東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Bolshoi Ballerina Vera Karalli: Russ...

Zale, Jennifer Ann.

FindBook

Google Book

Amazon

博客來

Bolshoi Ballerina Vera Karalli: Russia's First Film Star, the Imperial-Era Dance Film, and the Modernization of Cinema Going Practices and Perceptions in Prerevolutionary Russia.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Bolshoi Ballerina Vera Karalli: Russia's First Film Star, the Imperial-Era Dance Film, and the Modernization of Cinema Going Practices and Perceptions in Prerevolutionary Russia./
作者:	Zale, Jennifer Ann.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:	398 p.
附註:	Source: Dissertation Abstracts International, Volume: 78-09(E), Section: A.
Contained By:	Dissertation Abstracts International78-09A(E).
標題:	Film studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10276795
ISBN:	9781369756876

Bolshoi Ballerina Vera Karalli: Russia's First Film Star, the Imperial-Era Dance Film, and the Modernization of Cinema Going Practices and Perceptions in Prerevolutionary Russia.
Zale, Jennifer Ann.

Bolshoi Ballerina Vera Karalli: Russia's First Film Star, the Imperial-Era Dance Film, and the Modernization of Cinema Going Practices and Perceptions in Prerevolutionary Russia. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 398 p.

Source: Dissertation Abstracts International, Volume: 78-09(E), Section: A.

Thesis (Ph.D.)--Indiana University, 2017.

This dissertation, "Bolshoi Ballerina Vera Karalli: Russia's First Film Star, The Imperial-Era Dance Film," and the Modernization of Cinema Going Practices and Perceptions in Prerevolutionary Russia, is a critical biography of Vera Karalli, Bolshoi prima ballerina turned Russia's first film star. Despite a ban that forbade Imperial artists from working in the cinema, Karalli entered into the new medium as an actress in 1914. Already an established celebrity on the Imperial stage, she was able to use her clout in order to defy the wishes of the Imperial Administration by appearing on stage and screen simultaneously. Karalli's ballet training and experience, which largely consisted of pantomime and mimicry, made her an ideal actress for the silent screen, and she influenced cinema acting styles. She also helped to break down class and taste barriers for audiences who frequented the ballet and the cinema, two art forms that were at odds with each other. Ballet was considered a highbrow art form suitable for the wealthy and elite, while the cinema was deemed a lowbrow medium to be reserved for the poor and illiterate. Karalli's appearance in the cinema attracted her upper class ballet fans, allowing them to realize that it was really not as vulgar as they were led to believe. The ballerina's transition into the cinema helped to democratize the art of ballet, bringing it to those who could not attend the live theater for financial and geographical reasons. Karalli was chosen to be groomed into Russia's first film star due to ballet's prestigious position in Russian national culture.

ISBN: 9781369756876Subjects--Topical Terms:

2122736
Film studies.

Bolshoi Ballerina Vera Karalli: Russia's First Film Star, the Imperial-Era Dance Film, and the Modernization of Cinema Going Practices and Perceptions in Prerevolutionary Russia.
LDR:03209nmm a2200313 4500 001 2126144
005 20171115071443.5
008 180830s2017 ||||||||||||||||| ||eng d
020 $a 9781369756876
035 $a (MiAaPQ)AAI10276795
035 $a AAI10276795
040 $a MiAaPQ $c MiAaPQ
100 1 $a Zale, Jennifer Ann. $3 3288226
245 1 0 $a Bolshoi Ballerina Vera Karalli: Russia's First Film Star, the Imperial-Era Dance Film, and the Modernization of Cinema Going Practices and Perceptions in Prerevolutionary Russia.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 398 p.
500 $a Source: Dissertation Abstracts International, Volume: 78-09(E), Section: A.
500 $a Adviser: Joshua Malitsky.
502 $a Thesis (Ph.D.)--Indiana University, 2017.
520 $a This dissertation, "Bolshoi Ballerina Vera Karalli: Russia's First Film Star, The Imperial-Era Dance Film," and the Modernization of Cinema Going Practices and Perceptions in Prerevolutionary Russia, is a critical biography of Vera Karalli, Bolshoi prima ballerina turned Russia's first film star. Despite a ban that forbade Imperial artists from working in the cinema, Karalli entered into the new medium as an actress in 1914. Already an established celebrity on the Imperial stage, she was able to use her clout in order to defy the wishes of the Imperial Administration by appearing on stage and screen simultaneously. Karalli's ballet training and experience, which largely consisted of pantomime and mimicry, made her an ideal actress for the silent screen, and she influenced cinema acting styles. She also helped to break down class and taste barriers for audiences who frequented the ballet and the cinema, two art forms that were at odds with each other. Ballet was considered a highbrow art form suitable for the wealthy and elite, while the cinema was deemed a lowbrow medium to be reserved for the poor and illiterate. Karalli's appearance in the cinema attracted her upper class ballet fans, allowing them to realize that it was really not as vulgar as they were led to believe. The ballerina's transition into the cinema helped to democratize the art of ballet, bringing it to those who could not attend the live theater for financial and geographical reasons. Karalli was chosen to be groomed into Russia's first film star due to ballet's prestigious position in Russian national culture.
520 $a This work chronicles Karalli's life and career from her early years as a student at the Imperial Ballet School to her rise to stardom in the Bolshoi Ballet and entrance into the cinema, ultimately becoming its first star. Issues pertaining to reception/audience studies, star studies, feminist film history, the intersection of film and dance, silent cinema and the history of Russian film are represented in this analysis of the forgotten career of Karalli. More generally, the topics of gender, class and taste politics take precedence in this dissertation.
590 $a School code: 0093.
650 4 $a Film studies. $3 2122736
650 4 $a Dance. $3 610547
650 4 $a Theater history. $3 2144911
690 $a 0900
690 $a 0378
690 $a 0644
710 2 $a Indiana University. $b Communication and Culture. $3 1285430
773 0 $t Dissertation Abstracts International $g 78-09A(E).
790 $a 0093
791 $a Ph.D.
792 $a 2017
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10276795