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Spaces of surveillance = states and ...

Flynn, Susan.

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Spaces of surveillance = states and selves /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Spaces of surveillance/ edited by Susan Flynn, Antonia Mackay.
Reminder of title:	states and selves /
other author:	Flynn, Susan.
Published:	Cham :Springer International Publishing : : 2017.,
Description:	xii, 278 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Equality and Erasure: Response to Subject in the Art of Jill Magid -- 3. Camera Performed: Visualising the Behaviours of Technology in Digital Performance -- 4. She's Not There: Shallow Focus on Privacy, Surveillance and the Emerging Techno-mediated Modes of Being in Spike Jonze's Her -- 5. Surveillance in Zero Dark Thirty: Terrorism, Space and Identity -- 6. To see and to be Seen: Surveillance, The Vampiric Lens and the Undead Subject -- 7. Watching Through Windows: Bret Easton Ellis and Urban Surveillance -- 8. Participating in '1984': The Surveillance of Sousveillance from White Noise to Right Now -- 9. Surveillance in Post-Postmodern American Fiction: Dave Eggers The Circle, Jonathan Franzen's Purity, and Gary Shteyngart's Super Sad True Love Story -- 9. Citizen: Claudia Rankine, from the First to the Second Person -- 10. Castrating Blackness: Surveillance, Profiling and Management in the Canadian Context' -- 11. Sousveillance as a Tool in US Civic Polity -- 12. Medical Surveillance and Bodily Privacy: Secret Selves and Graph Diaspora.
Contained By:	Springer eBooks
Subject:	Electronic surveillance - Government policy. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-49085-4
ISBN:	9783319490854

Spaces of surveillance = states and selves /
Spaces of surveillancestates and selves /[electronic resource] :edited by Susan Flynn, Antonia Mackay. - Cham :Springer International Publishing :2017. - xii, 278 p. :ill., digital ;24 cm.

1. Introduction -- 2. Equality and Erasure: Response to Subject in the Art of Jill Magid -- 3. Camera Performed: Visualising the Behaviours of Technology in Digital Performance -- 4. She's Not There: Shallow Focus on Privacy, Surveillance and the Emerging Techno-mediated Modes of Being in Spike Jonze's Her -- 5. Surveillance in Zero Dark Thirty: Terrorism, Space and Identity -- 6. To see and to be Seen: Surveillance, The Vampiric Lens and the Undead Subject -- 7. Watching Through Windows: Bret Easton Ellis and Urban Surveillance -- 8. Participating in '1984': The Surveillance of Sousveillance from White Noise to Right Now -- 9. Surveillance in Post-Postmodern American Fiction: Dave Eggers The Circle, Jonathan Franzen's Purity, and Gary Shteyngart's Super Sad True Love Story -- 9. Citizen: Claudia Rankine, from the First to the Second Person -- 10. Castrating Blackness: Surveillance, Profiling and Management in the Canadian Context' -- 11. Sousveillance as a Tool in US Civic Polity -- 12. Medical Surveillance and Bodily Privacy: Secret Selves and Graph Diaspora.

In a world of ubiquitous surveillance, watching and being watched are the salient features of the lives depicted in many of our cultural productions. This collection examines surveillance as it is portrayed in art, literature, film and popular culture, and makes the connection between our sense of 'self' and what is 'seen'. In our post-panoptical world which purports to proffer freedom of movement, technology notes our movements and habits at every turn. Surveillance seeps out from businesses and power structures to blur the lines of security and confidentiality. This unsettling loss of privacy plays out in contemporary narratives, where the 'selves' we create are troubled by surveillance. This collection will appeal to scholars of media and cultural studies, contemporary literature, film and art and American studies.

ISBN: 9783319490854

Standard No.: 10.1007/978-3-319-49085-4doiSubjects--Topical Terms:

3252180
Electronic surveillance
--Government policy.

LC Class. No.: TK7882.E2

Dewey Class. No.: 621.38928

Spaces of surveillance = states and selves /
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245 0 0 $a Spaces of surveillance $h [electronic resource] : $b states and selves / $c edited by Susan Flynn, Antonia Mackay.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2017.
300 $a xii, 278 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Equality and Erasure: Response to Subject in the Art of Jill Magid -- 3. Camera Performed: Visualising the Behaviours of Technology in Digital Performance -- 4. She's Not There: Shallow Focus on Privacy, Surveillance and the Emerging Techno-mediated Modes of Being in Spike Jonze's Her -- 5. Surveillance in Zero Dark Thirty: Terrorism, Space and Identity -- 6. To see and to be Seen: Surveillance, The Vampiric Lens and the Undead Subject -- 7. Watching Through Windows: Bret Easton Ellis and Urban Surveillance -- 8. Participating in '1984': The Surveillance of Sousveillance from White Noise to Right Now -- 9. Surveillance in Post-Postmodern American Fiction: Dave Eggers The Circle, Jonathan Franzen's Purity, and Gary Shteyngart's Super Sad True Love Story -- 9. Citizen: Claudia Rankine, from the First to the Second Person -- 10. Castrating Blackness: Surveillance, Profiling and Management in the Canadian Context' -- 11. Sousveillance as a Tool in US Civic Polity -- 12. Medical Surveillance and Bodily Privacy: Secret Selves and Graph Diaspora.
520 $a In a world of ubiquitous surveillance, watching and being watched are the salient features of the lives depicted in many of our cultural productions. This collection examines surveillance as it is portrayed in art, literature, film and popular culture, and makes the connection between our sense of 'self' and what is 'seen'. In our post-panoptical world which purports to proffer freedom of movement, technology notes our movements and habits at every turn. Surveillance seeps out from businesses and power structures to blur the lines of security and confidentiality. This unsettling loss of privacy plays out in contemporary narratives, where the 'selves' we create are troubled by surveillance. This collection will appeal to scholars of media and cultural studies, contemporary literature, film and art and American studies.
650 0 $a Electronic surveillance $x Government policy. $3 3252180
650 0 $a National security. $3 594947
650 0 $a Internal security. $3 735254
650 0 $a Strategic culture $z United States. $3 1559855
650 0 $a Secrecy $x Political aspects. $3 3252181
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Cultural Theory. $3 2191713
650 2 4 $a Philosophy of Technology. $3 897015
650 2 4 $a Self and Identity. $3 2181948
650 2 4 $a Social Media. $3 2186794
650 2 4 $a Film Theory. $3 2191773
650 2 4 $a Literature and Technology/Media. $3 2195339
700 1 $a Flynn, Susan. $3 1937005
700 1 $a Mackay, Antonia. $3 3252179
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-49085-4
950 $a Literature, Cultural and Media Studies (Springer-41173)