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The Impressionists at Argenteuil /

Tucker, Paul Hayes, (1950-)

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The Impressionists at Argenteuil /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	The Impressionists at Argenteuil // Paul Hayes Tucker.
作者:	Tucker, Paul Hayes,
出版者:	Washington [D.C.] :National Gallery of Art ; : 2000.,
面頁冊數:	179 p. :ill (some color), maps ;30 cm.
附註:	Organized by the the National Gallery of Art, Washington, May 28-Aug. 20, 2000 and the Wadsworth Atheneum Museum of Art, Hartford, Sept. 6-Dec. 3, 2000
標題:	Impressionism (Art) - Exhibitions - France -
標題:	Argenteuil (France) - Social life and customs - 19th century -
ISBN:	0894682490

The Impressionists at Argenteuil /
Tucker, Paul Hayes,1950-

The Impressionists at Argenteuil /Paul Hayes Tucker. - Washington [D.C.] :National Gallery of Art ;2000. - 179 p. :ill (some color), maps ;30 cm.

Organized by the the National Gallery of Art, Washington, May 28-Aug. 20, 2000 and the Wadsworth Atheneum Museum of Art, Hartford, Sept. 6-Dec. 3, 2000

Includes bibliographical references and index

On place and meaning : Argenteuil and the impressionists, 1871-1894 --

"With the exception of Paris, no other site is more closely associated with the birth of impressionism than Argenteuil. Only fifteen minutes by railroad from the heart of the capital, Argenteuil was home to Claude Monet from late 1871 to early 1878, a period that was prolific and revolutionary. It was during his time in Argenteuil that Monet developed his unique vision of landscape painting, at once authentic and idyllic, suffused with light, atmosphere, and the complexities of contemporaneity. At the end of the nineteenth century, other avant-garde painters - Eugene Boudin, Gustave Caillebotte, Edouard Manet, Auguste Renoir, Alfred Sisley - were also drawn to Argenteuil by its beauty, its proximity to Paris, and its association with suburban recreation. Monet's amiable presence was another source of appeal, and many artists - most notably Sisley and Renoir - came to paint alongside him. The Impressionists at Argenteuil explores the fertile moment when the fascination with atmospheric effects, depictions of modern life, and lively artistic exchanges of the 1860's coalesced to become classic impressionism. An introductory essay as well as entries on fifty-two paintings by Boudin, Caillebotte, Manet, Monet, Renoir, and Sisley present the richness of the artists' individual responses to this site and the relationships that developed among them."--Jacket

ISBN: 0894682490Subjects--Topical Terms:

3275732
Impressionism (Art)
--France--ExhibitionsSubjects--Geographical Terms:

3275730
Argenteuil (France)
--Social life and customs--19th centuryIndex Terms--Genre/Form:

2069343
Exhibition catalogs.

LC Class. No.: ND551.A74 / .T83 2000

Dewey Class. No.: 759.4/367

The Impressionists at Argenteuil /
LDR:02367cam 22002414a 4500 001 2114481
003 OCoLC
005 20160712065430.0
008 180821t2000 dcuab bc f001 0 eng
020 $a 0894682490 $q (pbk.)
020 $a 9780894682490 $q (pbk.)
020 $a 0300083491 $q (hbk.)
020 $a 9780300083491 $q (hbk.)
040 $a DLC $b eng
050 0 0 $a ND551.A74 $b .T83 2000
082 0 0 $a 759.4/367 $2 21
100 1 $a Tucker, Paul Hayes, $d 1950- $3 3275729
245 1 0 $a The Impressionists at Argenteuil / $c Paul Hayes Tucker.
260 $a Washington [D.C.] : $b National Gallery of Art ; $a Hartford [Conn.] : $b Wadsworth Atheneum Museum of Art, $c 2000.
300 $a 179 p. : $b ill (some color), maps ; $c 30 cm.
500 $a Organized by the the National Gallery of Art, Washington, May 28-Aug. 20, 2000 and the Wadsworth Atheneum Museum of Art, Hartford, Sept. 6-Dec. 3, 2000
500 $a Includes index
504 $a Includes bibliographical references and index
505 0 # $t On place and meaning : Argenteuil and the impressionists, 1871-1894 -- $t Catalogue of the exhibition -- $t Index of paintings in the exhibition.
520 1 $a "With the exception of Paris, no other site is more closely associated with the birth of impressionism than Argenteuil. Only fifteen minutes by railroad from the heart of the capital, Argenteuil was home to Claude Monet from late 1871 to early 1878, a period that was prolific and revolutionary. It was during his time in Argenteuil that Monet developed his unique vision of landscape painting, at once authentic and idyllic, suffused with light, atmosphere, and the complexities of contemporaneity. At the end of the nineteenth century, other avant-garde painters - Eugene Boudin, Gustave Caillebotte, Edouard Manet, Auguste Renoir, Alfred Sisley - were also drawn to Argenteuil by its beauty, its proximity to Paris, and its association with suburban recreation. Monet's amiable presence was another source of appeal, and many artists - most notably Sisley and Renoir - came to paint alongside him. The Impressionists at Argenteuil explores the fertile moment when the fascination with atmospheric effects, depictions of modern life, and lively artistic exchanges of the 1860's coalesced to become classic impressionism. An introductory essay as well as entries on fifty-two paintings by Boudin, Caillebotte, Manet, Monet, Renoir, and Sisley present the richness of the artists' individual responses to this site and the relationships that developed among them."--Jacket
650 # 0 $a Impressionism (Art) $z France $z Argenteuil $v Exhibitions $3 3275732
650 # 0 $a Artist colonies $z France $z Argenteuil $v Exhibitions $3 3275733
650 # 0 $a Impressionist artists $z France $z Argenteuil $v Exhibitions $3 3275734
651 0 $a Argenteuil (France) $x Social life and customs $y 19th century $3 3275730
655 # 7 $a Exhibition catalogs. $2 fast $3 2069343
710 2 # $a National Gallery of Art (U.S.) $3 562632
710 2 # $a Wadsworth Atheneum Museum of Art. $3 891565