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A critical investigation of TV in Ta...

Chen, Ming-Chu.

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A critical investigation of TV in Taiwan: Rethinking the culture industry and ideological analysis.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A critical investigation of TV in Taiwan: Rethinking the culture industry and ideological analysis./
作者:	Chen, Ming-Chu.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 1992,
面頁冊數:	97 p.
附註:	Source: Masters Abstracts International, Volume: 31-01, page: 1800.
Contained By:	Masters Abstracts International31-01.
標題:	Mass communication. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1349040

A critical investigation of TV in Taiwan: Rethinking the culture industry and ideological analysis.
Chen, Ming-Chu.

A critical investigation of TV in Taiwan: Rethinking the culture industry and ideological analysis. - Ann Arbor : ProQuest Dissertations & Theses, 1992 - 97 p.

Source: Masters Abstracts International, Volume: 31-01, page: 1800.

Thesis (M.A.)--Michigan State University, 1992.

From the cultural sociology view, the Taiwanese TV industry is investigated in relation to the Taiwanese political system, economic situation and cultural form. Through the investigation, the role of the culture industry and the ideological representations behind the culture industry are reconsidered.Subjects--Topical Terms:

2144804
Mass communication.

A critical investigation of TV in Taiwan: Rethinking the culture industry and ideological analysis.
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245 1 2 $a A critical investigation of TV in Taiwan: Rethinking the culture industry and ideological analysis.
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300 $a 97 p.
500 $a Source: Masters Abstracts International, Volume: 31-01, page: 1800.
502 $a Thesis (M.A.)--Michigan State University, 1992.
520 $a From the cultural sociology view, the Taiwanese TV industry is investigated in relation to the Taiwanese political system, economic situation and cultural form. Through the investigation, the role of the culture industry and the ideological representations behind the culture industry are reconsidered.
520 $a In the 1960s, Taiwan's TV, as an Ideological State Apparatus, strengthened the ruling KMT's political status. The provincial government, the KMT and the military were major owners of the three networks. In the 1970s, TV contents presented the phenomenon of polarization: the serious state ideology and the light entertainment. Although there were a series of social reforms in the 1980s, TV in Taiwan still be manipulated by the soft authoritarianism.
520 $a Finally, there are three points to discuss the ideology in TV culture: (1) The dominant classes are shaped by ideology more than they shape it. The meanings of ideological representations on TV are not solely for the audiences. (2) Many media critics are too far outside the culture they examine. (3) Emancipatory TV culture can stimulate media civilization.
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