東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Modern American drama on screen

Bray, William Robert, (1951-)

FindBook

Google Book

Amazon

博客來

Modern American drama on screen

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Modern American drama on screen/ edited by William Robert Bray, R. Barton Palmer.
其他作者:	Bray, William Robert,
出版者:	Cambridge :Cambridge University Press, : 2013.,
面頁冊數:	xiv, 300 p. :ill., digital ;24 cm.
內容註:	Introduction / by R. Barton Palmer and William Robert Bray -- Realism, censorship, and social promise of Dead end / by Amanda Klein -- Screening Our town (1940): or the problem of looking at everything hard enough / by David Eldridge -- Screening Death of a salesman: Arthur Miller's cinema and its discontents / by R. Barton Palmer -- Elia Kazan's A streetcar named desire / by William Robert Bray -- Come back, little scopophile: William Inge, Daniel Mann, and cinematic voyeurism / by John S. Bak -- The big knife: Hollywood's fable about moral values and success / by Christopher Ames -- Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A raisin in the sun / by Martin Halliwell -- The children's hour / by Neil Sinyard -- Screening Long day's journey into night / by Mary F. Brewer -- Who's afraid of Virginia Woolf / by David Lavery and Nancy Mcguire Roche -- Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for love / by Annette Saddik -- Actor, image, action: Anthony Ddrazan's Hurlyburly (1998) / by Laurence Raw -- David Mamet brings film to Oleanna / by Brenda Murphy -- To what end wit? / by John D. Sykes, jr -- Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America (on stage and screen) / by Tison Pugh.
標題:	American drama - Film adaptations. -
電子資源:	https://doi.org/10.1017/CBO9780511843709
ISBN:	9780511843709

Modern American drama on screen
Modern American drama on screen[electronic resource] /edited by William Robert Bray, R. Barton Palmer. - Cambridge :Cambridge University Press,2013. - xiv, 300 p. :ill., digital ;24 cm.

Introduction / by R. Barton Palmer and William Robert Bray -- Realism, censorship, and social promise of Dead end / by Amanda Klein -- Screening Our town (1940): or the problem of looking at everything hard enough / by David Eldridge -- Screening Death of a salesman: Arthur Miller's cinema and its discontents / by R. Barton Palmer -- Elia Kazan's A streetcar named desire / by William Robert Bray -- Come back, little scopophile: William Inge, Daniel Mann, and cinematic voyeurism / by John S. Bak -- The big knife: Hollywood's fable about moral values and success / by Christopher Ames -- Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A raisin in the sun / by Martin Halliwell -- The children's hour / by Neil Sinyard -- Screening Long day's journey into night / by Mary F. Brewer -- Who's afraid of Virginia Woolf / by David Lavery and Nancy Mcguire Roche -- Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for love / by Annette Saddik -- Actor, image, action: Anthony Ddrazan's Hurlyburly (1998) / by Laurence Raw -- David Mamet brings film to Oleanna / by Brenda Murphy -- To what end wit? / by John D. Sykes, jr -- Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America (on stage and screen) / by Tison Pugh.

From its beginnings, the American film industry has profited from bringing popular and acclaimed dramatic works to the screen. This is the first book to offer a comprehensive account, focusing on key texts, of how Hollywood has given a second and enduring life to such classics of the American theater as Long Day's Journey into Night, A Streetcar Named Desire and Who's Afraid of Virginia Woolf? Each chapter is written by a leading scholar and focuses on Broadway's most admired and popular productions. The book is ideally suited for classroom use and offers an otherwise unavailable introduction to a subject which is of great interest to students and scholars alike.

ISBN: 9780511843709Subjects--Topical Terms:

3214512
American drama
--Film adaptations.

LC Class. No.: PS338.M67 / M63 2013

Dewey Class. No.: 791.430973

Modern American drama on screen
LDR:02749nmm a2200253 a 4500 001 2086590
003 UkCbUP
005 20170906094438.0
006 m d
007 cr nn 008maaau
008 171002s2013 enk s 0 eng d
020 $a 9780511843709 $q (electronic bk.)
020 $a 9781107000650 $q (hardback)
035 $a CR9780511843709
040 $a UkCbUP $b eng $c UkCbUP $d GP
041 0 $a eng
050 0 0 $a PS338.M67 $b M63 2013
082 0 0 $a 791.430973 $2 23
090 $a PS338.M67 $b M689 2013
245 0 0 $a Modern American drama on screen $h [electronic resource] / $c edited by William Robert Bray, R. Barton Palmer.
260 $a Cambridge : $b Cambridge University Press, $c 2013.
300 $a xiv, 300 p. : $b ill., digital ; $c 24 cm.
505 0 $a Introduction / by R. Barton Palmer and William Robert Bray -- Realism, censorship, and social promise of Dead end / by Amanda Klein -- Screening Our town (1940): or the problem of looking at everything hard enough / by David Eldridge -- Screening Death of a salesman: Arthur Miller's cinema and its discontents / by R. Barton Palmer -- Elia Kazan's A streetcar named desire / by William Robert Bray -- Come back, little scopophile: William Inge, Daniel Mann, and cinematic voyeurism / by John S. Bak -- The big knife: Hollywood's fable about moral values and success / by Christopher Ames -- Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A raisin in the sun / by Martin Halliwell -- The children's hour / by Neil Sinyard -- Screening Long day's journey into night / by Mary F. Brewer -- Who's afraid of Virginia Woolf / by David Lavery and Nancy Mcguire Roche -- Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for love / by Annette Saddik -- Actor, image, action: Anthony Ddrazan's Hurlyburly (1998) / by Laurence Raw -- David Mamet brings film to Oleanna / by Brenda Murphy -- To what end wit? / by John D. Sykes, jr -- Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America (on stage and screen) / by Tison Pugh.
520 $a From its beginnings, the American film industry has profited from bringing popular and acclaimed dramatic works to the screen. This is the first book to offer a comprehensive account, focusing on key texts, of how Hollywood has given a second and enduring life to such classics of the American theater as Long Day's Journey into Night, A Streetcar Named Desire and Who's Afraid of Virginia Woolf? Each chapter is written by a leading scholar and focuses on Broadway's most admired and popular productions. The book is ideally suited for classroom use and offers an otherwise unavailable introduction to a subject which is of great interest to students and scholars alike.
650 0 $a American drama $v Film adaptations. $3 3214512
650 0 $a Film adaptations $x History and criticism. $3 592885
650 0 $a Motion pictures and literature $z United States. $3 715925
700 1 $a Bray, William Robert, $d 1951- $3 1088417
700 1 $a Palmer, R. Barton, $d 1946- $3 911387
856 4 0 $u https://doi.org/10.1017/CBO9780511843709