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The Solo Vocal Songs of Richard Wagn...
~
Wee, Sarah Theresa Shipkowski.
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The Solo Vocal Songs of Richard Wagner: A Pedagogical Guide for Use in the Voice Studio.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The Solo Vocal Songs of Richard Wagner: A Pedagogical Guide for Use in the Voice Studio./
作者:
Wee, Sarah Theresa Shipkowski.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2017,
面頁冊數:
80 p.
附註:
Source: Dissertation Abstracts International, Volume: 78-10(E), Section: A.
Contained By:
Dissertation Abstracts International78-10A(E).
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10280651
ISBN:
9781369808285
The Solo Vocal Songs of Richard Wagner: A Pedagogical Guide for Use in the Voice Studio.
Wee, Sarah Theresa Shipkowski.
The Solo Vocal Songs of Richard Wagner: A Pedagogical Guide for Use in the Voice Studio.
- Ann Arbor : ProQuest Dissertations & Theses, 2017 - 80 p.
Source: Dissertation Abstracts International, Volume: 78-10(E), Section: A.
Thesis (D.M.A.)--University of Miami, 2017.
The solo vocal songs of Richard Wagner are an under-performed part of the standard classical vocal repertoire. In this paper, fifteen of Richard Wagner's solo vocal songs have been researched and analyzed. The orchestrated solo works, fragments, songs with chorus, arias or operatic compositions of Richard Wagner were not considered in this paper. The background of each song is addressed including what was going on in Wagner's life at the time they were written, and any note-worthy information about the poet of the text, or the text itself. A poetic translation of each text has been included. The songs are examined based on vocal requirements such as: range, tessitura, dynamic range, composer's markings and special techniques, melodic and rhythmic aspects of the vocal line, text and diction, and suggested voice categories. Additionally, the piano accompaniments for each piece are analyzed and categorized. The songs discussed in this paper contain many of the styles, colors, and textures that Wagner would later use in his operas. These songs are a form of "Wagner in miniature" that allow a student to experience Wagnerian vocal music without the risk of injury to the vocal folds that is possible from attempting his arias. It is true that Wagnerian operatic works are not appropriate for every voice; however, his art songs are accessible to a large population of singers and in many ways are not any more challenging than the art songs that act as foundations of the standard vocal repertoire. Adding awareness of Wagnerian art songs helps diversify the standard repertoire list and provide a good introduction to the world of Wagnerian music to voice students and teachers.
ISBN: 9781369808285Subjects--Topical Terms:
516178
Music.
The Solo Vocal Songs of Richard Wagner: A Pedagogical Guide for Use in the Voice Studio.
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The solo vocal songs of Richard Wagner are an under-performed part of the standard classical vocal repertoire. In this paper, fifteen of Richard Wagner's solo vocal songs have been researched and analyzed. The orchestrated solo works, fragments, songs with chorus, arias or operatic compositions of Richard Wagner were not considered in this paper. The background of each song is addressed including what was going on in Wagner's life at the time they were written, and any note-worthy information about the poet of the text, or the text itself. A poetic translation of each text has been included. The songs are examined based on vocal requirements such as: range, tessitura, dynamic range, composer's markings and special techniques, melodic and rhythmic aspects of the vocal line, text and diction, and suggested voice categories. Additionally, the piano accompaniments for each piece are analyzed and categorized. The songs discussed in this paper contain many of the styles, colors, and textures that Wagner would later use in his operas. These songs are a form of "Wagner in miniature" that allow a student to experience Wagnerian vocal music without the risk of injury to the vocal folds that is possible from attempting his arias. It is true that Wagnerian operatic works are not appropriate for every voice; however, his art songs are accessible to a large population of singers and in many ways are not any more challenging than the art songs that act as foundations of the standard vocal repertoire. Adding awareness of Wagnerian art songs helps diversify the standard repertoire list and provide a good introduction to the world of Wagnerian music to voice students and teachers.
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