東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

TV Party, New Wave Theatre, and Subc...

Stiffler, Brad.

FindBook

Google Book

Amazon

博客來

TV Party, New Wave Theatre, and Subcultural Television in the 1970s and 1980s.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	TV Party, New Wave Theatre, and Subcultural Television in the 1970s and 1980s./
作者:	Stiffler, Brad.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:	317 p.
附註:	Source: Dissertation Abstracts International, Volume: 77-08(E), Section: A.
Contained By:	Dissertation Abstracts International77-08A(E).
標題:	Mass communication. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10076325
ISBN:	9781339586267

TV Party, New Wave Theatre, and Subcultural Television in the 1970s and 1980s.
Stiffler, Brad.

TV Party, New Wave Theatre, and Subcultural Television in the 1970s and 1980s. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 317 p.

Source: Dissertation Abstracts International, Volume: 77-08(E), Section: A.

Thesis (Ph.D.)--University of Minnesota, 2016.

This dissertation offers a discursive and cultural history of subcultural television organized around detailed engagements with two television programs from the late 1970s and early 1980s, New York City's TV Party and Los Angeles' New Wave Theatre. Utilizing surviving episodes and promotional materials, interviews with creators and participants, reviews and articles from popular and underground publications, and other historical sources, I present these programs as inimitable experiments in both the theory and practice of subcultural television, a diverse set of aesthetic and cultural practices aimed at creating marginal forms of collectivity through televisual technology. To provide context, I locate these shows during a particularly charged moment of U.S. cultural history that saw the simultaneous emergence of alternative medium forums like cable access and subcultural social formations like punk. Conventionally, subcultures are conceived as oppositional constructs existing outside the co-opting grasp of the mainstream, inherently hostile to mass-cultural mediums like television. However, for a few fleeting years on the televisual frontiers of 1970s and 1980s cable, a small collection of artists, musicians, performers, punks, and weirdos set out to produce subculture both on and through TV.

ISBN: 9781339586267Subjects--Topical Terms:

2144804
Mass communication.

TV Party, New Wave Theatre, and Subcultural Television in the 1970s and 1980s.
LDR:02266nmm a2200301 4500 001 2126064
005 20171115071440.5
008 180830s2016 ||||||||||||||||| ||eng d
020 $a 9781339586267
035 $a (MiAaPQ)AAI10076325
035 $a AAI10076325
040 $a MiAaPQ $c MiAaPQ
100 1 $a Stiffler, Brad. $3 3288141
245 1 0 $a TV Party, New Wave Theatre, and Subcultural Television in the 1970s and 1980s.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 317 p.
500 $a Source: Dissertation Abstracts International, Volume: 77-08(E), Section: A.
500 $a Advisers: Richard Leppert; Laurie Ouellette.
502 $a Thesis (Ph.D.)--University of Minnesota, 2016.
520 $a This dissertation offers a discursive and cultural history of subcultural television organized around detailed engagements with two television programs from the late 1970s and early 1980s, New York City's TV Party and Los Angeles' New Wave Theatre. Utilizing surviving episodes and promotional materials, interviews with creators and participants, reviews and articles from popular and underground publications, and other historical sources, I present these programs as inimitable experiments in both the theory and practice of subcultural television, a diverse set of aesthetic and cultural practices aimed at creating marginal forms of collectivity through televisual technology. To provide context, I locate these shows during a particularly charged moment of U.S. cultural history that saw the simultaneous emergence of alternative medium forums like cable access and subcultural social formations like punk. Conventionally, subcultures are conceived as oppositional constructs existing outside the co-opting grasp of the mainstream, inherently hostile to mass-cultural mediums like television. However, for a few fleeting years on the televisual frontiers of 1970s and 1980s cable, a small collection of artists, musicians, performers, punks, and weirdos set out to produce subculture both on and through TV.
590 $a School code: 0130.
650 4 $a Mass communication. $3 2144804
650 4 $a Film studies. $3 2122736
650 4 $a American history. $3 2122692
690 $a 0708
690 $a 0900
690 $a 0337
710 2 $a University of Minnesota. $b Comparative Studies in Discourse and Society. $3 2093376
773 0 $t Dissertation Abstracts International $g 77-08A(E).
790 $a 0130
791 $a Ph.D.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10076325