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The Anima in theatre: Animating a Ju...

Zimmerman, Shadow.

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The Anima in theatre: Animating a Jungian concept for devisers, directors, and actors.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Anima in theatre: Animating a Jungian concept for devisers, directors, and actors./
作者:	Zimmerman, Shadow.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:	68 p.
附註:	Source: Masters Abstracts International, Volume: 55-05.
Contained By:	Masters Abstracts International55-05(E).
標題:	Theater. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10140291
ISBN:	9781339957104

The Anima in theatre: Animating a Jungian concept for devisers, directors, and actors.
Zimmerman, Shadow.

The Anima in theatre: Animating a Jungian concept for devisers, directors, and actors. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 68 p.

Source: Masters Abstracts International, Volume: 55-05.

Thesis (M.A.)--University of California, Santa Cruz, 2016.

In order to distill Carl Jung's psychoanalytical theories on archetypes into a format, which can be better understood and used by dramatic analysts and theatre-makers, I explored the Anima archetype and its representations in two plays, Medea (431 BC) by Euripides and The Great God Brown (1926) by Eugene O'Neill. In this thesis, I first define the Anima in Jung's terms and explain how we can find it represented in drama. I then analyze the Anima-inspired conflicts in the two plays in a fairly traditional way, but through a Jungian lens. After an analysis of the use of the Anima in these two vastly different plays, I offer suggestions for the use of the Anima archetype among theatre devisers as well as actors and directors. Lastly, I briefly envision the future of this field of study and encourage others to engage in this style of analysis.

ISBN: 9781339957104Subjects--Topical Terms:

522973
Theater.

The Anima in theatre: Animating a Jungian concept for devisers, directors, and actors.
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