東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Reassessing the Hitchcock touch = in...

Schwanebeck, Wieland.

Linked to FindBook

Google Book

Amazon

博客來

Reassessing the Hitchcock touch = industry, collaboration, and filmmaking /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Reassessing the Hitchcock touch/ edited by Wieland Schwanebeck.
Reminder of title:	industry, collaboration, and filmmaking /
other author:	Schwanebeck, Wieland.
Published:	Cham :Springer International Publishing : : 2017.,
Description:	xiv, 273 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introducing the Hitchcock Touch -- 2. Facing the Past as Well as the Future: Music and Sound in Hitchcock's Early British Sound Films -- 3. Between Camera Stylo and the Making of Images: Hitchcock's Cinematographers -- 4. Hitchcock's Plotting -- 5. Hitchcock's Brunettes: Visualizing Queerness in the 1940s and 1950s -- 6. Gazing and Constructing: Imag(in)ing Madeleine in Vertigo -- 7. "If I Won't Be Myself, Who Will?": The Making of a Star Persona in Alfred Hitchcock Presents and The Alfred Hitchcock Hour -- 8. Alfred Hitchcock: Cinematic Seducer. Frenzy and the Seduction Theory of Film -- 9. The Visual Peak: Saul Bass as Hitchcock's 'Pictorial Consultant' -- 10. Alfred Hitchcock's Three Investigators Series -- 11. Jack of All Trades: Alfred Hitchcock's Apprenticeship in Neubabelsberg, 1924/25 -- 12. Hitchcock--Powell--Ford -- 13. Uncommon Dangers: Alfred Hitchcock and the Literary Contexts of the British Spy Thriller -- 14. Jaws: Directed by Alfred Hitchcock.
Contained By:	Springer eBooks
Subject:	Motion picture industry. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-60008-6
ISBN:	9783319600086

Reassessing the Hitchcock touch = industry, collaboration, and filmmaking /
Reassessing the Hitchcock touchindustry, collaboration, and filmmaking /[electronic resource] :edited by Wieland Schwanebeck. - Cham :Springer International Publishing :2017. - xiv, 273 p. :ill., digital ;24 cm.

1. Introducing the Hitchcock Touch -- 2. Facing the Past as Well as the Future: Music and Sound in Hitchcock's Early British Sound Films -- 3. Between Camera Stylo and the Making of Images: Hitchcock's Cinematographers -- 4. Hitchcock's Plotting -- 5. Hitchcock's Brunettes: Visualizing Queerness in the 1940s and 1950s -- 6. Gazing and Constructing: Imag(in)ing Madeleine in Vertigo -- 7. "If I Won't Be Myself, Who Will?": The Making of a Star Persona in Alfred Hitchcock Presents and The Alfred Hitchcock Hour -- 8. Alfred Hitchcock: Cinematic Seducer. Frenzy and the Seduction Theory of Film -- 9. The Visual Peak: Saul Bass as Hitchcock's 'Pictorial Consultant' -- 10. Alfred Hitchcock's Three Investigators Series -- 11. Jack of All Trades: Alfred Hitchcock's Apprenticeship in Neubabelsberg, 1924/25 -- 12. Hitchcock--Powell--Ford -- 13. Uncommon Dangers: Alfred Hitchcock and the Literary Contexts of the British Spy Thriller -- 14. Jaws: Directed by Alfred Hitchcock.

This volume is dedicated to the elusive category of the Hitchcock Touch, the qualities and techniques which had manifested in Alfred Hitchcock's own films yet which cannot be limited to the realm of Hitchcockian cinema alone. While the first section of this collection focuses on Hitchcock's own films and the various people who made important artistic contributions to them, the subsequent chapters draw wider circles. Case studies focusing on the branding effects associated with Hitchcockian cinema and its seductive qualities highlight the paratextual dimension of his films and the importance of his well-publicized persona, while the final section addresses both Hitchcock's formative period, as well as other filmmakers who drew upon the Hitchcock Touch. The collection not only serves as an introduction to the field of Hitchcock scholarship for a wider audience, it also delivers in-depth assessments of the lesser-known early period of his career, in addition to providing new takes on canonical films like Vertigo (1958) and Frenzy (1972)

