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Ines de Castro in Theatre and Film: ...

Jordao, Aida Maria da Fonseca.

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Ines de Castro in Theatre and Film: A Feminist Exhumation of the Dead Queen.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Ines de Castro in Theatre and Film: A Feminist Exhumation of the Dead Queen./
作者:	Jordao, Aida Maria da Fonseca.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2014,
面頁冊數:	275 p.
附註:	Source: Dissertation Abstracts International, Volume: 77-12(E), Section: A.
Contained By:	Dissertation Abstracts International77-12A(E).
標題:	Theater history. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10125532
ISBN:	9781339836041

Ines de Castro in Theatre and Film: A Feminist Exhumation of the Dead Queen.
Jordao, Aida Maria da Fonseca.

Ines de Castro in Theatre and Film: A Feminist Exhumation of the Dead Queen. - Ann Arbor : ProQuest Dissertations & Theses, 2014 - 275 p.

Source: Dissertation Abstracts International, Volume: 77-12(E), Section: A.

Thesis (Ph.D.)--University of Toronto (Canada), 2014.

Since the fourteenth century when Ines de Castro was laid to rest in her magnificent tomb in the Monastery of Alcobaca, artists worldwide have told the tragic story of the Galician noblewoman who was assassinated for political reasons and became Queen of Portugal after death. Ines embodies beauty, love, innocence, and saudade, and, for the Portuguese, she figures prominently in the national cultural imaginary. This inquiry is a comparative, intertextual, and intermedial study of the representation of Ines de Castro across the centuries, as seen through a feminist lens. Thus, it begins with analyses of Garcia de Resende's 1516 performative poem "Trovas a morte de D. Ines de Castro" ("Ballad to the Death of Dona Ines de Castro"), and two foundational Iberian plays, Castro (1587) by tragedian Antonio Ferreira, and Reinar despues de morir (To Reign after Death) (1652) by the popular Luis Velez de Guevara. These three dramatic texts, built on the Inesian narratives of oral tradition and royal chronicles, establish figurations of Ines that surface in twentieth- and twenty-first-century film, video and performance. The 1945 classic film by Jose Leitao de Barros, Ines de Castro, with a heroine who is both tragic and romantic, has elements of both Ferreira and Velez; Jose Carlos de Oliveira's 1997 Ines de Portugal plays up Ines's sexuality and evokes Resende's courtesan; and YouTube videos by Brazilian and Portuguese students are veritable pastiches of the palimpsest Ines has become. In performance, Whetstone Theatre's 2001 production of John Clifford's Ines de Castro revives the tragic heroine originated by Ferreira in a tragedy for our days, while Teatro O Bando's 2011 Pedro e Ines echoes Velez's hunted protagonist and the crowned corpse, and O Projecto's community theatre play of the same year focuses on Ferreirian saudade. Finally, my 2008 performance of Resende's ballad, with a feminist direction that foregrounds Ines's authority, closes this circle of representation and opens up a reading of the Dead Queen. In this inquiry, each case study is interrogated to uncover the masculinist discourse of Inesian texts and give Ines a new and fluid identity in the Luso cultural imaginary and beyond.

ISBN: 9781339836041Subjects--Topical Terms:

2144911
Theater history.

Ines de Castro in Theatre and Film: A Feminist Exhumation of the Dead Queen.
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