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Cultural Improvisations: Luigi Ricco...

McMahan, Matthew.

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Cultural Improvisations: Luigi Riccoboni and the Nouveau Theâtre Italien.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Cultural Improvisations: Luigi Riccoboni and the Nouveau Theâtre Italien./
Author:	McMahan, Matthew.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:	317 p.
Notes:	Source: Dissertation Abstracts International, Volume: 77-07(E), Section: A.
Contained By:	Dissertation Abstracts International77-07A(E).
Subject:	Theater history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10013479
ISBN:	9781339480251

Cultural Improvisations: Luigi Riccoboni and the Nouveau Theâtre Italien.
McMahan, Matthew.

Cultural Improvisations: Luigi Riccoboni and the Nouveau Theâtre Italien. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 317 p.

Source: Dissertation Abstracts International, Volume: 77-07(E), Section: A.

Thesis (Ph.D.)--Tufts University, 2016.

In my dissertation, I study the expression of improvised national identities that emerged through the collision of diverse forms. The work explores how an eighteenth-century commedia dell'arte troupe led by Luigi Riccoboni, who were invited to establish a theatre in France, wanted to reform the reputation of Italian actors abroad but found they had to adapt and relinquish to the tastes and expectations of a Parisian audience instead. Defining the troupe as a transnational enterprise, I demonstrate how immigration was not an incidental aspect of the troupe but a determining factor of its theatrical decisions. The Italian actors made their theatre a contact zone of Franco-Italian commutation in almost every level of their performance: their prefaces and prologues, their bilingual plays, their style of performance (improvisation), and their adaptation of low genres. The consequence was a hybrid theatre in France in which both parties learned, adapted, and changed in the exchange.

ISBN: 9781339480251Subjects--Topical Terms:

2144911
Theater history.

Cultural Improvisations: Luigi Riccoboni and the Nouveau Theâtre Italien.
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300 $a 317 p.
500 $a Source: Dissertation Abstracts International, Volume: 77-07(E), Section: A.
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520 $a In my dissertation, I study the expression of improvised national identities that emerged through the collision of diverse forms. The work explores how an eighteenth-century commedia dell'arte troupe led by Luigi Riccoboni, who were invited to establish a theatre in France, wanted to reform the reputation of Italian actors abroad but found they had to adapt and relinquish to the tastes and expectations of a Parisian audience instead. Defining the troupe as a transnational enterprise, I demonstrate how immigration was not an incidental aspect of the troupe but a determining factor of its theatrical decisions. The Italian actors made their theatre a contact zone of Franco-Italian commutation in almost every level of their performance: their prefaces and prologues, their bilingual plays, their style of performance (improvisation), and their adaptation of low genres. The consequence was a hybrid theatre in France in which both parties learned, adapted, and changed in the exchange.
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