東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

The permeable self: Quotation and th...

Crawford, Chelsey.

FindBook

Google Book

Amazon

博客來

The permeable self: Quotation and the moving image.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The permeable self: Quotation and the moving image./
作者:	Crawford, Chelsey.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:	225 p.
附註:	Source: Dissertation Abstracts International, Volume: 78-04(E), Section: A.
Contained By:	Dissertation Abstracts International78-04A(E).
標題:	Film studies. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10189100
ISBN:	9781369361452

The permeable self: Quotation and the moving image.
Crawford, Chelsey.

The permeable self: Quotation and the moving image. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 225 p.

Source: Dissertation Abstracts International, Volume: 78-04(E), Section: A.

Thesis (Ph.D.)--Oklahoma State University, 2016.

This dissertation attempts to articulate a definition and a theoretical framework for understanding moving-image quotation as a particular sort of textual relationship. Rather than furthering a logic that prioritizes individual experience as the ground of existence, this dissertation deploys the ontological theories of Jean-Luc Nancy in order to argue that existence is, instead, founded on sharing. Because quotations exist between two times, places, and speakers, they cannot express individualism in a sense typically assigned to the author of a text. Instead, they highlight the deliberate repetition of an utterance. This notion is further complicated by the medium-specific elements of moving images in that they are visual media. Occurring in visual media, moving-image quotations lack conventional quotation marks and, as a result, more forcefully depend upon a Nancian ontology. Because moving images do not have a standard form for delineating between text being quoted and text doing the quoting, they are more intertwined than quotations in written form. This dissertation proceeds by examining three major means through which moving images quote one another (the aesthetic remake, the remix, and televisual repetition). By conceiving of each of these forms in terms of quotation, I highlight the means by which the quotation serves as a concrete form for the ontological interconnectedness foundational to existence.

ISBN: 9781369361452Subjects--Topical Terms:

2122736
Film studies.

The permeable self: Quotation and the moving image.
LDR:02316nmm a2200289 4500 001 2118381
005 20170605115649.5
008 180830s2016 ||||||||||||||||| ||eng d
020 $a 9781369361452
035 $a (MiAaPQ)AAI10189100
035 $a AAI10189100
040 $a MiAaPQ $c MiAaPQ
100 1 $a Crawford, Chelsey. $3 3280213
245 1 4 $a The permeable self: Quotation and the moving image.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 225 p.
500 $a Source: Dissertation Abstracts International, Volume: 78-04(E), Section: A.
500 $a Adviser: Linda Austin.
502 $a Thesis (Ph.D.)--Oklahoma State University, 2016.
520 $a This dissertation attempts to articulate a definition and a theoretical framework for understanding moving-image quotation as a particular sort of textual relationship. Rather than furthering a logic that prioritizes individual experience as the ground of existence, this dissertation deploys the ontological theories of Jean-Luc Nancy in order to argue that existence is, instead, founded on sharing. Because quotations exist between two times, places, and speakers, they cannot express individualism in a sense typically assigned to the author of a text. Instead, they highlight the deliberate repetition of an utterance. This notion is further complicated by the medium-specific elements of moving images in that they are visual media. Occurring in visual media, moving-image quotations lack conventional quotation marks and, as a result, more forcefully depend upon a Nancian ontology. Because moving images do not have a standard form for delineating between text being quoted and text doing the quoting, they are more intertwined than quotations in written form. This dissertation proceeds by examining three major means through which moving images quote one another (the aesthetic remake, the remix, and televisual repetition). By conceiving of each of these forms in terms of quotation, I highlight the means by which the quotation serves as a concrete form for the ontological interconnectedness foundational to existence.
590 $a School code: 0664.
650 4 $a Film studies. $3 2122736
650 4 $a Mass communication. $3 2144804
690 $a 0900
690 $a 0708
710 2 $a Oklahoma State University. $b English. $3 1025736
773 0 $t Dissertation Abstracts International $g 78-04A(E).
790 $a 0664
791 $a Ph.D.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10189100