東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Dramatic harmonies: Music-making in ...

Howell, Ivy.

FindBook

Google Book

Amazon

博客來

Dramatic harmonies: Music-making in early modern Spanish theater.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Dramatic harmonies: Music-making in early modern Spanish theater./
作者:	Howell, Ivy.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2013,
面頁冊數:	248 p.
附註:	Source: Dissertation Abstracts International, Volume: 74-11(E), Section: A.
Contained By:	Dissertation Abstracts International74-11A(E).
標題:	Romance literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3587667
ISBN:	9781303250279

Dramatic harmonies: Music-making in early modern Spanish theater.
Howell, Ivy.

Dramatic harmonies: Music-making in early modern Spanish theater. - Ann Arbor : ProQuest Dissertations & Theses, 2013 - 248 p.

Source: Dissertation Abstracts International, Volume: 74-11(E), Section: A.

Thesis (Ph.D.)--Indiana University, 2013.

This item is not available from ProQuest Dissertations & Theses.

From the composer-playwrights of the sixteenth century to the seventeenth-century writers who dedicated themselves to creating Spanish forms of musical theater, many early modern Spanish dramatists frequently inserted musical performance into their works. In fact, Spanish writers selected the specific songs to incorporate in their dramatic texts while Italian and English playwrights only indicated the presence of music and left the song choice to the performing theatrical company. Literary critics and musicologists alike have emphasized the frequent presence of songs in Spanish theater, often focusing on a single playwright, genre or musical form. In this dissertation, I offer a comprehensive look at the ways in which eight early modern playwrights, Pedro Calderon de la Barca, Miguel de Cervantes, Lucas Fernandez, Lope de Vega, Luis Quinones de Benavente, Diego Sanchez de Badajoz, Tirso de Molina, and Maria de Zayas y Sotomayor, integrated songs into minor theater, the comedia and the fiesta. I elucidate the role of musical performance in early modern Spanish theater by examining the performative components in the playtext in addition to the musical score and/or recordings of contemporary theatrical performances, when available. My study is grounded in critical and theoretical research on performance, theatrical self-referentiality, intertextuality and musical philosophy to highlight the relationship between text and performance, music and drama, and drama and reality. My interdisciplinary approach offers a more thorough examination of the character of musical performance in early modern Spain than has previously been undertaken, thereby bridging the gap between musicological and literary studies of music in early modern Spanish drama.

ISBN: 9781303250279Subjects--Topical Terms:

2144781
Romance literature.

Dramatic harmonies: Music-making in early modern Spanish theater.
LDR:02818nmm a2200325 4500 001 2118435
005 20170605115651.5
008 180830s2013 ||||||||||||||||| ||eng d
020 $a 9781303250279
035 $a (MiAaPQ)AAI3587667
035 $a AAI3587667
040 $a MiAaPQ $c MiAaPQ
100 1 $a Howell, Ivy. $3 3280271
245 1 0 $a Dramatic harmonies: Music-making in early modern Spanish theater.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2013
300 $a 248 p.
500 $a Source: Dissertation Abstracts International, Volume: 74-11(E), Section: A.
500 $a Includes supplementary digital materials.
500 $a Adviser: Catherine Larson.
502 $a Thesis (Ph.D.)--Indiana University, 2013.
506 $a This item is not available from ProQuest Dissertations & Theses.
520 $a From the composer-playwrights of the sixteenth century to the seventeenth-century writers who dedicated themselves to creating Spanish forms of musical theater, many early modern Spanish dramatists frequently inserted musical performance into their works. In fact, Spanish writers selected the specific songs to incorporate in their dramatic texts while Italian and English playwrights only indicated the presence of music and left the song choice to the performing theatrical company. Literary critics and musicologists alike have emphasized the frequent presence of songs in Spanish theater, often focusing on a single playwright, genre or musical form. In this dissertation, I offer a comprehensive look at the ways in which eight early modern playwrights, Pedro Calderon de la Barca, Miguel de Cervantes, Lucas Fernandez, Lope de Vega, Luis Quinones de Benavente, Diego Sanchez de Badajoz, Tirso de Molina, and Maria de Zayas y Sotomayor, integrated songs into minor theater, the comedia and the fiesta. I elucidate the role of musical performance in early modern Spanish theater by examining the performative components in the playtext in addition to the musical score and/or recordings of contemporary theatrical performances, when available. My study is grounded in critical and theoretical research on performance, theatrical self-referentiality, intertextuality and musical philosophy to highlight the relationship between text and performance, music and drama, and drama and reality. My interdisciplinary approach offers a more thorough examination of the character of musical performance in early modern Spain than has previously been undertaken, thereby bridging the gap between musicological and literary studies of music in early modern Spanish drama.
590 $a School code: 0093.
650 4 $a Romance literature. $3 2144781
650 4 $a Theater. $3 522973
650 4 $a Music. $3 516178
690 $a 0313
690 $a 0465
690 $a 0413
710 2 $a Indiana University. $b Spanish. $3 2097012
773 0 $t Dissertation Abstracts International $g 74-11A(E).
790 $a 0093
791 $a Ph.D.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3587667