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Inherited humanism: The case of Evge...
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Duda, Kathryn Anne.
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Inherited humanism: The case of Evgeniia Ginzburg and Vasilii Aksenov.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Inherited humanism: The case of Evgeniia Ginzburg and Vasilii Aksenov./
作者:
Duda, Kathryn Anne.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2014,
面頁冊數:
235 p.
附註:
Source: Dissertation Abstracts International, Volume: 76-05(E), Section: A.
Contained By:
Dissertation Abstracts International76-05A(E).
標題:
Slavic literature. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3668242
ISBN:
9781321432312
Inherited humanism: The case of Evgeniia Ginzburg and Vasilii Aksenov.
Duda, Kathryn Anne.
Inherited humanism: The case of Evgeniia Ginzburg and Vasilii Aksenov.
- Ann Arbor : ProQuest Dissertations & Theses, 2014 - 235 p.
Source: Dissertation Abstracts International, Volume: 76-05(E), Section: A.
Thesis (Ph.D.)--The University of Chicago, 2014.
Russian political authorities and authors have not always happily shared power to determine public values. Soviet authorities attempted to subjugate authors to promote narratives that culminated in the syntheses of consciousness and spontaneity and of the individual and society. Often authoritative "fathers" guided the energies of "sons," thereby forming the latter into conscious citizens. Threats to such a synthesis were myriad and in many cases hidden within society, and state authority reserved for itself the right to "unmask" them and evaluate them as either comrade or enemy. Threats were also perpetuated through private groups and domestic circles, and thus "enemies" often implicated friends and family. A critical rupture occurred, however, with the identification of Stalin as an enemy, affecting the synthesis of the "father-son" narrative.
ISBN: 9781321432312Subjects--Topical Terms:
2144740
Slavic literature.
Inherited humanism: The case of Evgeniia Ginzburg and Vasilii Aksenov.
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Russian political authorities and authors have not always happily shared power to determine public values. Soviet authorities attempted to subjugate authors to promote narratives that culminated in the syntheses of consciousness and spontaneity and of the individual and society. Often authoritative "fathers" guided the energies of "sons," thereby forming the latter into conscious citizens. Threats to such a synthesis were myriad and in many cases hidden within society, and state authority reserved for itself the right to "unmask" them and evaluate them as either comrade or enemy. Threats were also perpetuated through private groups and domestic circles, and thus "enemies" often implicated friends and family. A critical rupture occurred, however, with the identification of Stalin as an enemy, affecting the synthesis of the "father-son" narrative.
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This dissertation explores the aftermath of this rupture as it relates to the synthesis of spontaneity and consciousness, and the family. With de-Stalinization, the social family was permanently violated, and real fathers, who were often discredited during the Purges, struggled to mitigate historical suspicion. Mothers, like Evgeniia Ginzburg, fared worse. In addition to lingering Stalinist suspicions, they were symbols of the past and the privacy of the home, and thereby threatened the evaluative power of the State. The story coalesces around two authors---Ginzburg, and her son, Vasilii Aksenov---and their authorial careers in the sixties and seventies that admitted of both public and private dimensions, negotiating the value of the individual and his relationship to culture. Chapter 1 examines the early sixties, when both Ginzburg and Aksenov wrote for the new journal Iunost', a publication that engaged authors of various generations in the project of cultivating young individuals interested in culture. Chapter 2 analyzes Ginzburg's suppressed memoir of her Gulag experience, in which she constructs the story of her family as an expression of heroic humanism in the face of brutish chaos. Ginzburg illuminates the failure of Stalinism to dominate her life and, more importantly, dictate meaning to her children. Chapter 3 investigates Aksenov's underground novels The Burn and The Island of the Crimea, in which he probes his disjointed biography, as narrated by his mother, without an eye towards synthesis. As he divulges how the idea of family comes into conflict with a State that presumes to prescribe all meaning, Aksenov exposes the incompatibility of state authority, which seeks to rigidly determine the reality of its citizens, and the artist, whose literary heritage invests him with the authority to renew social values.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3668242
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