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Exploring the selfie = historical, t...
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Eckel, Julia.
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Exploring the selfie = historical, theoretical and analytical approaches to digital self-photography /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Exploring the selfie/ edited by Julia Eckel, Jens Ruchatz, Sabine Wirth.
其他題名:
historical, theoretical and analytical approaches to digital self-photography /
其他作者:
Eckel, Julia.
出版者:
Cham :Springer International Publishing : : 2018.,
面頁冊數:
xxi, 392 p. :ill. (some col.), digital ;22 cm.
內容註:
1.The Selfie as Image (and) Practice - Approaching Digital Self-Photography -- 2. The Consecration of the Selfie. A Cultural History -- 3. Selfie-Reflexivity. Pictures of People Taking Photographs -- 4. Locating the 'Selfie' Within Photography's History - and Beyond -- 5. The Selfie as Feedback: Video, Narcissism, and the Closed-Circuit Video Installation -- 6. The Selfie and the Face -- 7. Selfies & Authorship - On the Displayed Authorship and the Author Function of the Selfie -- 8. Competitive Photography and the Presentation of the Self -- 9. Of Duckfaces and Cat-beards: Why Do Selfies Need Genres? -- 10. Interfacing the Self - Smartphone Snaps and the Temporality of the Selfie -- 11.The Video Selfie as Act and Artefact of Recording -- 12. Be a Hero - Self-Shoots at the Edge of the Abyss -- 13. Strike a Pose: Robot Selfies -- 14. Selfies and Purikura as Affective, Aesthetic Labour -- 15.The Kid Selfie as Self-Inscription: Re-Inventing an Emerging Media Practice -- 16."Machos" and "Top Girls": Photographic Self-Images of Berlin Hauptschuler.
Contained By:
Springer eBooks
標題:
Selfies (Photography) -
電子資源:
http://dx.doi.org/10.1007/978-3-319-57949-8
ISBN:
9783319579498
Exploring the selfie = historical, theoretical and analytical approaches to digital self-photography /
Exploring the selfie
historical, theoretical and analytical approaches to digital self-photography /[electronic resource] :edited by Julia Eckel, Jens Ruchatz, Sabine Wirth. - Cham :Springer International Publishing :2018. - xxi, 392 p. :ill. (some col.), digital ;22 cm.
1.The Selfie as Image (and) Practice - Approaching Digital Self-Photography -- 2. The Consecration of the Selfie. A Cultural History -- 3. Selfie-Reflexivity. Pictures of People Taking Photographs -- 4. Locating the 'Selfie' Within Photography's History - and Beyond -- 5. The Selfie as Feedback: Video, Narcissism, and the Closed-Circuit Video Installation -- 6. The Selfie and the Face -- 7. Selfies & Authorship - On the Displayed Authorship and the Author Function of the Selfie -- 8. Competitive Photography and the Presentation of the Self -- 9. Of Duckfaces and Cat-beards: Why Do Selfies Need Genres? -- 10. Interfacing the Self - Smartphone Snaps and the Temporality of the Selfie -- 11.The Video Selfie as Act and Artefact of Recording -- 12. Be a Hero - Self-Shoots at the Edge of the Abyss -- 13. Strike a Pose: Robot Selfies -- 14. Selfies and Purikura as Affective, Aesthetic Labour -- 15.The Kid Selfie as Self-Inscription: Re-Inventing an Emerging Media Practice -- 16."Machos" and "Top Girls": Photographic Self-Images of Berlin Hauptschuler.
This volume explores the selfie not only as a specific photographic practice that is deeply rooted in digital culture, but also how it is understood in relation to other media of self-portrayal. Unlike the public debate about the dangers of 'selfie-narcissism', this anthology discusses what the practice of taking and sharing selfies can tell us about media culture today: can the selfie be critiqued as an image or rather as a social practice? What are the technological conditions of this form of vernacular photography? By gathering articles from the fields of media studies; art history; cultural studies; visual studies; philosophy; sociology and ethnography, this book provides a media archaeological perspective that highlights the relevance of the selfie as a stereotypical as well as creative practice of dealing with ourselves in relation to technology.
ISBN: 9783319579498
Standard No.: 10.1007/978-3-319-57949-8doiSubjects--Topical Terms:
3308968
Selfies (Photography)
LC Class. No.: TR575 / .E87 2018
Dewey Class. No.: 778
Exploring the selfie = historical, theoretical and analytical approaches to digital self-photography /
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1.The Selfie as Image (and) Practice - Approaching Digital Self-Photography -- 2. The Consecration of the Selfie. A Cultural History -- 3. Selfie-Reflexivity. Pictures of People Taking Photographs -- 4. Locating the 'Selfie' Within Photography's History - and Beyond -- 5. The Selfie as Feedback: Video, Narcissism, and the Closed-Circuit Video Installation -- 6. The Selfie and the Face -- 7. Selfies & Authorship - On the Displayed Authorship and the Author Function of the Selfie -- 8. Competitive Photography and the Presentation of the Self -- 9. Of Duckfaces and Cat-beards: Why Do Selfies Need Genres? -- 10. Interfacing the Self - Smartphone Snaps and the Temporality of the Selfie -- 11.The Video Selfie as Act and Artefact of Recording -- 12. Be a Hero - Self-Shoots at the Edge of the Abyss -- 13. Strike a Pose: Robot Selfies -- 14. Selfies and Purikura as Affective, Aesthetic Labour -- 15.The Kid Selfie as Self-Inscription: Re-Inventing an Emerging Media Practice -- 16."Machos" and "Top Girls": Photographic Self-Images of Berlin Hauptschuler.
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