ISBN: 9783319600086

Standard No.: 10.1007/978-3-319-60008-6doiSubjects--Personal Names:

784664
Hitchcock, Alfred,
1899-1980--Criticism and interpretation.Subjects--Topical Terms:

605486
Motion picture industry.

LC Class. No.: PN1998.3.H58 / R437 2017

Dewey Class. No.: 791.430233092

Reassessing the Hitchcock touch = industry, collaboration, and filmmaking /
LDR:03032nmm a2200313 a 4500 001 2110984
003 DE-He213
005 20180425113601.0
006 m d
007 cr nn 008maaau
008 180619s2017 gw s 0 eng d
020 $a 9783319600086 $q (electronic bk.)
020 $a 9783319600079 $q (paper)
024 7 $a 10.1007/978-3-319-60008-6 $2 doi
035 $a 978-3-319-60008-6
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1998.3.H58 $b R437 2017
072 7 $a APFA $2 bicssc
072 7 $a PER004000 $2 bisacsh
082 0 4 $a 791.430233092 $2 23
090 $a PN1998.3.H58 $b R288 2017
245 0 0 $a Reassessing the Hitchcock touch $h [electronic resource] : $b industry, collaboration, and filmmaking / $c edited by Wieland Schwanebeck.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2017.
300 $a xiv, 273 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introducing the Hitchcock Touch -- 2. Facing the Past as Well as the Future: Music and Sound in Hitchcock's Early British Sound Films -- 3. Between Camera Stylo and the Making of Images: Hitchcock's Cinematographers -- 4. Hitchcock's Plotting -- 5. Hitchcock's Brunettes: Visualizing Queerness in the 1940s and 1950s -- 6. Gazing and Constructing: Imag(in)ing Madeleine in Vertigo -- 7. "If I Won't Be Myself, Who Will?": The Making of a Star Persona in Alfred Hitchcock Presents and The Alfred Hitchcock Hour -- 8. Alfred Hitchcock: Cinematic Seducer. Frenzy and the Seduction Theory of Film -- 9. The Visual Peak: Saul Bass as Hitchcock's 'Pictorial Consultant' -- 10. Alfred Hitchcock's Three Investigators Series -- 11. Jack of All Trades: Alfred Hitchcock's Apprenticeship in Neubabelsberg, 1924/25 -- 12. Hitchcock--Powell--Ford -- 13. Uncommon Dangers: Alfred Hitchcock and the Literary Contexts of the British Spy Thriller -- 14. Jaws: Directed by Alfred Hitchcock.
520 $a This volume is dedicated to the elusive category of the Hitchcock Touch, the qualities and techniques which had manifested in Alfred Hitchcock's own films yet which cannot be limited to the realm of Hitchcockian cinema alone. While the first section of this collection focuses on Hitchcock's own films and the various people who made important artistic contributions to them, the subsequent chapters draw wider circles. Case studies focusing on the branding effects associated with Hitchcockian cinema and its seductive qualities highlight the paratextual dimension of his films and the importance of his well-publicized persona, while the final section addresses both Hitchcock's formative period, as well as other filmmakers who drew upon the Hitchcock Touch. The collection not only serves as an introduction to the field of Hitchcock scholarship for a wider audience, it also delivers in-depth assessments of the lesser-known early period of his career, in addition to providing new takes on canonical films like Vertigo (1958) and Frenzy (1972)
600 1 0 $a Hitchcock, Alfred, $d 1899-1980 $x Criticism and interpretation. $3 784664
650 0 $a Motion picture industry. $3 605486
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Film Theory. $3 2191773
650 2 4 $a Directing. $3 2200203
650 2 4 $a Close Reading. $3 3250831
650 2 4 $a Genre. $3 2191767
650 2 4 $a Film History. $3 2182157
700 1 $a Schwanebeck, Wieland. $3 3264630
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-60008-6
950 $a Literature, Cultural and Media Studies (Springer-41173)