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Paradoxical japaneseness = cultural ...

Dorman, Andrew.

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Paradoxical japaneseness = cultural representation in twenty-first century japanese cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Paradoxical japaneseness/ by Andrew Dorman.
Reminder of title:	cultural representation in twenty-first century japanese cinema /
Author:	Dorman, Andrew.
Published:	London :Palgrave Macmillan UK : : 2016.,
Description:	xiii, 224 p. :ill., digital ;24 cm.
[NT 15003449]:	Introduction -- Chapter 1: Cultural Specificity and Globalization -- Chapter 2: (Cult)ural Hybridity -- Chapter 3: Concealing Japan in J Horror -- Chapter 4: Utilizing International Film Festivals -- Chapter 5: 21st Century Jidaigeki and Commercial Ownership -- Conclusions.
Contained By:	Springer eBooks
Subject:	Motion pictures - History - 21st century. - Japan -
Subject:	Japan - In motion pictures. -
Online resource:	http://dx.doi.org/10.1057/978-1-137-55160-3
ISBN:	9781137551603

Paradoxical japaneseness = cultural representation in twenty-first century japanese cinema /
Dorman, Andrew.

Paradoxical japanesenesscultural representation in twenty-first century japanese cinema /[electronic resource] :by Andrew Dorman. - London :Palgrave Macmillan UK :2016. - xiii, 224 p. :ill., digital ;24 cm.

Introduction -- Chapter 1: Cultural Specificity and Globalization -- Chapter 2: (Cult)ural Hybridity -- Chapter 3: Concealing Japan in J Horror -- Chapter 4: Utilizing International Film Festivals -- Chapter 5: 21st Century Jidaigeki and Commercial Ownership -- Conclusions.

This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation - cultural concealment and cultural performance - and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.

ISBN: 9781137551603

Standard No.: 10.1057/978-1-137-55160-3doiSubjects--Topical Terms:

3201020
Motion pictures
--History--Japan--21st century.Subjects--Geographical Terms:

972917
Japan
--In motion pictures.

LC Class. No.: PN1993.5.J3 / D67 2016

Dewey Class. No.: 791.430952

Paradoxical japaneseness = cultural representation in twenty-first century japanese cinema /
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505 0 $a Introduction -- Chapter 1: Cultural Specificity and Globalization -- Chapter 2: (Cult)ural Hybridity -- Chapter 3: Concealing Japan in J Horror -- Chapter 4: Utilizing International Film Festivals -- Chapter 5: 21st Century Jidaigeki and Commercial Ownership -- Conclusions.
520 $a This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation - cultural concealment and cultural performance - and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.
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650 1 4 $a Cultural and Media Studies. $3 2165732
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