語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
The discourse on race within the blu...
~
Miyake, Mark Y.
FindBook
Google Book
Amazon
博客來
The discourse on race within the bluegrass music community.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The discourse on race within the bluegrass music community./
作者:
Miyake, Mark Y.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2009,
面頁冊數:
261 p.
附註:
Source: Dissertation Abstracts International, Volume: 71-02, Section: A, page: 3910.
Contained By:
Dissertation Abstracts International71-02A.
標題:
Music. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3390321
ISBN:
9781109587210
The discourse on race within the bluegrass music community.
Miyake, Mark Y.
The discourse on race within the bluegrass music community.
- Ann Arbor : ProQuest Dissertations & Theses, 2009 - 261 p.
Source: Dissertation Abstracts International, Volume: 71-02, Section: A, page: 3910.
Thesis (Ph.D.)--Indiana University, 2009.
The American popular media often portray bluegrass music as the music of choice for the most racist elements of society, and many Americans assume that bluegrass music discourse is characterized by white supremacy and nationalistic jingoism. The dominance of this simplistic view has influenced the views of scholars, leading to a lack of serious scholarship on this important genre of popular music. This dissertation focuses on the complex dimensions of discourse on race within, and of the construction of, the bluegrass music community. It examines the ways in which the discourse shapes and is shaped by the self and projected identities, internal and external power structures of music production and community practices, and of the broader discourse on American music in which it operates. While the representation of bluegrass music as a White genre is rooted in over a century of patterns in the representations of bluegrass and related forms by the music industry, cultural historians, musicians, and others, it is the communal discourse itself that maintains this widespread and deeply held belief. Based on historical and ethnographic research, this dissertation examines this discourse and the conditions surrounding it since the founding of bluegrass music as a distinct genre in the 1940s and 1950s. It analyzes the ways in which this history influences the current community and the ways in which historical discourse within this community often serves to generate and maintain community boundaries and practices.
ISBN: 9781109587210Subjects--Topical Terms:
516178
Music.
The discourse on race within the bluegrass music community.
LDR
:02453nmm a2200301 4500
001
2118284
005
20170605115547.5
008
180830s2009 ||||||||||||||||| ||eng d
020
$a
9781109587210
035
$a
(MiAaPQ)AAI3390321
035
$a
AAI3390321
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Miyake, Mark Y.
$3
3280109
245
1 4
$a
The discourse on race within the bluegrass music community.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2009
300
$a
261 p.
500
$a
Source: Dissertation Abstracts International, Volume: 71-02, Section: A, page: 3910.
500
$a
Advisers: Sue Tuohy; Richard Bauman.
502
$a
Thesis (Ph.D.)--Indiana University, 2009.
520
$a
The American popular media often portray bluegrass music as the music of choice for the most racist elements of society, and many Americans assume that bluegrass music discourse is characterized by white supremacy and nationalistic jingoism. The dominance of this simplistic view has influenced the views of scholars, leading to a lack of serious scholarship on this important genre of popular music. This dissertation focuses on the complex dimensions of discourse on race within, and of the construction of, the bluegrass music community. It examines the ways in which the discourse shapes and is shaped by the self and projected identities, internal and external power structures of music production and community practices, and of the broader discourse on American music in which it operates. While the representation of bluegrass music as a White genre is rooted in over a century of patterns in the representations of bluegrass and related forms by the music industry, cultural historians, musicians, and others, it is the communal discourse itself that maintains this widespread and deeply held belief. Based on historical and ethnographic research, this dissertation examines this discourse and the conditions surrounding it since the founding of bluegrass music as a distinct genre in the 1940s and 1950s. It analyzes the ways in which this history influences the current community and the ways in which historical discourse within this community often serves to generate and maintain community boundaries and practices.
590
$a
School code: 0093.
650
4
$a
Music.
$3
516178
650
4
$a
Cultural anthropology.
$3
2122764
650
4
$a
Folklore.
$3
528224
690
$a
0413
690
$a
0326
690
$a
0358
710
2
$a
Indiana University.
$b
Folklore and Ethnomusicology.
$3
1028123
773
0
$t
Dissertation Abstracts International
$g
71-02A.
790
$a
0093
791
$a
Ph.D.
792
$a
2009
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3390321
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9328902
電子資源
01.外借(書)_YB
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入