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The language of protest = acts of pe...

Hill, Mary Lynne Gasaway.

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The language of protest = acts of performance, identity, and legitimacy /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The language of protest/ by Mary Lynne Gasaway Hill.
Reminder of title:	acts of performance, identity, and legitimacy /
Author:	Hill, Mary Lynne Gasaway.
Published:	Cham :Springer International Publishing : : 2018.,
Description:	xvii, 317 p. :ill., digital ;22 cm.
[NT 15003449]:	Chapter 1: Introduction -- Chapter 2: Mapping Theory and Method in the Neighborhood of Protest -- Chapter 3: Exploring the Performance of Protest Chants: "Everyday I'm Capulling" and "Si Se Puede" -- Chapter 4: Exploring the Performance of Protest Songs: "We Shall Overcome" and "99 Luftballons"/ "99 Red Balloons" -- Chapter 5: Exploring the Performance of Protest Poetry: "Cruciada Copiilor"/ "Children's Crusade" and "Dulce et Decorum Est" -- Chapter 6: Exploring the Performance of Protest Prose: Condemnations of the Totonicapan Massacre and "The Diary of Bobby Sands" -- Chapter 7: Considerations and Conversations in the Neighborhood of Protest.
Contained By:	Springer eBooks
Subject:	Speech acts (Linguistics) -
Online resource:	http://dx.doi.org/10.1007/978-3-319-77419-0
ISBN:	9783319774190

The language of protest = acts of performance, identity, and legitimacy /
Hill, Mary Lynne Gasaway.

The language of protestacts of performance, identity, and legitimacy /[electronic resource] :by Mary Lynne Gasaway Hill. - Cham :Springer International Publishing :2018. - xvii, 317 p. :ill., digital ;22 cm.

Chapter 1: Introduction -- Chapter 2: Mapping Theory and Method in the Neighborhood of Protest -- Chapter 3: Exploring the Performance of Protest Chants: "Everyday I'm Capulling" and "Si Se Puede" -- Chapter 4: Exploring the Performance of Protest Songs: "We Shall Overcome" and "99 Luftballons"/ "99 Red Balloons" -- Chapter 5: Exploring the Performance of Protest Poetry: "Cruciada Copiilor"/ "Children's Crusade" and "Dulce et Decorum Est" -- Chapter 6: Exploring the Performance of Protest Prose: Condemnations of the Totonicapan Massacre and "The Diary of Bobby Sands" -- Chapter 7: Considerations and Conversations in the Neighborhood of Protest.

Rooted in the performative of Speech Act Theory, this interdisciplinary study crafts a new model to compare the work we do with words when we protest: across genres, from different geographies and languages. Rich with illustrative examples from Turkey, U.S., West Germany, Romania, Guatemala, Great Britain, and Northern Ireland, it examines the language of protest (chants, songs, poetry and prose) with an innovative use of analytical tools that will advance current theory. Operating at the intersection of linguistic pragmatics and critical discourse analysis this book provides fresh insights on interdisciplinary topics including power, identity, legitimacy and the Social Contract. In doing so it will appeal to students and scholars of sociolinguistics, pragmatics and critical discourse analysis, in addition to researchers working in sociology, political science, discourse, cultural and communication studies.

ISBN: 9783319774190

Standard No.: 10.1007/978-3-319-77419-0doiSubjects--Topical Terms:

533813
Speech acts (Linguistics)

LC Class. No.: P119.3 / .H55 2018

Dewey Class. No.: 306.449

The language of protest = acts of performance, identity, and legitimacy /
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245 1 4 $a The language of protest $h [electronic resource] : $b acts of performance, identity, and legitimacy / $c by Mary Lynne Gasaway Hill.
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505 0 $a Chapter 1: Introduction -- Chapter 2: Mapping Theory and Method in the Neighborhood of Protest -- Chapter 3: Exploring the Performance of Protest Chants: "Everyday I'm Capulling" and "Si Se Puede" -- Chapter 4: Exploring the Performance of Protest Songs: "We Shall Overcome" and "99 Luftballons"/ "99 Red Balloons" -- Chapter 5: Exploring the Performance of Protest Poetry: "Cruciada Copiilor"/ "Children's Crusade" and "Dulce et Decorum Est" -- Chapter 6: Exploring the Performance of Protest Prose: Condemnations of the Totonicapan Massacre and "The Diary of Bobby Sands" -- Chapter 7: Considerations and Conversations in the Neighborhood of Protest.
520 $a Rooted in the performative of Speech Act Theory, this interdisciplinary study crafts a new model to compare the work we do with words when we protest: across genres, from different geographies and languages. Rich with illustrative examples from Turkey, U.S., West Germany, Romania, Guatemala, Great Britain, and Northern Ireland, it examines the language of protest (chants, songs, poetry and prose) with an innovative use of analytical tools that will advance current theory. Operating at the intersection of linguistic pragmatics and critical discourse analysis this book provides fresh insights on interdisciplinary topics including power, identity, legitimacy and the Social Contract. In doing so it will appeal to students and scholars of sociolinguistics, pragmatics and critical discourse analysis, in addition to researchers working in sociology, political science, discourse, cultural and communication studies.
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