918.M85 $b M172 2018
100 1 $a Macpherson, Ben. $3 3332476
245 1 0 $a Cultural identity in British musical theatre, 1890-1939 $h [electronic resource] : $b knowing one's place / $c by Ben Macpherson.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2018.
300 $a xv, 245 p. : $b digital ; $c 22 cm.
490 1 $a Palgrave studies in British musical theatre
505 0 $a 1. The British Musical in Seven Stories -- 2. Nation - Mythologies and Modernity -- 3. Femininity - Cinderella's and Caretakers -- 4. Manliness - Domesticity and Defence -- 5. Empire - Ornamentalism and Orientalism -- 6. Conflict - Continuity and Change -- 7. Peace - Nostalgia and Nationhood -- 8. The English Musical in Many Stories.
520 $a This book examines the performance of 'Britishness' on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of 'Britishness', and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of 'Britishness', reflecting the anxieties of a nation in decline.
650 0 $a Group identity $z Great Britain. $3 551491
650 0 $a Musical theater $z Great Britain. $3 3332478
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Theatre and Performance Studies. $3 2181959
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
830 0 $a Palgrave studies in British musical theatre. $3 3332477
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-59807-3
950 $a Literature, Cultural and Media Studies (Springer-41173)