東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The Korean Wave as a localizing proc...

Kim, Ju Oak.

FindBook

Google Book

Amazon

博客來

The Korean Wave as a localizing process: Nation as a global actor in cultural production.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Korean Wave as a localizing process: Nation as a global actor in cultural production./
作者:	Kim, Ju Oak.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:	301 p.
附註:	Source: Dissertation Abstracts International, Volume: 77-10(E), Section: A.
Contained By:	Dissertation Abstracts International77-10A(E).
標題:	Communication. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10111356
ISBN:	9781339745657

The Korean Wave as a localizing process: Nation as a global actor in cultural production.
Kim, Ju Oak.

The Korean Wave as a localizing process: Nation as a global actor in cultural production. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 301 p.

Source: Dissertation Abstracts International, Volume: 77-10(E), Section: A.

Thesis (Ph.D.)--Temple University, 2016.

This item is not available from ProQuest Dissertations & Theses.

This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies---the government, public broadcasting, and the culture industry---have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society's politics, economy, geography, and culture.

ISBN: 9781339745657Subjects--Topical Terms:

524709
Communication.

The Korean Wave as a localizing process: Nation as a global actor in cultural production.
LDR:02922nmm a2200349 4500 001 2123543
005 20171003070908.5
008 180830s2016 ||||||||||||||||| ||eng d
020 $a 9781339745657
035 $a (MiAaPQ)AAI10111356
035 $a AAI10111356
040 $a MiAaPQ $c MiAaPQ
100 1 $a Kim, Ju Oak. $3 3285469
245 1 4 $a The Korean Wave as a localizing process: Nation as a global actor in cultural production.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 301 p.
500 $a Source: Dissertation Abstracts International, Volume: 77-10(E), Section: A.
500 $a Includes supplementary digital materials.
500 $a Adviser: Fabienne Darling-Wolf.
502 $a Thesis (Ph.D.)--Temple University, 2016.
506 $a This item is not available from ProQuest Dissertations & Theses.
520 $a This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies---the government, public broadcasting, and the culture industry---have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society's politics, economy, geography, and culture.
520 $a The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)'s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices.
520 $a In conclusion, the Korean Wave has rekindled national forces in spreading local popular content globally in three ways: 1) by deconstructing a binary approach of West vs. non-West, and Global vs. Local in order to understand media cultures and practices; 2) by understanding the rise of East Asian media connections as part of a global culture; and 3) by decolonizing non-US/UK state actors to perceive their actions, which hinges on the ongoing centrality of nation-states in the global media sphere.
590 $a School code: 0225.
650 4 $a Communication. $3 524709
650 4 $a Asian studies. $3 1571829
650 4 $a Mass communication. $3 2144804
690 $a 0459
690 $a 0342
690 $a 0708
710 2 $a Temple University. $b Media & Communication. $3 2122791
773 0 $t Dissertation Abstracts International $g 77-10A(E).
790 $a 0225
791 $a Ph.D.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10111356